Gary Roger Rydstrom (born June 29, 1959) is an American sound designer and film director. He has been nominated for twenty Academy Awards for his work in sound for movies, and has won seven times.
Life and career Rydstrom was born in Chicago, raised in Elmhurst, Illinois where he attended public school K-12, graduating in 1977 from York High School. He graduated from the University of Southern California School of Cinematic Arts in 1981.Notable Alumni , USC School of Cinematic Arts, Accessed August 10, 2008. He began his career at Skywalker Sound in Northern California in 1983, having been offered the job by a college professor, which enabled him to work with his mentor, Star Wars sound designer Ben Burtt.
After gaining invaluable experience as a sound technician in Indiana Jones and the Temple of Doom, Rydstrom went on to do sound design for the comedy Spaceballs. The sound design for Backdraft was created from scratch and later served as the foundation for his work on Terminator 2: Judgment Day. The original sound effects from Backdraft are constantly referenced and have been used for numerous other films including The Lord of the Rings film trilogy and Shrek.
He won an Academy Award for his work on Terminator 2: Judgment Day, for which he pioneered techniques still used today for creating realistic sound effects. Rydstrom also collaborated with Terminator 2 director James Cameron on a new 5.1 surround sound remix for the original Terminator.
His sound work on Jurassic Park led to further innovations, as he and his team set out to create dinosaur sounds by mixing together numerous different animal vocalizations to make the audience feel as though giant bellowing prehistoric beasts surrounded them. The Academy Award-winning film was the first motion picture to be presented in DTS. The T-Rex roar created by Gary was later re-used for Dim in A Bug's Life, Thanator in Avatar and the Hydra in Percy Jackson and the Lightning Thief.
He subsequently went on to work on sound for numerous films including Titanic, Saving Private Ryan, Minority Report and Finding Nemo. He won an MPSE lifetime achievement award, and regularly speaks at various sound design forums sharing his extensive knowledge and enthusiasm with aspiring sound design artists.
He made his directorial debut with the Pixar short Lifted, earning his fourteenth Academy Award nomination. It was included in the Animation Show of Shows in 2006. His debut feature film, Newt, a story about two blue-footed newts learning to cooperate, was announced in 2008 and reportedly entered early production but was ultimately cancelled by Pixar in early 2010 due to story issues. He also directed the Pixar short Hawaiian Vacation and the Lucasfilm animated feature Strange Magic.
Rydstrom has also served as English language director on Tales From Earthsea, Arrietty, From Up on Poppy Hill, and The Wind Rises, all of which were produced by the Japanese animation company Studio Ghibli.
Awards and nominations
Rydstrom has been nominated for 20 Academy Awards (7 wins), 12 Golden Reel Awards (5 wins), 5 C.A.S Awards (2 wins), 5 BAFTA Awards (2 wins), and 1 Grammy (1 win). Academy Awards 2022: West Side Story (Best Sound) - Nominated 2020: Ad Astra (Best Sound Mixing) - Nominated 2016: Bridge of Spies (Best Sound Mixing) - Nominated 2013: Lincoln (Best Sound Mixing) - Nominated 2012: War Horse (Best Sound Mixing) - Nominated 2012: War Horse (Best Sound Editing) - Nominated 2007: Lifted (Best Animated Short Film) - Nominated 2004: Finding Nemo (Best Sound Editing) - Nominated 2003: Minority Report (Best Sound Editing) - Nominated 2002: Monsters, Inc. (Best Sound Editing) - Nominated 2000: Star Wars: Episode I – The Phantom Menace (Best Sound Mixing) - Nominated 1999: Saving Private Ryan (Best Sound Effects Editing) - Won 1999: Saving Private Ryan (Best Sound) - Won 1998: Titanic (Best Sound) - Won 1994: Jurassic Park (Best Sound Effects Editing) - Won 1994: Jurassic Park (Best Sound) - Won 1992: Terminator 2: Judgment Day (Best Sound Effects Editing) - Won 1992: Terminator 2: Judgment Day (Best Sound) - Won 1992: Backdraft (Best Sound Effects Editing) - Nominated 1992: Backdraft (Best Sound) - Nominated
Motion Picture Sound Editors - Golden Reel Award 2005: - Career Achievement Award 2004: Finding Nemo (Best Sound Editing in Feature Film - Animated - Sound) - Nominated 2003: Minority Report (Best Sound Editing in Domestic Features - Dialogue & ADR) - Nominated 2003: Minority Report (Best Sound Editing in Domestic Features - Sound Effects & Foley) - Nominated 2002: Atlantis: The Lost Empire (Best Sound Editing - Animated Feature Film, Domestic and Foreign) - Won 2002: Monsters, Inc. (Best Sound Editing - Animated Feature Film, Domestic and Foreign) - Nominated 2002: Artificial Intelligence: AI (Best Sound Editing - Dialogue & ADR, Domestic Feature Film) - Nominated 2002: Artificial Intelligence: AI (Best Sound Editing - Effects & Foley, Domestic Feature Film) - Nominated 2001: Into the Arms of Strangers: Stories of the Kindertransport (Best Sound Editing - Dialogue & ADR, Domestic Feature Film) - Nominated 1999: A Bug's Life (Best Sound Editing - Animated Feature) - Won 1999: Saving Private Ryan (Best Sound Editing - Dialogue & ADR) - Won 1999: Saving Private Ryan (Best Sound Editing - Sound Effects & Foley) - Won 1998: Hercules (Best Sound Editing - Animated Feature) - Won Cinema Audio Society - C.A.S Award 2004: - Career Achievement Award 2000: Star Wars: Episode I - The Phantom Menace (Outstanding Achievement in Sound Mixing for a Feature Film) - Nominated 1999: Saving Private Ryan (Outstanding Achievement in Sound Mixing for a Feature Film) - Won 1998: Titanic (Outstanding Achievement in Sound Mixing for a Feature Film) - Won 1994: Jurassic Park (Outstanding Achievement in Sound Mixing for a Feature Film) - Nominated
