Lazarus is the debut studio album by American rapper Travie McCoy released on June 8, 2010. McCoy announced his plans to pursue a solo career in early 2010, although he insisted that Gym Class Heroes had not broken up. After creating demos of melancholy and low-tempo songs, McCoy decided to abandon his early material and start over, as he claimed the songs were "too personal". He began to write more uptempo "party anthems" with lyrical themes of overcoming grief. Musically, McCoy draws from various influences on the record, including hip hop, reggae, and rock.
Upon its release, Lazarus debuted at number 25 on the US Billboard 200 chart with sales of 15,000 copies. The lead single from the album was "Billionaire", which peaked at number four on the Billboard Hot 100. The songs "Need You" and "We'll Be Alright" have also been released as singles. Critical response to the album has been mixed to positive, with most critics praising the album's upbeat songs yet criticizing the overabundance of featured collaborations.
Background In early 2010, Gym Class Heroes vocalist Travie McCoy announced that he would be pursuing a solo career. He denied rumors that Gym Class Heroes had broken up, asserting that "Since the inception of Gym Class in 1997, every member has had another musical outlet, if not three or four. This is just another one of those." McCoy began writing new material while Gym Class was on the road promoting The Quilt (2008). He had originally prepared to record an introspective album of "sad and somber" acoustic songs reflective of his state of mind following his breakup with Katy Perry and his addiction to painkillers. However, he decided to scrap his early material and start over, calling it "too personal" and saying "I didn't want that to be my first look as a solo artist," comparing the album to Kanye West's 808s & Heartbreak (2008). He relocated to Miami, Florida, to record new material and recover from his addiction, which helped him to create a more upbeat album because he "want[ed] to do something positive." McCoy decided to officially call himself "Travie" on the album instead of Travis; he explained that he has been called Travie by friends and family for "as long as [he] can remember." He believes that the new name allows listeners to become "that much closer" to him and to "feel much more comfortable with calling [him] Travie and being part of the family."
Recording and production
Lazarus was released after being in the works for a year and a half. McCoy calls the album "The longest, I think, I've spent on a record in my whole career." He wished to keep the number of collaborations on the album "kinda tight," but he plans to work with other artists on remixes of the album. Producers on the album include Bruno Mars, T-Pain, The Smeezingtons, The Stereotypes, Lucas Secon, Oligee and Josh Abraham; Mars, T-Pain and Cee Lo Green provide guest vocals. Lazarus is mainly influenced by hip-hop, although "at the same time, [his] love for live instrumentation is still reflected on the record." "Billionaire", the album's first single, was the first song McCoy began work on after abandoning the original material for the album. Working on more uptempo music helped put him in a "different headspace". He also credits his "really awesome friends" and collaborators on the album for helping him recover from his depressed state during the recording process. McCoy felt uncomfortable with his singing voice as he was more accustomed to rapping; however, T-Pain encouraged him to sing more on the album and overcome his insecurities.
McCoy "took a lot of time" with the track listing of the album to make sure the album was cohesive and felt like a "ride". He said of the album's writing process "With any project, I just go in and blindly start writing songs and then find out which way we want to go with it. This one took a bit longer to find the lane." Despite the album's long gestation period, McCoy was able to write some of the songs at a very rapid pace. The song "After Midnight" was written, recorded, and mixed in less than a half an hour. He began by recording himself humming the song's melody and creating a constant loop that repeated throughout the song, and then recorded his verses over the track. McCoy also selected the guest appearances for the album quickly after writing individual parts of songs, choosing artists he felt would work best with the musical style he had in mind. The hook of "Dr. Feel Good" was written by Bruno Mars, and upon hearing Mars sing it, McCoy decided that Cee Lo Green would be a good candidate to sing the hook, as McCoy had idolized Green since his teenage years after listening to him on the song "Git Up, Git Out" from OutKast's debut album Southernplayalisticadillacmuzik (1994).
Composition
Music With Lazarus, McCoy intended to create an album of mostly uptempo, positive songs. During his time in Miami, he was exposed to EDM genres, which influenced Lazarus''' sound. McCoy stated "If you're looking for an introspective, in-depth look into my personal life or my deepest emotions, this is definitely not the record. It's just a record you can put on, turn up, roll the windows down, and drive around to." He intended to save more personal themes for Gym Class Heroes' subsequent release, The Papercut Chronicles II (2011).
The album's opening track, "Dr. Feel-Good", which features Cee Lo Green, has been referred to as a "top-down summer anthem" and features hip-hop beats and funk-inspired guitar riffs. Emily Zemler of Alternative Press opined that "Superbad (11:34)" sounds like "T-Pain covering Linkin Park". The song was inspired by an inside joke between McCoy and a friend which involved superstition that looking at a digital clock at 11:34 is bad luck, as it reads "hell" upside down. He added, "To me, it's really anthemic and it's a confidence booster as well. When you listen to this song, it gets you prepared to do anything." "Billionaire", the album's lead single, displays reggae influences; Gregory Heaney of AllMusic compared the song to Sublime.
