duimnael|275px|Gary Cooper en Joan Fontaine met hul Oscars op ’n partytjie ná die seremonie.
Die 14de Oscar-toekenningsaand is op 26 Februarie 1942 deur die Academy of Motion Picture Arts and Sciences gehou om erkenning te gee aan rolprente van 1941. Agterna beskou was die seremonie bekend daarvoor dat Citizen Kane nie die Oscar as beste prent gewen het nie.Kehr, Dave, "Big, Important Picture? Sure. But Is It Best?" The New York Times, 31 Desember 2008 Die wenner was How Green Was My Valley. John Ford het sy derde Oscar gewen vir beste regisseur, ook vir How Green Was My Valley.
Die aandag was gevestig op die wedywering om die prys vir beste aktrise tussen twee susters, Joan Fontaine in Alfred Hitchcock se Suspicion en Olivia de Havilland vir Hold Back the Dawn. Fontaine het die Oscar gekry – sy was die enigste akteur in ’n Alfred Hitchcock-prent wat ooit vir toneelspel gewen het.
Dit was die eerste jaar waarin dokumentêre prente ingesluit is. Die eerste Oscar vir ’n dokumentêr was vir Churchill's Island.
The Little Foxes het ’n nuwe rekord opgestel met nege benoemings sonder om ’n enkele Oscar te wen. Dit is geëwenaar in 1957 met Peyton Place en oortref in 1977 met The Turning Point en The Color Purple, albei met 11 benoemings.
Pryse Hier volg ’n lys van die belangrikste wenners en benoemdes (die wenners word eerste genoem en is in vet druk):
Beste prent Beste regisseur How Green Was My Valley Blossoms in the Dust Citizen Kane Here Comes Mr. Jordan Hold Back the Dawn The Little Foxes The Maltese Falcon One Foot in Heaven Sergeant York Suspicion John Ford – How Green Was My Valley William Wyler – The Little Foxes Alexander Hall – Here Comes Mr. Jordan Howard Hawks – Sergeant York Orson Welles – Citizen Kane Beste akteur Beste aktrise Gary Cooper – Sergeant York Cary Grant – Penny Serenade Walter Huston – All That Money Can Buy Robert Montgomery – Here Comes Mr. Jordan Orson Welles – Citizen Kane Joan Fontaine – Suspicion Bette Davis – The Little Foxes Olivia de Havilland – Hold Back the Dawn Greer Garson – Blossoms in the Dust Barbara Stanwyck – Ball of Fire Beste manlike byspeler Beste vroulike byspeler Donald Crisp – How Green Was My Valley Walter Brennan – Sergeant York Charles Coburn – The Devil and Miss Jones James Gleason – Here Comes Mr. Jordan Sydney Greenstreet – The Maltese Falcon Mary Astor – The Great Lie Sara Allgood – How Green Was My Valley Patricia Collinge – The Little Foxes Teresa Wright – The Little Foxes Margaret Wycherly – Sergeant York Beste oorspronklike draaiboek Beste draaiboekverwerking Citizen Kane – Herman J. Mankiewicz en Orson Welles Sergeant York – John Huston, Howard Koch, Abem Finkel, Harry Chandlee Tall, Dark and Handsome – Karl Tunberg, Darrell Ware The Devil and Miss Jones – Norman Krasna Tom, Dick and Harry – Paul Jarrico Here Comes Mr. Jordan – Sidney Buchman, Seton I. Miller Hold Back the Dawn – Charles Brackett, Billy Wilder How Green Was My Valley – Philip Dunne The Little Foxes – Lillian Hellman The Maltese Falcon – John Huston Beste klankbaan, drama Beste klankbaan, musiekprent All That Money Can Buy – Bernard Herrmann Back Street – Frank Skinner Ball of Fire – Alfred Newman Citizen Kane – Bernard Herrmann Cheers for Miss Bishop – Edward Ward How Green Was My Valley – Alfred Newman Hold Back the Dawn – Victor Young Ladies in Retirement – Morris Stoloff, Ernst Toch King of the Zombies – Edward Kay Dr. Jekyll and Mr. Hyde – Franz Waxman Lydia – Miklós Rózsa Mercy Island – Cy Feuer en Walter Scharf Dumbo – Frank Churchill, Oliver Wallace All-American Co-Ed – Edward Ward Birth of the Blues – Robert Emmett Dolan Buck Privates – Charles Previn Ice-Capades – Cy Feuer Sun Valley Serenade – Emil Newman Sunny – Anthony Collins The Chocolate Soldier – Herbert Stothart, Bronislau Kaper The Strawberry Blonde – Heinz Roemheld You'll Never Get Rich – Morris Stoloff Beste kunsredigering, swart-wit Beste kunsredigering, kleur How Green Was My Valley – Richard Day, Nathan Juran, Thomas Little Hold Back the Dawn – Hans Dreier, Robert Usher en Sam Comer Sundown – Alexander Golitzen en Richard Irvine Citizen Kane – Perry Ferguson, Van Nest Polglase, Al Fields en Darrell Silvera Ladies in Retirement – Lionel Banks en George Montgomery Sergeant York – John Hughes, Fred M. MacLean The Little Foxes – Stephen Goosson en Howard Bristol That Hamilton Woman – Vincent Korda en Julia Heron The Son of Monte Cristo – John DuCasse Schulze en Edward G. Boyle When Ladies Meet – Cedric Gibbons, Randall Duell en Edwin B. Willis The Flame of New Orleans – Martin Obzina, Jack Otterson en Russell A. Gausman Blossoms in the Dust – Cedric Gibbons, Urie McCleary, Edwin B. Willis Blood and Sand – Richard Day, Joseph C. Wright, Thomas Little Louisiana Purchase – Raoul Pene du Bois, Stephen A. Seymour Beste redigering Beste visuele effekte Sergeant York – William Holmes Citizen Kane – Robert Wise How Green Was My Valley – James B. Clark Dr. Jekyll and Mr. Hyde – Harold F. Kress The Little Foxes – Daniel Mandell I Wanted Wings – Fotografie: Farciot Edouart en Gordon Jennings; klank: Louis Mesenkop A Yank in the R.A.F. – Fotografie: Fred Sersen; klank: Edmund H. Hansen Aloma of the South Seas – Fotografie: Farciot Edouart en Gordon Jennings; klank: Louis Mesenkop Flight Command – Fotografie: A. Arnold Gillespie; klank: Douglas Shearer The Invisible Woman – Fotografie: John P. Fulton; klank: John D. Hall That Hamilton Woman – Fotografie: Lawrence W. Butler; klank: William A. Wilmarth The Sea Wolf – Fotografie: Byron Haskin; klank: Nathan Levinson Topper Returns – Fotografie: Roy Seawright; klank: Elmer Raguse
Erepryse Rey Scott Die Britse depratement van inligting Leopold Stokowski Walt Disney, William Garity, John N. A. Hawkins en die RCA-vervaardigingsmaatskappy
Irving G. Thalberg-gedenkprys Walt Disney
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