BAFTA Award 2000: Star Wars: Episode I - The Phantom Menace (Best Sound) - Nominated 1999: Saving Private Ryan (Best Sound) - Won 1998: Titanic (Best Sound) - Nominated 1994: Jurassic Park (Best Sound) - Nominated 1992: Terminator 2: Judgment Day (Best Sound) - Won
Grammy Award 2023: Bates: Philharmonia Fantastique - The Making of the Orchestra (Grammy Award for Best Engineered Album, Classical) - Won
Filmography Indiana Jones and the Temple of Doom (1984) audio technician Ewoks: The Battle for Endor (1985) audio technician Remo Williams: The Adventure Begins (1985) foley artist Luxo Jr. (1986) sound designer Red's Dream (1987) sound designer Spaceballs (1987) sound designer Captain EO (1987) sound designer Colors (1988) sound designer Tin Toy (1988) sound designer Willow (1988) foley artist Always (1989) re-recording mixer Knick Knack (1989) sound designer The Neon Empire (1989) re-recording mixer Mars Navigator (1990) sound designer/re-recording mixer (interactive video) F/X2: The Deadly Art Of Illusion (1991) sound designer/re-recording mixer Backdraft (1991) sound designer/re-recording mixer/supervising sound editor Terminator 2: Judgment Day (1991) sound designer/re-recording mixer/supervising sound editor Single White Female (1992) sound designer/re-recording mixer Mrs. Doubtfire (1993) sound designer/re-recording mixer/supervising sound editor Jurassic Park (1993) sound designer/re-recording mixer/supervising sound editor Baby's Day Out (1994) sound designer/re-recording mixer/supervising sound editor Casper (1995) sound designer/re-recording mixer/supervising sound editor Strange Days (1995) sound designer/re-recording mixer/supervising sound editor Toy Story (1995) sound designer/re-recording mixer/supervising sound editor Jumanji (1995) sound designer/supervising sound editor Mission: Impossible (1996) re-recording mixer The Lost World: Jurassic Park (1997) sound designer/re-recording mixer/supervising sound editor Hercules (1997) sound designer Titanic (1997) re-recording mixer Saving Private Ryan (1998) sound designer/re-recording mixer/supervising sound editor A Bug's Life (1998) sound designer/re-recording mixer/supervising sound editor Star Wars: Episode I – The Phantom Menace (1999) re-recording mixer Toy Story 2 (1999) sound designer/re-recording mixer/supervising sound editor The Haunting (1999) sound designer/re-recording mixer/supervising sound editor The Terminator (1984, 2000s DVD release) sound designer consultant: sound restoration and re-mixing The Legend of Bagger Vance (2000) sound designer/re-recording mixer/supervising sound editor A.I. Artificial Intelligence (2001) sound designer/re-recording mixer/supervising sound editor Atlantis: The Lost Empire (2001) sound designer/re-recording mixer Monsters, Inc. (2001) sound designer/re-recording mixer/supervising sound editor Star Wars: Episode II – Attack of the Clones (2002) re-recording mixer Minority Report (2002) sound designer/re-recording mixer/supervising sound editor Punch-Drunk Love (2002) sound designer/re-recording mixer/supervising sound editor Finding Nemo (2003) sound designer/re-recording mixer/supervising sound editor Hulk (2003) sound designer/re-recording mixer/supervising sound editor Peter Pan (2003) sound designer/re-recording mixer/supervising sound editor Starship Troopers 2: Hero of the Federation (2004) special thanks Lifted (2006) director/writer/sound Tales from Earthsea (2010) director/ADR director (English-language version) Toy Story Toons: Hawaiian Vacation (2011) director, screenplay Bully (2011) sound designer Super 8 (2011) additional sound designer The Adventures of Tintin (2011) sound designer consultant Mission: Impossible – Ghost Protocol (2011) sound designer/re-recording mixer/supervising sound editor War Horse (2011) sound designer/re-recording mixer/supervising sound editor Lincoln (2012) re-recording mixer The Secret World of Arrietty (2012) director (American English-language version) Brave (2012) sound designer/re-recording mixer/supervising sound editor Wreck-it Ralph (2012) sound designer/supervising sound editor The Lone Ranger (2013) sound designer/supervising sound editor From Up on Poppy Hill (2013) director (English-language version) The Wind Rises (2014) director (English-language version) The Face of Love (2014) sound design consultant Strange Magic (2015) director, screenplay Tomorrowland (2015) re-recording mixer Jurassic World (2015) sound designer consultant Bridge of Spies (2015) re-recording mixer Star Wars: The Force Awakens (2015) re-recording mixer The BFG (2016) re-recording mixer The Post (2017) sound designer/re-recording mixer Ready Player One (2018) sound designer/re-recording mixer/supervising sound editor Ralph Breaks the Internet (2018) sound designer/supervising sound editor Jurassic World: Fallen Kingdom (2018) sound designer consultant Ad Astra (2019) sound designer/re-recording mixer/supervising sound editor Come Away (2020) re-recording mixer West Side Story (2021) sound designer/re-recording mixer/supervising sound editor Luck (2022) sound design consultant Top Gun: Maverick (2022) sound design consultant The Fabelmans (2022) sound designer/re-recording mixer/supervising sound editor Once Upon a Studio (2023) sound design consultant (uncredited)
References
External links Gary Rydstorm - Skywalker Sound