"Need You" has been described as an "R&B-tinged pop rocker" comparable to the work of Justin Timberlake. McCoy noted the contrast between the song's subject matter and musical style, as the song touches upon failed relationships in an uptempo manner and "explodes" as it reaches the chorus. In the same vein of "Need You", McCoy described "Critical", featuring Tim William, as "really personal, introspective subject matter put into an upbeat pop song. It's kind of like a rock song, but at the same time, it has this really shimmery, cute vibe to it." "Akidagain" features a children's choir and samples Ahmad's "Back in the Day". "We'll Be Alright", which McCoy refers to as a "party anthem", samples "Alright" by Supergrass. He described the album's closer "Don't Pretend" as "probably the most personal" song on the album; during recording of the song, he suffered from allergies and had difficulty breathing, which "added to the emotional vibe of the song".
Lyrics
McCoy drew from various lyrical inspirations on the album. The subject matter often deals with topics such as partying, personal insecurities, and overcoming grief. McCoy explained that the opening song "Dr. Feel Good" is about "escapism through music" and that it expresses how he felt about recovering from drug addiction and depression. "Superbad (11:34)" is about McCoy's experiences on the road, considering the song to be his "theme song". Bruno Mars came up with the lyrical concept for "Billionaire" during a trip to London in which he was given £250 ($350) by his record label to spend for 11 days. He found the amount of money to be insufficient, and explained "We were like, 'Is this the biggest mistake we've ever made? We thought we were broke in California; what are we going to do here?' So we've got no money, and I'm walking the streets and came up with, 'I wanna be a billionaire, so frickin' bad.'" With the song, McCoy intended to avoid "superficial" lyrics in the wake of an economic recession, and added "There's something to sing about here; if I was in the position to have a ridiculous amount of money, would I be selfish or selfless?’ I just took that concept and ran with it." "Need You" describes a situation in which a person wants to start a new relationship, but still needs time to heal.
"Critical" is an apocalyptic-themed song inspired by natural disasters such as Hurricane Katrina. McCoy explained that the song discusses these subjects in "a tongue-in-cheek way. Basically, if the world was to end tonight, fuck it--lets have a beer and watch it all go down." "Akidagain" is reflective of McCoy's childhood and pop culture shifts that influenced his life, featuring three verses; in the first verse, he discusses his early childhood, the second verse is about his teenage years, and the final verse meditates on his life as an adult. "We'll Be Alright" shares lyrical themes with Michael Jackson's "Off the Wall". McCoy says that the song is about "not caring about what people think and just ignoring your insecurities." McCoy was given the idea for "The Manual" after reading music blogs that were critical of his music. He explained "It's so easy to get online and lose all your inhibitions and complain and nag about what's wrong with music. But if you're going to do that, offer some way to change things. Or make music. A lot of the people aren't even artists. The title of 'The Manual' is asking if there is a manual out there on how to do things the right way, then please show it to me and I'll read it five times over." "After Midnight" was inspired by the movie Gremlins, and the idea that seeing gremlins after midnight means "trouble".
Packaging and title McCoy chose the name for the album, which is also his middle name, after his experiences in charity work in HIV awareness in South Africa, India, and the Philippines in the summer of 2009 that "really changed [his] outlook on life." Lazarus of Bethany is the subject of a miracle in the New Testament of the Bible in which Jesus restores him back to life after being dead for four days. McCoy said of the name "I never really thought about how synonymous it was with the biblical reference with the fact that my middle name is Lazarus. I feel like I've been dead and resurrected on many occasions. I went public with a lot of dark things that people usually keep in the closet like drug addiction and what not." The album was originally titled "The Lazarus Project", but the name had to be changed due to the 2008 drama film of the same name.
The album's artwork, designed by Brent Rollins and Alex R. Kirzhner, features a recurring theme of clouds and city skylines. Amber McDonald of The Daily Loaf felt that the artwork accurately portrayed the album's key themes: "This convincingly fun record is filled with lyrical introspection and, in spite of all its hip-hop, pop-hook, pay-it-forward-ness, there are gray clouds that work to keep the mood of the album realistic and relatable to the worlds of listeners. After all, the album cover art is of a gray backdrop with clouds, not sunshine and blue skies."
Release and promotion
The album was released on June 8, 2010. McCoy aimed for a June release because he believes that summer is "when most of the memorable music drops. You want music to have a good time to, music to connect to. You wanna play it at the party."