Greta Hodgkinson O.Ont (born August 13, 1973) is an American-Canadian ballet dancer. She was a Principal dancer with the National Ballet of Canada until she stepped down in 2020. She continues to perform freelance and is Artist-in-Residence of the National Ballet.
Early life and training Hodgkinson was born in Providence, Rhode Island. She is of Armenian, English, and French-Canadian descent. She took part in dancing, ice-skating, and gymnastics as a child. From 1983 to 1985 she trained at Festival Ballet Providence, now Ballet RI, with Winthrop Corey and Christine Hennessey. She was eleven years old when she moved to Canada to further her training at Canada's National Ballet School in Toronto, skipping seventh grade. She was mentored by ballet mistress Magdalena Popa.
Continuing education She took courses at Harvard Business School Online from 2020 to 2022, acquiring certificates in Leadership Principles, Negotiation Mastery, Power and Influence for Positive Impact, and Specialization in Leadership and Management.
Career
National Ballet of Canada At sixteen, Greta Hodgkinson joined The National Ballet of Canada’s Corps de Ballet (1990 – 1993). She was promoted to Second Soloist (1993-1995), then First Soloist (1995-1996) and, shortly before her 17th birthday, reached the highest rank of Principal Dancer (1996-2020). During her career, she has danced virtually every role in the repertoire, such as the title role in Giselle, Sugar Plum Fairy in The Nutcracker, and Juliet in Romeo and Juliet, as well as contemporary works by choreographers such as Jiří Kylián, Christopher Wheeldon, Wayne McGregor, and James Kudelka.
During 2019/20, her final season at the National Ballet of Canada, Greta Hodgkinson appeared in Jiry Kilian's Petite Mort and danced one of her signature roles, Giselle. Throughout her career, critics raved about her performances: “The ballerina performing the compelling title character has to go from a tremulously innocent girl, to madwoman, to unearthly spirit, and Greta Hodgkinson is among the best in the world in the role.” (Paula Citron, The Globe and Mail) "Hodgkinson joins the great Giselles of our time." (Gary Smith, The Hamilton Spectator) “In the demanding title role, Greta Hodgkinson is a wonder, both as dancer and actress.” (Bob Clark, Calgary Herald) Bob Clark, Calgary Herald, September 2007, “Her breezy jumps paint her as a confident, yet trusting woman, who initially has no reason to doubt her man. She is also a technical dynamo, nailing every slow, sustained balance and complex turning sequence.” (National Post) National Ballet of Canada's Giselle creates the perfect compound, National Post, Dec 06, 2012
A few days before the COVID-19 pandemic shut down theatres throughout the world, her final performance was in the role of Marguerite in Frederick Ashton's Marguerite and Armand, partnered by Guillaume Côté. The ballet was acquired in her honor by Karen Kain and the National Ballet, as Greta Hodgkinson had expressed the desire to dance a new role rather than reprise a past one.
International Guest Artist As an International Guest Artist, Greta Hodgkinson performed in over 72 cities and 16 countries. She was invited to dance with the top major ballet companies, including the Mariinsky Ballet, Teatro alla Scala, The Royal Ballet, Stuttgart Ballet, The Australian Ballet, Munich Ballet and Teatro Comunale di Firenze. She has also appeared in international galas in America, Asia, and Europe, including the Opening Gala of the Royal Opera House (London), the State Kremlin Palace (Moscow), Gala des Etoiles (Montreal), Stars of the 21st Century (Paris and Toronto) and the Opening Gala of Teatro alla Scala (Milan).
In 2003, Hodgkinson appeared at The 10th World Ballet Festival in Tokyo, Japan, the world’s largest and most prestigious dance festival, where she performed with frequent partner Roberto Bolle. Over their careers, they danced together in more than 26 cities worldwide. Tetsuya Kumakawa invited Hodgkinson to tour Japan dancing Swan Lake with him and his company, K-Ballet. Apart from Bolle and Kumakawa, Hodgkinson was sought after by many renowned artists including Carlos Acosta, Marcelo Gomes, Guillaume Côté, Massimo Murru, Laurent Hilaire, Federico Bonelli, Robert Tewsley, Zdenek Konvalina, Jason Reilly, Evan McKie, Steven McRae and Matthew Golding.
Muse Greta Hodgkinson has had numerous roles created for her by the most influential choreographers of the 20th and 21st century. She enjoyed a "close creative symbiosis" Article on Greta Hodgkinson by Penelope Reed Doob, Encyclopedia of Dance in Canada pp 273-274, Dance Collection Danse Press, 2000. with choreographer and former Artistic Director of The National Ballet of Canada, James Kudelka. He created the summer section of his 1997 abstract ballet, The Four Seasons, expressly for Hodgkinson and considered her a muse.Greta Hodgkinson. Class act., by Deirdre Kelly, NUVO magazine, 2011 As such, she helped create many of the lead roles in works that are now a part of The National Ballet of Canada's permanent repertoire, among them Swan Lake, The Nutcracker, and The Firebird.
Hodgkinson also worked closely with such icons as William Forsythe, Jiri Kylian, Glen Tetley, John Neumeier, Wayne McGregor, Christopher Wheeldon, Crystal Pite and Alexei Ratmansky. She also collaborated with such noted Canadian choreographers as Jean-Pierre Perreault, John Alleyne, Robert Desrosiers and Jean Grand-Maitre as well as emerging young Canadian choreographers Dominique Dumais, Sabrina Matthews, Matjash Mrozewski, and Guillaume Côté.
Over her 30-year career, Hodgkinson developed strong chemistry with frequent partners Rex Harrington, Aleksandar Antonijevic, Roberto Bolle and Guillaume Côté, "each one being wonderful in his own way".
She continues a creative collaboration with dancer and choreographer Guillaume Côté as a Muse, Creative Assistant, and Rehearsal Director. She created and toured in Crypto (2019-2022), a full evening multimedia work. She performed Hamlet’s mother in the Guillaume Côté-Robert Lepage adaptation of Shakespeare’s play, which premiered at Festival des arts de Saint-Sauveur in July 2023. In 2019, Ballet Kelowna launched its 17th season with Guillaume Côté’s Bolero with Greta Hodgkinson as Guest Artist. The company's artistic director, Simone Orlando, reflected on the experience: "She is really a superstar. She helped teach Bolero as well as offered so much to our dancers. She is fearless. The lifts in this piece are sort of death-defying. I’m sitting there, just holding my breath, hoping my dancers are going to catch her!”
Body of work Greta Hodgkinson possesses "a rare daring and an ability to devour space with aplomb and intelligence." Hodgkinson has performed every leading role in the classical repertoire as well as contemporary works.Article on Greta Hodgkinson by Penelope Reed Doob, Encyclopedia of Dance in Canada pp 273-274, Dance Collection Danse Press, 2000 "Being true to herself in an art form that values conformity is what has enabled Hodgkinson to stand out from the tutu-clad pack. She is a ballerina who dances to her own beat, a maverick with a killer work ethic and a heart of gold." (Deirdre Kelly, NUVO)
Lead roles:
Alice (Glen Tetley) A Month in the Country (Sir Frederick Ashton) Apollo (George Balanchine) Carmen (Davide Bombana) Concerto Barocco (Balanchine) Divertimento #15 (Balanchine) Don Quixote (after Marius Petipa) Dream Dances (Jiří Kylían) The Dying Swan (Mikhail Fokine) Etudes (Harald Lander) Excelsior (Luigi Manzotti) Forgotten Land (Jiří Kylían) Giselle (Sir Peter Wright) Grand Pas Classique (Victor Gsovsky) Herman Schmerman (William Forsythe) In The Middle, Somewhat Elevated (Forsythe) In The Night (Jerome Robbins) Jewels (Balanchine) La Bayadère (Petipa) La Fille mal gardée (Ashton) La Ronde (Tetley) The Leaves are Fading (Antony Tudor) Manon (Kenneth MacMillan) Marguerite and Armand (Ashton) Monotones (MacMillan) Mozartiana (Balanchine) Musings (James Kudelka) No. 24 (Guillaume Côté) Nuages (Jiří