The National Museum of Anthropology (, MNA) is a national museum of Mexico. It is the largest and most visited museum in Mexico. Located in the area between Paseo de la Reforma and Mahatma Gandhi Street within Chapultepec Park in Mexico City,"Plan Your Visit ." National Museum of Anthropology. Retrieved on April 12, 2016. "The Museum is located at Av. Paseo de la Reforma y Calzada Gandhi s/n, Col. Chapultepec Polanco. Delegación Miguel Hidalgo. C.P. 11560, México, D.F." which is a wide-open natural park and has a great history, because it was the place where Aztec emperors spent time. The museum contains significant archaeological and anthropological artifacts from Mexico's pre-Columbian heritage, such as the Stone of the Sun (or the Aztec calendar stone) and the Aztec Xochipilli statue.
The museum received 3,700,000 visitors in 2024, making it the most-visited museum in Mexico, and the 17th most-visited museum of the arts in the world."The Art Newspaper", March 2025
The museum (along with many other Mexican national and regional museums) is managed by the Instituto Nacional de Antropología e Historia (National Institute of Anthropology and History), or INAH. It was one of several museums opened by Mexican President Adolfo López Mateos in 1964.Arnaiz y Freg, Arturo. "Los Nuevos museos y las restauraciones realizados por el Presidente López Mateos." Artes De México, no. 179/180, 1974, pp. 62–67. JSTOR, www.jstor.org/stable/24317704 accessed 11 March 2019
Assessments of the museum vary, with one considering it "a national treasure and a symbol of identity. The museum is the synthesis of an ideological, scientific, and political feat."Enrique Florescano, "The creation of the Museo Nacional de Antropología and its scientific, educational, and political purposes." In Nationalism: Critical Concepts in Political Science, Vol. IV p. 1257. John Hutchinson and Anthony D. Smith, eds. London and New York: Routledge 2000. Octavio Paz criticized the museum's making the Mexica (Aztec) hall central, saying the "exaltation and glorification of Mexico-Tenochtitlan transforms the Museum of Anthropology into a temple."Octavio Paz, Posdata, Mexico: Siglo Veintiuno 1969, quoted in Florescano, "The creation of the Museo Nacional de Antropología", p. 1258, footnote 9.
Architecture
Designed in 1964 by Pedro Ramírez Vázquez, Jorge Campuzano, and Rafael Mijares Alcérreca. As the authors mentioned in "B. Pedro Ramírez Vázquez, Museo Nacional de Antropología, Mexico City" which is part of "Modern Architecture in Latin America" book, Pedro Ramírez Vázquez is a well-known architect, who graduated from UNAM'S School of Architecture, known for designing several buildings such as Secretarìa de Trabajo, Mercado de Coyoacάn, Mexico's pavilions, Museum of Modern Art in Mexico, and National Museum of Anthropology. Carranza, Luis E, and Fernando Luiz Lara. “1964-b. Pedro RamíRez VáZquez, Museo Nacional de Antropología, Mexico City.” Modern Architecture in Latin America, University of Texas Press, New York, USA, 2021, pp. 229–230.
Luis Castañeda mentioned in the article "Beyond Tlatelolco: Design, Media, and Politics at Mexico ’68" that during the design phase the designers visited museums in other countries to take some inspiration. For example, the courtyard was derived from the neoclassical rotunda of John Russel Pope which is in the National Gallery of Art in Washington.The monumental building contains exhibition halls surrounding a courtyard with a huge pond and a vast square concrete umbrella supported by a single slender pillar (known as "el paraguas", Spanish for "the umbrella"). Nature was included in the museum through the courtyard.The halls are ringed by gardens, many of which contain outdoor exhibits. The museum has 23 rooms for exhibits and covers an area of 79,700 square meters (almost 8 hectares) or 857,890 square feet (almost 20 acres). According to Ramírez Vázquez in his book "The National Museum of Anthropology: Mexico: Art, Architecture, Archaeology, Anthropology", the architects' goal was to design a functional space that is also related to the Mexican culture. In other words, it symbolizes and represents Mexican's history and origin, so that it reveals what being a Mexican means and creates a sense of connectivity to the country.Ramírez Vázquez, Pedro. The National Museum of Anthropology : Mexico: Art, Architecture, Archaeology, Anthropology. Abrams, 1968.
This sense is revealed through the interesting historical ornaments like Maya ornamentation, and the traditional materials like the lava rock. Also, an inspiration is taken from Mayan architecture, such as the steel tracery on the courtyard's walls and the "quadrangle layout", which is having a flow between the buildings that surround the patio through their openings and doorways, creating connection between interior and exterior spaces.Castañeda, Luis. “Beyond Tlatelolco: Design, Media, and Politics at Mexico '68.” Grey Room, vol. 40, no. 40, 2010, pp. 100–126. Moreover, many artists added their artistical touches to the design such as the mural at the entrance to the auditorium, stained glass, and tapestry mural. The rooms of the museums surround the central courtyard, creating an interesting experience for the visitors while moving in the museum. They were not only designed by the architect Ramírez Vázquez, but also by group of historians, artists, designers, and museum curators. Mathias Goeritz is one of the artists who contributed in designing the museum's interior by mixing traditional and modern elements, which made him closer to the official art circle in Mexico, because at the beginning he preferred only modern art and not the traditional one. He created large textile murals for Mexico's Huichol people. What makes that museum more special is the mix between local and universal culture, which is also performed at Ramírez's pavilions. This is shown through using the brick and stone with steel.
