Die 18de Oscar-toekenningsaand is op 7 Maart 1946 deur die Academy of Motion Picture Arts and Sciences in Los Angeles gehou om erkenning te gee aan die rolprente van 1945.
Dit was die eerste Oscar-aand ná die Tweede Wêreldoorlog en dit was dus ’n glansryker geleentheid as tydens die oorlog. Die gipsbeeldjies van die oorlogstyd is vervang deur bronsbeeldjies met verguldsel. Desondanks het die regisseur Billy Wilder se stroewe drama The Lost Weekend die meeste pryse ingepalm. Dit was die eerste prent wat die Oscar vir beste rolprent én die Palme d'Or gewen het.
Pryse
Hier volg ’n lys van die belangrikste wenners en benoemdes (die wenners word eerste genoem en is in vet druk): Beste rolprent Beste regisseur Charles Brackett vir Paramount Pictures – The Lost Weekend Joe Pasternak vir Metro-Goldwyn-Mayer – Anchors Aweigh Leo McCarey vir RKO Radio Pictures – The Bells of St. Mary's Jerry Wald vir Warner Bros. - Mildred Pierce David O. Selznick vir United Artists – Spellbound Billy Wilder – The Lost Weekend Clarence Brown – National Velvet Alfred Hitchcock – Spellbound Leo McCarey – The Bells of St. Mary's Jean Renoir – The Southerner Beste akteur Beste aktrise Ray Milland – The Lost Weekend Bing Crosby – The Bells of St. Mary's Gene Kelly – Anchors Aweigh Gregory Peck – The Keys of the Kingdom Cornel Wilde – A Song to Remember Joan Crawford – Mildred Pierce Ingrid Bergman – The Bells of St. Mary's Greer Garson – The Valley of Decision Jennifer Jones – Love Letters Gene Tierney – Leave Her to Heaven Beste manlike byspeler Beste vroulike byspeler James Dunn – A Tree Grows in Brooklyn Michael Chekhov – Spellbound John Dall – The Corn Is Green Robert Mitchum – The Story of G.I. Joe J. Carrol Naish – A Medal for Benny Anne Revere – National Velvet Eve Arden – Mildred Pierce Ann Blyth – Mildred Pierce Angela Lansbury – The Picture of Dorian Gray Joan Lorring – The Corn Is Green Beste oorspronklike draaiboek Beste verwerkte draaiboek Marie-Louise – Richard Schweizer Music for Millions – Myles Connolly Salty O'Rourke – Milton Holmes What Next, Corporal Hargrove? – Harry Kurnitz Dillinger – Philip Yordan The Lost Weekend – Charles Brackett, Billy Wilder The Story of G.I. Joe – Leopold Atlas, Guy Endore, Philip Stevenson A Tree Grows in Brooklyn – Frank Davis, Tess Slesinger Mildred Pierce – Ranald MacDougall Pride of the Marines – Albert Maltz Beste kinematografie, swart-wit Beste kinematografie, kleur The Picture of Dorian Gray – Harry Stradling Spellbound – George Barnes Mildred Pierce – Ernest Haller The Keys of the Kingdom – Arthur C. Miller The Lost Weekend – John F. Seitz Leave Her to Heaven – Leon Shamroy The Spanish Main – George Barnes A Song to Remember – Tony Gaudio, Allen M. Davey Anchors Aweigh – Robert Planck, Charles P. Boyle National Velvet – Leonard Smith Beste redigering Beste spesiale effekte National Velvet – Robert J. Kern Objective, Burma! – George Amy The Lost Weekend – Doane Harrison The Bells of St. Mary's – Harry Marker A Song to Remember – Charles Nelson Wonder Man – John P. Fulton, Arthur W. Johns A Thousand and One Nights – Lawrence W. Butler, Ray Bomba Spellbound – Jack Cosgrove They Were Expendable – A. Arnold Gillespie, Donald Jahraus, Robert A. MacDonald, Michael Steinore Captain Eddie – Fred Sersen, Sol Halprin, Roger Heman, Harry Leonard
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Jeugprys Peggy Ann Garner
Verwysings
Eksterne skakels
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