"All That She Wants" is a song by the Swedish group Ace of Base. It was released in Scandinavia in August 1992, by Mega Records, as the second single from the group's debut studio album, Happy Nation (1992), and in the following year, it was released as the first single from the 1993 album The Sign in North America. Produced by Denniz Pop with group members Jonas Berggren and Ulf Ekberg, the drum beat was inspired by the Kayo song "Another Mother". Berggren and Ekberg also wrote the lyrics.
"All That She Wants" is a reggae pop song that describes a sexually promiscuous woman, with the word "baby" being synonymous with "boyfriend". The song was first recorded in 1991, but went through many revisions before it was officially released.
The song was a commercial success, reaching the top of the charts in many countries, including Denmark, Germany, the UK and Australia. It spent 13 weeks at the top of the Danish singles chart. The single was certified platinum in the United States, where it peaked at number two on the Billboard Hot 100 and was one of the best-selling singles of that year. Its music video was directed by Matt Broadley and filmed in Copenhagen, Denmark.
In 2007, the song was re-recorded by the band as a three-piece with new lyrics in a first-person perspective, but was never officially released. This re-recording was leaked online in June 2016 in a collaboration version of the song that features new Ace of Base vocals alongside Britney Spears's vocals from her own 2007 demo version.
Background
While the group's predecessor single, "Wheel of Fortune", was a modest success, "All That She Wants" led Ace of Base to take off internationally. In 1991, the group produced a demo version of "All That She Wants", titled "Mr. Ace", which featured different lyrics, Linn Berggren on lead vocals, and rap vocals performed by both Jonas and Ekberg. But they were not able to create the exact sound they were looking for, despite their attempts to get inspiration by listening to several other artists. After the release of the Swedish top 20 hit "Another Mother" by Kayo, the band finally found the drum beat they were looking for.
Jonas and Ekberg contacted the producer of "Another Mother", Denniz Pop, and sent him a demo tape featuring the song. Though Denniz was initially unimpressed with the song, the tape got stuck in the cassette tape player in his car. Because of this, he was forced to listen to it over and over again, which helped him decide to help produce the track.
Composition
Denniz Pop introduced many changes to the song. He was not fond of the rap vocals on the original demo, and these were subsequently replaced with short spoken word sections. A new second verse was also added. Though vocals were recorded by all four members for this version, Jenny's vocals were eventually cut on the final release. The song was initially in a major key, but was changed to minor upon Linn's insistence. Jenny Berggren, sister to Linn and Jonas, explained that changing the key to minor allowed the song to portray a greater level of sadness and increased its relatability. Some of the other material on the Happy Nation album stemmed from "All That She Wants", leading the album to have a darker sound.
Jenny noted that it was about "a woman who is always leaving and that is because the woman is not whole in herself." Jonas stated that the song "is about a girl I knew a long time ago, but I didn't [realize that] when I did the lyrics."
Release Following its release on 31 August 1992, "All That She Wants" quickly climbed to number one on the Danish chart while "Wheel of Fortune" was still sitting at number two. The song became a commercial success, reaching the top of the charts in at least thirteen countries worldwide. It was certified platinum in the United States, after peaking at number two on the Billboard Hot 100. Keen to rush out an album for the Christmas market, Mega Records pressed the band for an album and it was hastily recorded, mixed, and released within a few weeks. Denniz Pop would go on to co-produce all officially released versions of the song that were available at the time, notably a more uptempo version of the song, dubbed the "Madness Version". This version features entirely different vocals and more spoken-word sections. Ace of Base would later collaborate with Denniz Pop on "The Sign" and multiple tracks on the band's sophomore release, The Bridge.
In 2014, the original demo version of the song was released as a bonus track called "Mister Ace (Demo 1991)" on the remastered version of the album The Sign.