The museum has 2 floors built around the central courtyard, where the ground floor reveals the ancient and historic civilizations, and the upper floor groups the archeology together with the ethnography and anthropology showing how the indigenous groups live. The intent in this museum was to create a pleasant flow having a sense of comfortability and privacy for the visitors while they circulate in it, they can feel the variety while moving from the exhibition rooms to larger spaces. This can create an emotional experience while they are scientifically exploring the relics and work of art.
This interesting experience in the museum that has simple rectangular layout starts from the open entrance plaza and the natural vegetation from the courtyard to the most essential and largest exhibition hall "Mexica Room". Before entering to the exhibit rooms, there is an enclosed roofed lobby. It directs visitors to other rooms after welcoming them and introducing them to the museum. After this, there is a central patio that has 2 parts, one of them is a partially open space where the giant umbrella roof is built with the same width and materials as the lobby and entrance plaza. It is a space where visitors feel sheltered and protected from the harsh environmental conditions but not fully enclosed at the same time. It is elevated more than the other walls and has an opening through the column holding it, so that the rain is not accumulated above it. It is made out of reinforced concrete covered in aluminum, and there is decorative carvings on the column made by Chávez Morado who contributed in designing the murals for Brussel pavilion. The other part of the central patio is open and has a pool connected to the Mexica Room, highlighting its importance and symbolizing the lake origin of the Aztec culture.
The Mexica Room is made out of gray floors, Santo Tomas marble, white marble, aluminum, and glass, which are used for the previous architectural features as well. The huge umbrella has steel structure covered with wood and filled with reinforced concrete. The area of the roof is approximately 265 by 175, strengthened by cables that are expanded from the column. The interesting fact is that this roof is the hugest one around the world and supported by one column only.
While the director was finishing some tasks like moving the artifacts to the museum, preparing the electrical equipment, and performing some studies, the construction process was going on, and it took nineteen months. New construction techniques and pre-Hispanic ones were used. The museum was built using developed engineering and construction techniques, so the historical pieces can be shown ideally and effectively, having a great emotional impact on people. Also, the umbrella and the exhibit rooms were built before the other programs in the building to ensure moving the heavy machines easily.
While structuring the museum, many aspects like spatial, aesthetics, and seismic conditions were taken into consideration. Prefabricated steel pieces were used to build the two-story building, the floor above the lobby area was supported on trusses that prevent the load from being transferred to the thin columns. On the first floor, the ceiling is two floor level and the part where there is low ceiling is the area for introducing the exhibits. Large dramatic exhibits are presented in double story part.
History
At the end of the 18th century, by order of the viceroy of Bucareli, the items that formed part of the collection by Lorenzo Boturini — including the sculptures of Coatlicue and the Sun Stone — were placed in the Royal and Pontifical University of Mexico, forming the core of the collection that would become the National Museum of Anthropology.
On August 25, 1790, the Cabinet of Curiosities of Mexico (Gabinete de Historia Natural de México)This early cabinet of curiosities, Gabinete de Historia Natural de México, became years later the nowadays Museo de Historia Natural in Mexico City. was established by botanist José Longinos Martínez. During the 19th century, the museum was visited by internationally renowned scholars such as Alexander von Humboldt. In 1825, the first Mexican president, Guadalupe Victoria, advised by the historian Lucas Alamán, established the National Mexican Museum as an autonomous institution. In 1865, the Emperor Maximilian moved the museum to Calle de Moneda 13, to the former location of the Casa de Moneda.
In 1906, due to the growth of the museum's collections, Justo Sierra divided the stock of the National Museum. The natural history collections were moved to the Chopo building, which was constructed specifically to shelter permanent expositions. The museum was renamed the National Museum of Archaeology, History and Ethnography, and was re-opened September 9, 1910, in the presence of President Porfirio Díaz. By 1924 the stock of the museum had increased to 52,000 objects and had received more than 250,000 visitors.
In December 1940, the museum was divided again, with its historical collections being moved to the Chapultepec Castle, where they formed the Museo Nacional de Historia, focusing on the Viceroyalty of the New Spain and its progress towards modern Mexico. The remaining collection was renamed the National Museum of Anthropology, focusing on pre-Columbian Mexico and modern day Mexican ethnography.
The construction of the contemporary museum building began in February 1963 in the Chapultepec park. The project was coordinated by architect Pedro Ramírez Vázquez, with assistance by Rafael Mijares Alcérreca and Jorge Campuzano. The construction of the building lasted 19 months, and was inaugurated on September 17, 1964, President Adolfo López Mateos, who declared: