Liste der Kompositionen von William Lloyd Webber

Dieses Verzeichnis umfasst die musikalischen Werke des britischen Komponisten William Lloyd Webber (1914–1982).

Orgel Prelude and Fugue (1936 komponiert. Unveröffentlicht.) Three Voluntaries (1950 komponiert. London: Bosworth & Co. Ltd., 1950): I. Introit (in E-flat Major) II. Offertory (in G Minor) III. Recessional (in E-flat Major) Suite in B Flat Major (1951 komponiert. London: Bosworth & Co. Ltd, 1951): I. Prelude II. Fugal Allegro III. Minuet (in G Minor) IV. Choral Song Beside the Still Waters: Six Introductory Improvisations (1952 komponiert. London: Bosworth & Co. Ltd., 1952) I. Andante, poco gravamente (in E Minor) II. Andantino Amabile (In E Major) III. Adagio e mesto (in A Minor) IV. Moderato, poco mosso e grazioso (in F Major) V. Andantino alla Cantilena (in F Minor) VI. Lento con tenerezza (in D Major) Three Recital Pieces (1952 komponiert. London: Francis, Day & Hunter, 1952): I. Prelude (in E-flat Major) II. Barcarolle (in G Minor) III. Nuptial March (in D Major) The Chapel in the Valley, Vol. 1: Six Voluntaries (1953 komponiert. London: A. Weekes & Co., 1953): I. Aria II. Larghetto III. Vesper Hymn IV. Trumpet Minuet (in G Major) V. Cradle Song VI. Choral March (in B-flat Major) The Chapel in the Valley, Vol. 2: Six Voluntaries (1953 komponiert. London: A. Weekes & Co., 1953): I. Prelude (in E-flat Major) II. Song Without Words III. Postlude (in D Minor) IV. Communion V. Festal March (in E-flat Major) VI. Epilogue (in A Major) Dedication March (in F Major) (1953 komponiert. London: William Elkin, 1953) Four Epilogues (1953 komponiert. London: Bosworth & Co. Ltd., 1953) I. Allegro moderato (in C Major) II. Risoluto (in E Minor) III. Resurgam (in E-Flat Major) IV. Maestoso, ma con anima (in A Major) Christ in the tomb from „The Divine Compassion“ (1954 komponiert. In: Centenary Collection Organ, 2014) Intermezzo on „Holyrood“ (1956 komponiert. London: Novello, 1956) Four Quiet Interludes (1956 komponiert. London: Bosworth & Co. Ltd., 1956): I. Elegiac II. Dorian III. Pastorale (By the waters of Babylon) IV. Choral (in E-flat Major) Rhapsody on „Helmsley“ (1956 komponiert. London: Novello, 1956) Six Sketches (1956 komponiert. London: Francis, Day & Hunter, 1956): I. Prelude II. Slumber SongOrgelfassung des gleichnamigen Werkes vom Komponisten aus den Three Pieces für Violoncello und Klavier (1951). III. Summer Pastures IV. Romance V. Intermezzo VI. Postlude (in G Major) Arietta in A Major (1957 komponiert. London: William Elkin, 1957) Chorale, Cantilena and Finale (1958 komponiert. London: Novello, 1958) Benedictus (Diapasons) (1960 komponiert. In: The Colours of the organ: Six pieces by modern composers. London: Novello, 1960)In diesem Sammelband werden in sechs Werken verschiedener zeitgenössischer Komponisten charakteristische Klangfarben der Orgel präsentiert: I. Benedictus (Diapasons) – William Lloyd Webber. II. A Sketch (Scherzando) (Flutes) – Heathcote Statham. III. Diversion (Mixtures) – Francis Jackson. IV. Elevation (Strings) – Arthur Wills. V. Caprice (Oboe) – Desmond Ratcliffe. VI. Holiday Trumpets (Reeds) – Leo Sowerby. Six Interludes on Christmas Carols (1960 komponiert. London: Novello, 1961): I. The Holly and the Ivy II. Good King Wenceslas III. Whence is this Goodly Fragrance IV. Noel Nouvelet V. The Coventry Carol VI. God Rest You Merry, Gentlemen Solemn Procession (1961 komponiert. In: Fanfares and processionals: Eight pieces for organ by modern composers. London: Novello, 1961) Six Interludes on Passion Hymns (1963 komponiert. London: Novello, 1963): I. There is a Green Hill Far Away (Horsley) II. When I Survey the Wondrous Cross (Rockingham) III. Ride On, Ride On in Majesty (Winchester New) IV. O Come and Mourn with Me Awhile (St Cross) V. O sacred head sore wounded (Passion Chorale) VI. Praise to the Holiest in the Height (Gerontius) Five Versets (1964 komponiert. London: Novello, 1964): I. Introduzione (in F Major) II. Tranquillamente (in F Major) III. Sempre simplicite (in B-flat Major) IV. Poco allegretto (in G Minor) V. Alla marcia (in D Minor) Three Improvisations (1965 komponiert. London: Novello, 1965): I. Intrada (in D Minor) II. Asperges Me (in D Major) III. Deo Gratias (in A Major) Prayer and Praise: 13 Simple Organ Voluntaries on two staves with pedal indications (Borough Green: W. Paxton & Co. Ltd., 1975): I. Prelude (in E-flat Major; aus: The Chapel in the Valley, Vol. 1, 1953) II. Song Without Words (aus: The Chapel in the Valley, Vol. 1, 1953) III. Postlude (in D Minor; aus: The Chapel in the Valley, Vol. 2, 1953) IV. Communion (aus: The Chapel in the Valley, Vol. 2, 1953) V. Epilogue (aus: The Chapel in the Valley, Vol. 2, 1953) VI. Aria (aus: The Chapel in the Valley, Vol. 1, 1953) VII. Larghetto (aus: The Chapel in the Valley, Vol. 1, 1953) VIII. Trumpet Minuet (in G Major; aus: The Chapel in the Valley, Vol. 1, 1953) IX. Cradle Song (aus: The Chapel in the Valley, Vol. 1, 1953) X. Choral March (aus: The Chapel in the Valley, Vol. 1, 1953) XI. Meditation on „Stracathro“ – O, for a Closer Walk with God XII. Sarabande on „Vox Dilecti“ – I Heard the Voice of Jesus Say XIII. Triumphant March (in C Major) Five Portraits for Home Organs (1980 komponiert. Borough Green: W. Paxton & Co. Ltd., 1980): I. Carol – Lyric Piece II. Imogen – Fairy Tale III. Elizabeth – Valse de Ballet IV. Justine – RomanceOrgelfassung der Romance (1980) aus der Serenade for Strings durch den Komponisten (in der Orgelfassung von D-Dur nach F-Dur transponiert und überarbeitet). V. Mandy and Dula – Burmese Blues (Variant)

