Mr. Moto is a fictional Japanese secret agent created in a series of spy and adventure novels by the American author John P. Marquand. He appeared in six novels published between 1935 and 1957, which were set in 1930s China on the eve of the Second Sino-Japanese War. He became even more widely known from Hollywood films and a radio series. Marquand created the character for The Saturday Evening Post, which was seeking stories with an Asian hero after the death of Charlie Chan's creator Earl Derr Biggers.
Although Marquand presented Mr. Moto as a "good guy", later writers objected that he reinforced prevailing racial and ethnic stereotypes. Mr. Moto appeared in other media in ways that are quite different from the novel. Eight motion pictures starred Peter Lorre between 1937 and 1939, 23 radio shows starring James Monks broadcast in 1951,Digitaldeliftp.com a 1965 film starring Henry Silva, and a 2003 comic book produced by Moonstone Books, later reprinted as Welcome Back, Mr. Moto.
Character in the novels In Marquand's novels, the character calls himself I.A. Moto, and some other characters believe this to be a fairly obvious alias, since "moto" is usually the second part of a Japanese surname, as in Hashimoto. Though Mr. Moto is shrewd, tough and ruthless against his enemies, to most people in most situations he appears to be a harmless eccentric who sometimes calls himself stupid. The main characters in the novels are Westerners who encounter Mr. Moto in the course of their adventures in exotic lands and gradually come to realize what a formidable character he is.
In the first five novels, set in the era of expansionist Imperial Japan, Mr. Moto is an agent of the empire. In the final novel, set in the 1950s inside Japan, he is a senior intelligence official in the pro-Western Japanese government.
Physical description He is physically described in Think Fast, Mr. Moto: Mr. Moto was a small man, delicate, almost fragile. … He was dressed formally in a morning coat and striped trousers. His black hair was carefully brushed in the Prussian style. He was smiling, showing a row of shiny gold-filled teeth, and as he smiled he drew in his breath with a polite, soft sibilant sound.
This basic description carries through most of the novels, with a slightly different description in Right You Are, Mr. Moto, set 20 years later than the other novels. In this novel he is described as "middle aged", and his hair as being "grayish and close-clipped." In two novels, Marquand describes Mr. Moto's build as "chunky".
He is often described as wearing formal evening clothes that are impeccably tailored. On occasion his sartorial style is somewhat misguided such as in Mr. Moto Is So Sorry when he appears in black-and-white checked sports clothes with green and red golf stockings. When his outfits are commented upon, Mr. Moto makes excuses. In Stopover: Tokyo, he is said to have the imposing dignity of his samurai forebears when dressed in traditional Japanese clothing.
Speech In the prewar novels, Moto speaks a faintly comic English, with elaborate 'Oriental'-style politeness, with misuse of the definite and indefinite articles. In Stopover: Tokyo, the final novel, he works directly with U.S. intelligence agents and speaks to them in perfect English.
Personal life Mr. Moto rarely discusses his personal life but in Think Fast, Mr. Moto he talks about his many talents. Yes, I can do many, many things. I can mix drinks and wait on table, and I am a very good valet. I can navigate and manage small boats. I have studied at two foreign universities. I also know carpentry and surveying and five Chinese dialects. So very many things come in useful.
In Mr. Moto Is So Sorry he states that one of the foreign universities was in the United States where he studied anthropology. It is noted in this novel that he has enough knowledge of the United States to distinguish regional accents.
The novels generally involve a romance between the main character (often a disenfranchised expatriate American) and a mysterious woman. While Mr. Moto often despairs of the hero's attempts at saving the girl, he notes in Mr. Moto Is So Sorry that he himself is not immune to their charms.
"So often", he said, "I have seen such gracious ladies disrupt political combinations." He sighed and still stared at the ceiling seemingly lost in memory. "Such a lovely girl in Washington – I was so much younger then. She sold me the navy plans of a submarine. The price was thirty thousand yen. When the blueprints came, they were of a tugboat. Such a lovely lady. Such a lovely lady in Tokyo. She took me to see the goldfish in her garden, and there were the assassins behind the little trees. Not her fault, but theirs that I am still alive – they were such poor shots. I do not understand lovely ladies, but I still trust them sometimes."
Politics While he is a devoted servant of the Emperor, he is often at odds with the Japanese military. He believes in the manifest destiny of the Japanese expansion into China, but, unlike the military, wants to achieve this slowly and carefully. Millicent Bell in her biography of John P. Marquand notes how this may have influenced the audience:
There is political significance, too, in the calculated appeal to American readers of the ever resourceful Mr. Moto, the representative of Eastern subtlety combined with Western efficiency, who emerges as a gentleman of wit and charm. This characterization had to survive some anti-Japanese sentiment that followed Japan's invasion of China in 1937. Up to 1939 it may have seemed possible, especially to those Americans unaware of or indifferent to the atrocities of the Japanese military in China, that Japan would be moderate and reasonable in its expansion in the Far East and that the Mr. Motos would defeat the Japanese military fanatics. Pearl Harbor ended American neutrality and American hopes for Japanese moderation, but not before Marquand's Moto series had become one of the most popular fictions ever to be run in an American magazine.Marquand: An American Life by Millicent Bell. Boston: Little, Brown and Company. 1979. Pg.221.
Novels Your Turn, Mr. Moto (aka No Hero and Mr. Moto Takes a Hand (British edition)) (1935) – Originally serialized in the Saturday Evening Post in 1935 under the title No Hero. Thank You, Mr. Moto (1936) – Originally serialized in the Saturday Evening Post in 1936. An expatriate American gets involved in intrigue in Peking when he tries to save an American woman from unscrupulous art dealers. Moto tries to save them both from a military takeover of Peking. Think Fast, Mr. Moto (1937) – Originally serialized in the Saturday Evening Post in 1936. The heir to an American banking firm is sent to Honolulu to clear up a family matter involving a gambling house. Moto is also drawn to Hawaii to stop money being channeled into China to support revolutionaries. Mr. Moto Is So Sorry (1938) – Originally serialized in the Saturday Evening Post in 1938. An American on the run from authorities encounters Moto on a train journey through China. Moto is on his way to a life-or-death showdown with Russian spies and draws the hapless American into the situation when a secret message accidentally falls into the possession of a beautiful woman. Last Laugh, Mr. Moto (1942) – Originally serialized in Collier's Weekly in 1941 under the title Mercator Island. After Pearl Harbor the character of Moto was "interned for the duration" by the author. This novel, set in the Caribbean, had already been written prior to Pearl Harbor and was published afterward. Right You Are, Mr. Moto (aka Stopover: Tokyo and The Last of Mr. Moto) (1957) – This Cold War tale, different in several ways from its predecessors, was originally serialized in the Saturday Evening Post in 1956 and 1957 under the title Rendezvous in Tokyo. The original book was called Stopover: Tokyo and subsequent editions were called The Last of Mr. Moto and finally Right You Are, Mr. Moto.The Mr. Moto Novels of James P. Marquand
Anthologies/"omnibus" Mr. Moto's Three Aces (1939) reprints Thank You, Mr. Moto; Think Fast, Mr. Moto; and Mr. Moto Is So Sorry. Thank You, Mr. Moto and Mr. Moto Is So Sorry from The Saturday Evening Post, published by The Curtis Publishing Company, Indianapolis, Indiana, 1977 Mr. Moto: Four Complete Novels (1983) reprints Your Turn, Mr. Moto; Think Fast, Mr. Moto; Mr. Moto Is So Sorry; and Right You Are, Mr. Moto.
Character in the films Between 1937 and 1939 eight motion pictures were produced by 20th Century Fox starring Peter Lorre as Mr. Kentaro Moto.
Unlike in the novels, Moto is the central character, a detective with Interpol, wears glasses (and has no gold teeth), and is a devout Buddhist (and friendly with the Chinese monarchy). He is impeccably dressed in Western suits. The stories are action-oriented due to Moto's skill with judo (only hinted at in the novels) and due to his tendency to wear disguises.
In early 1938, there was some press talk that Moto would be turned into a Korean due to controversy over Japanese foreign policy, but this did not happen. By April there was talk the series would soon wind up.
Abilities In the film Mr. Moto's Last Warning a list is shown which describes him as: Age 35–40 Jiu-jutsu and judo expert Uses various disguises International police Adept at stage illusion/magic Usually works alone Able to walk silently Known to use doubles
Throughout the films, other abilities have been noted: Ventriloquism Juggling Able to speak at least four languages (English, Mandarin, German, and Japanese) Devout Buddhist who knows traditional chants and religious rites Composes haiku Draws caricatures Plays the shamisen Knows how to cure a hangover
Occupation The motion picture Mr. Moto is described as an agent for Interpol.
In the first film, Think Fast, Mr. Moto, he reveals that he is the managing director of the Dai Nippon Trading Company and had decided to investigate the smuggling activities that were harming his business. He claims to be a detective "only as a hobby."Quote from Think Fast, Mr. Moto. In the second film, Thank You, Mr. Moto, the definition of his occupation/hobby begins to get murky. He tells a woman that he is an importer whose hobby is detective work, but only after showing her his identification which indicates he is a Confidential Agent for the International Association of Importers. However, in a climactic chase sequence he flashes a badge at a guard and says that he is from the International Police (understood as Interpol).
In subsequent films Mr. Moto works for private organizations such as the Diamond Syndicate (Danger Island) as well as for world governments (Mr. Moto's Last Warning and Mr. Moto Takes a Chance)-- but only when it is in Japan's interests.
As a member of the International Police, he garners respect from local police around the world. In London, Shanghai, and San Francisco he is given full cooperation for his investigations. In Mr. Moto's Last Warning he works side by side with British Secret Service agents and in Mr. Moto Takes a Chance he is spying for an unknown government agency. He is known for his close relationship to the Chinese Royal Family.
Personal life Mr. Moto's personal life is rarely touched upon. In Think Fast, Mr. Moto he tells Bob Hitchings that he went to Stanford University, graduating in 1921 as an honorary member. There, he set a pole vaulting record and was a member of the fraternity Alpha Omega.