The Adventures of Barry McKenzie is a 1972 Australian comedy film directed by Bruce Beresford (in his feature film directorial debut) and starring Barry Crocker and Barry Humphries. The film was produced by Phillip Adams.

It tells the story of an Australian yobbo on his travels to the United Kingdom. Barry McKenzie was originally a character created by Barry Humphries for a cartoon strip in the satirical magazine Private Eye. It was the first Australian film to surpass one million dollars in Australian box office receipts.Don Groves, "Beresford reflects on his 'colossal mistake': A TV screening of an iconic Australian comedy brings back mixed memories for the filmmaker." SBS, 23 March 2010. A sequel, Barry McKenzie Holds His Own, was produced in 1974.

Barry Humphries appears in several roles, including: a hippie, Barry McKenzie's psychiatrist Doctor de Lamphrey, and as Aunt Edna Everage (later Dame Edna Everage). Humphries later achieved fame with the character of Dame Edna in the UK and US.

Plot summary Barry 'Bazza' McKenzie travels to England with his aunt Edna Everage to advance his cultural education. Bazza is a young Aussie, fond of beer, Bondi and beautiful sheilas. He settles in Earls Court, where his old friend Curly has a flat. He gets drunk, is ripped off, insulted by pretentious Englishmen, and exploited by record producers, religious charlatans and a BBC television producer. He reluctantly leaves England under the orders of his aunt, after exposing himself on television. His final words on the plane home are, "I was just starting to like the Poms!"

Cast

Barry Crocker as Barry McKenzie Barry Humphries as Aunt Edna/Hoot/Meyer de Lamphrey Peter Cook as Dominic Spike Milligan as landlord Dick Bentley as detective Dennis Price as Mr Gort Julie Covington as Blanche Avice Landone as Mrs Gort Joan Bakewell as herself Paul Bertram as Curly Mary Anne Severne as Lesley Jonathan Hardy as Groove Courtney Jenny Tomasin as Sarah Gort Chris Malcolm as Sean Judith Furse as Claude Maria O'Brien as Caroline Thighs John Joyce as Maurie Miller Margo Lloyd as Mrs McKenzie Brian Tapply as avant-garde composer John Clarke as an underground filmmaker Wilfred Grove as customs officer William Rushton as man on plane Bernard Spear as taxi driver Jack Watling as TV director Alexander Archdale Clive James as man passed out at party (uncredited)

Production Bruce Beresford was living in London and knew Barry Humphries socially when he heard about government funding being given to Australian films."Interview with Bruce Beresford", Signet, 15 May 1999 Retrieved 17 November 2012

The film was entirely funded by the Australian Film Development Corporation. Shooting started in London in January 1972, with the unit moving to Australia in February. Local unions complained about the presence of British technicians in the crew, but a compromise was reached where Australian technicians joined the crew. Filming ended in March.

Phillip Adams wanted to cast Paul Hogan as Curly but he turned down the role. "I suspect he was concerned over his ability to work with professional actors," says Adams.Gordon Glenn & Scott Murray, "Phil Adams: Producer", Cinema Papers, March–April 1976 p340

Themes The film explores the cultural distance between Australian popular culture and the manners and mores of England, both nations presented in hyperbolically satirical manner. Barry is the extreme embodiment of "Ockerism" of the late fifties and mid-sixties Australia. Swearing, excessive drinking, vomiting, sexism, rowdiness and other crassness is glorified. The film also plays with the ideas of the era where the sixties cultural revolution had swept aside the certainties of classical education.

The film's success has been put down to the fact the characters, while broad, still had a connection to reality.

Soundtrack A soundtrack album was released by Fable Records (FBSA 026). It reached number 62 in the Australian Kent Music Report chart.

Release Phillip Adams initially insisted on distributing the film himself,David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p44 as had been done with an earlier film Adams had co-produced, The Naked Bunyip (1970). Barry McKenzie was very popular at the box office in Australia and London, and the production company repaid the government most of its money within three months of release. Beresford went on to direct Barry McKenzie Holds His Own again to great commercial success in 1974.

Beresford said in a 1999 interview that both films were detrimental to his career. He added that "Luckily Phillip Adams saved my life by offering me Don's Party (1976). But that was a couple of years later." Don's Party and Breaker Morant (1980) restored Beresford's reputation.

Reception

Critical The Monthly Film Bulletin wrote:

Leslie Halliwell said:

The Radio Times Guide to Films gave the film 3/5 stars, writing:"

Box office This was the first Australian film to surpass $1 million at the national box office, and it led the Australian box office in 1972.Ben Davies, "Our lost Golden Age", The Spectator, 2 June 2010. The film recovered its $250,000 budget within a few months of release.A Film Victoria report on box office results states that The Adventures of Barry McKenzie took $47,000 at the box office in Australia, which is equivalent to $399,500 in 2009 dollars. Film Victoria - Australian Films at the Australian Box Office, archive copy here. However, this figure may be an error, since it is inconsistent with the many other sources that describe the film as a major box office success that recouped its $250,000 budget in a few months. See also the notes at the entry for The Adventures of Barry McKenzie at Oz Movies, raising similar doubts about the Film Victoria box office figures.

References

External links

The Adventures of Barry McKenzie at Australian Screen Online The Adventures of Barry McKenzie at Oz Movies