Posthum veröffentlichte Sammelbände mit Orgelwerken Aria – Thirteen pieces for organ (Bury St Edmonds: Kevin Mayhew, 1995): I. Prelude on „St Cross“ – O Come and Mourn with Me Awhile (aus: Six Interludes on Passion Hymns, 1963) II. Choral March (in B-flat Major; aus: The Chapel in the Valley, Vol. 1, 1953) III. Communion (aus: The Chapel in the Valley, Vol. 2, 1953) IV. Solemn Procession (aus: Fanfares and processionals: eight pieces for organ by modern composers, 1961) V. Prelude on „Passion Chorale“ – O sacred head sore wounded (aus: Six Interludes on Passion Hymns, 1963) VI. Prelude on „Rockingham“ – When I Survey the Wondrous Cross (aus: Six Interludes on Passion Hymns, 1963) VII. Festal March (aus: The Chapel in the Valley, Vol. 2, 1953) VIII. Prelude on „Gerontius“ – Praise to the Holiest in the Height (aus: Six Interludes on Passion Hymns, 1963) IX. Aria (aus: The Chapel in the Valley, Vol. 1, 1953) X. Verset (in G Minor; aus: Five Versets, 1964) XI. Prelude on „Winchester New“ – Ride On, Ride On in Majesty (aus: Six Interludes on Passion Hymns, 1963) XII. Vesper Hymn (aus: The Chapel in the Valley, Vol. 1, 1953) XIII. Meditation on „Stracathro“ – O, for a Closer Walk with God (aus: Prayer and Praise: 13 Simple Organ Voluntaries, 1975) Eight varied pieces (London: Bosworth & Co. Ltd, 1995): I. Arietta in A Major (1957 komponiert) II. Minuet (in G Minor; aus: Suite in B Flat Major, 1951) III. Recessional (aus: Three Voluntaries, 1950) IV. Andantino alla Cantilena (aus: Beside the Still Waters: Six Introductory Improvisations, 1952) V. Introit (aus: Three Voluntaries, 1950) VI. Dedication March (1953 komponiert) VII. Pastorale (aus: Four Quiet Interludes, 1956) VIII. Epilogue (in A Major; aus: Four Epilogues, 1953)