Kylian) Onegin (John Cranko) Opus 19/The Dreamer (Robbins) Other Dances (Robbins) Pastorale (Kudelka) Paquita (Natalia Makarova) Petite Mort (Kylían) Romeo and Juliet (Cranko) Serenade (Balanchine) Symphony in C (Balanchine) Sphinx (Tetley) Spring Waters (Asaf Messerer) Split House Geometric (John Alleyne) Stravinsky Violin Concerto (Balanchine) Swan Lake (Erik Bruhn) Tagore (Tetley) Tchaikovsky Pas de Deux (Balanchine) The Four Temperaments (Balanchine) The Merry Widow (Ronald Hynd) The Nutcracker (Celia Franca/Derek Deane/James Kudelka) The Sleeping Beauty (Rudolf Nureyev) The Taming of the Shrew (Cranko) Theme and Variations (Balanchine) Voluntaries (Tetley)
Created Roles / World Premieres
A Delicate Battle (Mrozewski, 2001) An Italian Straw Hat (Kudelka, 2005) Being & Nothingness (Côté, 2013 + 2015) Bolero (Côté, 2012) Cinderella (Kudelka, 2004) Crypto (Côté, 2019) Emergence (Pite, 2009) Frames of Mind (Grand-Maître, 1993) Grand Mirage (Côté, 2025) Hamlet (Côté, 2023) Interrogating Slam (Alleyne, 1991) Now and Then (Neumeier, 1993) one hundred words for snow (Dumais, 1999) Oracle (Tetley, 1994) Romeo and Juliet (Ratmansky, 2011) Rooster (Christopher Bruce, 2008) Septet (Alleyne, 1999) Swan Lake (Kudelka, 1999) The Comforts of Solitude (Perrault, 2001) The Firebird (Kudelka, 2000) The Four Seasons (Kudelka, 1997) The Nutcracker (Kudelka, 1995) the weight of absence (Dumais, 1998) Tristan and Isolde (Alleyne, 2003) Vittoria (Kudelka, 1993)
National Ballet of Canada Premieres
Alice’s Adventures in Wonderland (Wheeldon) Approximate Sonata 2016 (Forsythe) Chroma (McGregor) clearing (Matthews) Company B (Taylor) Cruel World (Kudelka) Daphnis and Chloe (Tetley) Désir (Kudelka) Episodes (Balanchine) In The Upper Room (Tharp) Polyphonia (Wheeldon) Rooster (Bruce) Russian Seasons (Ratmansky) Tales of the Arabian Nights: The Story of Abdallah (Bournonville) Terra Firma (Kudelka) The Concert (Robbins) The Rite of Spring (Tetley) The Seagull (Neumeier) the second detail (Forsythe) Waltz pas de deux West Side Story Suite (Robbins)
Teaching and Mentoring Greta Hodgkinson has assumed the role of Artist-in-Residence with the National Ballet of Canada since the company’s 2020-21 season, teaching and coaching the company’s next generation of dancers in its extensive repertoire.
In 2017, she was invited by choreographer Alexei Ratmansky to stage his version of Romeo and Juliet for the famed Bolshoi Ballet in Moscow, Russia. She was also Stager, Rehearsal Director, and Creative Assistant on Frame by Frame, choreographed by Guillaume Côté, directed by Robert Lepage.
Mentoring In 2021, she founded Dance Mentoring by Greta, a comprehensive mentorship program for dancers that aims to address the challenges and demands artists face today and give tools, opportunities, and feedback to help them realize their goals.
Hodgkinson is a judge for international dance competitions worldwide, such as Youth America Grand Prix (Toronto and Indianapolis, 2023). She has served as a peer assessor for Professional Grants Programs. She is a frequent guest speaker for organizations such as Canada’s National Academy of Dance Education Educator’s Conference, the Armenian Relief Society’s INSPIRE women’s event and Providence Healthcare Foundation’s Evening of Inspiration.
Teaching Ms. Hodgkinson is passionate about empowering young artists and is committed to passing on her extensive knowledge and expertise. She is extensively engaged in community outreach, teaching master classes within the community at the University of Toronto and in Regent Park, as well as across the country and throughout the United States. She is a member of the guest faculty at Toronto Metropolitan University.