The Vision of St. John the Evangelist at Patmos (1520–1522) is a series of frescoes by the Italian late Renaissance artist Antonio Allegri da Correggio. It occupies the interior of the dome and the relative pendentives of the Benedictine church of San Giovanni Evangelista of Parma, Italy.
The centre of the cupola is occupied by an illusionistic space based on series of concentric planes indicated by the clouds, from which the apostles stretch out. Starting from the border of the dome, the clouds thin out and open to a bright luminosity through which Christ is descending toward the floor of the nave. The scene is a faithful rendering of John's Book of Revelation (I,7). The figure of St. John leans from the drum of the dome and this part of the fresco was hidden to the lay people present in the church, but was visible to the monks in the choir and under the dome.
In the four pendentives Correggio painted and coupled the Four Evangelists and the Four Doctors of the Church. These are: St. Matthew with an angel St. Mark with a winged lion St. Luke with an ox St. John with an eagle and, respectively, St. Jerome with the white beard and red garments St. Ambrose with a staff St. Gregory with the Papal tiara St. Augustine portrayed counting together with St. John
Gallery
See also Assumption of the Virgin (Correggio)
References
Valerio Terraroli, Correggio, Elemond Arte, 1992.