Centenary Collection Organ (Bury St Edmonds: Kevin Mayhew, 2014): Noël Nouvelet (aus: Six Interludes on Christmas Carols, 1960) Song Without Words (aus: The Chapel in the Valley, Vol. 1, 1953) Trumpet Minuet (in G Major; aus: The Chapel in the Valley, Vol. 1, 1953) God rest ye merry, gentlemen (aus: Six Interludes on Christmas Carols, 1960) The Coventry Carol (aus: Six Interludes on Christmas Carols, 1960) Good King Wenceslas (aus: Six Interludes on Christmas Carols, 1960) Prelude on „St Cross“ (aus: Six Interludes on Passion Hymns, 1963) Choral March (in B-flat Major; aus: The Chapel in the Valley, Vol. 1, 1953) Communion (aus: The Chapel in the Valley, Vol. 2, 1953) Festal March (in E-flat Major; aus: The Chapel in the Valley, Vol. 2, 1953) Solemn Procession (aus: Fanfares and processionals: Eight pieces for organ by modern composers, 1961) Prelude on „Passion Chorale“ (aus: Six Interludes on Passion Hymns, 1963) Prelude on „Rockingham“ (aus: Six Interludes on Passion Hymns, 1963) Prelude on „Gerontius“ (aus: Six Interludes on Passion Hymns, 1963) Aria (aus: The Chapel in the Valley, Vol. 1, 1953) Verset (in G Minor; aus: Five Versets, 1964) Prelude on „Winchester New“ (aus: Six Interludes on Passion Hymns, 1963) Vesper Hymn (aus: The Chapel in the Valley, Vol. 1, 1953) Meditation on „Stracathro“ (aus: Prayer and Praise: 13 Simple Organ Voluntaries, 1975) Slumber Song (aus: Six Sketches, 1956) Prelude (aus: Six Sketches, 1956) Summer Pastures (aus: Six Sketches, 1956) Christ in the tomb from „The Divine Compassion“ (1954 komponiert) Romance (aus: Six Sketches, 1956) Intermezzo (aus: Six Sketches, 1956) Postlude (in G Major; aus: Six Sketches, 1956) Arietta in A Major (1957 komponiert) Minuet (in G Minor; aus: Suite in B Flat Major, 1951) Recessional (aus: Three Voluntaries, 1950) Andantino alla Cantilena (aus: Beside the Still Waters: Six Introductory Improvisations, 1952) Introit (aus: Three Voluntaries, 1950) Dedication March (1953 komponiert) Pastorale (By the waters of Babylon) (aus: Four Quiet Interludes, 1956) Epilogue (in A Major; aus: Four Epilogues, 1953) Chorale, Cantilena and Finale (1958 komponiert) Three Recital Pieces (1952 komponiert) Five Portraits for Home Organs (1980 komponiert)

Kammermusik Fantasy Trio für Violine, Violoncello und Klavier (1936 komponiert. London: Stainer & Bell, 1997) Sonatina für Flöte und Klavier (1941 komponiert. London: Hinrichsen, 1941) Benedictus für Violine und Orgel (1942 komponiert. London: Stainer & Bell, 1997) Nocturne für Violoncello und Klavier oder Harfe (1948 komponiert. London: Stainer & Bell, 1997)Aus dem Oratorium St. Francis of Assisi. Sonatina für Bratsche und Klavier (1951 komponiert. London: Stainer & Bell, 1952) Air and Variations für B-Klarinette und Klavier (1952 komponiert. London: Stainer & Bell, 1952) Suite in F Major für Trompete und Klavier (1952 komponiert. London: Stainer & Bell, 1998) Three Pieces für Violoncello und Klavier (1951 komponiert. Bury St Edmonds: Kevin Mayhew, 1995) I. Air Varié (Adaption vom Tantum Ergo von César Franck) II. Slumber Song1956 vom Komponisten für Orgel solo bearbeitet. III. In the Half-Light. A soliloquy Music for the pipes: a suite for treble, alto, tenor & bass pipes (1955 komponiert. London: Augener, 1955) Country Impressions (1960 komponiert): Mulberry Cottage für Flöte und Klavier (London: Ascherberg, Hopwood & Crew, 1960) Northington Farm: Rustic Rondino für Fagott und Klavier (London: Stainer & Bell, 1960) On Frensham Pond. Aquarelle für Klarinette und Klavier (London: Stainer & Bell, 1960) Summer Pastures: Friesian elegy für Horn und Klavier (1960 komponiert. London: Stainer & Bell, 1960) A Lyric Suite für Violoncello und Klavier (1964 komponiert. London: Stainer & Bell, 1964) The Gardens at Eastwell. A Late Summer Impression für Flöte und Klavier oder Harfe (1982 komponiert, arrangiert von Pam Chowhan. London: Stainer & Bell, 1997)

Klavier Klavier solo Four Pieces (1950 komponiert. London: Francis, Day & Hunter, 1950): I. Frolic II. Air III. Scherzo IV. Lullaby Three Spring Miniatures (1952 komponiert. London: William Elkin, 1953):Im gleichen Jahr vom Komponisten auch für kleines Orchester arrangiert. I. Gossamer (A Little Waltz) II. Willow Song (A lament) III. Tree Tops (A Toccatina) Recreations – Six Pieces (1953 komponiert. London: Joseph Williams, 1953): I. A Song for the Morning II. Scherzo in G Minor III. Arabesque IV. Romantic Evening V. Explanation VI. Song without Words