Reception Critical reception American reception AllMusic editor Stephen Thomas Erlewine said that it is easy to see why the song was a hit: "the beat is relentless and the hooks are incessantly catchy". Thomas Ginsberg from Associated Press noted its "unique sound". A writer for The Baltimore Sun called it Ace of Base's "finest, loneliest hit". Larry Flick from Billboard magazine wrote that the group "wears its ABBA influences proudly on this shuffling, reggae-splashed ditty." He added, "Factor in curious and vague lyrics, and you have a left-of-center offering that may entice quirky minds, but will probably leave most scratching their heads." Dave Sholin from the Gavin Report commented, "The last time a new act from Sweden came on this strong it was Roxette with 'The Look'. Since we got hold of the import several months ago, the word about this release has spread. Not every song that reaches #1 in the U.K. like this one did succeeds in America, but they all would if they were this hot. Can't imagine it would take more than one listen to be convinced." Chuck Eddy from LA Weekly stated, "As far as I can remember, 'All That She Wants' by Ace of Base is the only hit single ever to talk about a lady who uses men for stud service so that she can become an unwed mother." He added that it "has the frostbit feel of ABBA's ballads about working women", and noted 'how she warns "She's gonna getcha" in a demonic Eurodisco catwoman voice.'
Fred Shuster from Los Angeles Daily News said it is a "supremely catchy pop confection with a bouncy reggae-inspired bass line and a chorus that lodges itself in the brain with deadly precision." Dennis Hunt from Los Angeles Times wrote that it has "a strong European pop-synth feel, cruising on reggae undercurrents and mined with some deadly hooks." Mario Tarradell from the Miami Herald stated, "Just try to shake the irresistible hook of 'All That She Wants' and 'Happy Nation': you won't succeed." Jim Farber from the New York Daily News named it "the weirdest song on the radio now", adding that it "revives the dinky-sounding synths of early '80s new wave, smelts it to an improbable reggae beat, then plops on vocals by a woman whose grasp of English barely exceeds the phonetic." He concluded with that the song "could easily end up the 'Maneater' of the '90s." Neil Strauss from The New York Times called it a "reggae-infused dance-floor sleeper" that "tells of a troubled woman's search for romantic fulfillment in one-night-stands." Steve Dougherty from People Magazine deemed it a "hummable [and] reggae-flavored" tune. A reviewer from Press-Telegram stated that it's "packed with unforgettable hooks." The Rolling Stone Album Guide noted that the "Ennio Morricone-style keyboard whistle marks the welfare-state cautionary tale 'All That She Wants'. Chuck Campbell from Scripps Howard News Service called it "a lilting dance song about a woman seeking a steady stream of boyfriends", noting that it "had remarkable staying power on the charts".
European reception Irish Evening Herald described the song as "pure pop Esperanto. Simple, sublime and subversive. The weirdest record since Boney M's 'Rasputin'. A reviewer from Swedish Göteborgs-Posten said it "smells a little like Dr. Alban with its reggae". Ben Thompson from The Independent wrote, "The first No 1 from Sweden since Abba. Who said pop was dead?" In his weekly UK chart commentary, James Masterton said, "Ace Of Base doing a Sub Sub if you like and making a stirring chart debut by being not only the current trendy dance hit but also a damn good pop tune and receiving a bucketload of radio airplay as a result." He also declared it as a "perfectly crafted piece of dub-reggae". Simon Price from Melody Maker felt the "lilting plinky-plink reggae" of the track "is pure 1979." He added, "The first 10 times I heard 'All That She Wants', it was the greatest record on earth, a City Limits-reading radical lesbian's attack on our conveyor-belt, Baby Machine culture." After it had reached number-one in Denmark in 1992, Music & Media declared the song as "another great example of a band which has successfully drawn the pop reggae card." Sylvia Patterson from Smash Hits viewed it as "unfeasibly catchy".
Commercial performance "All That She Wants" reached the number-one position in thirteen countries: Australia (3 weeks), Austria (6 weeks), Belgium (2 weeks), Canada (2 weeks), Denmark (13 weeks),"All That She Wants" spent 13 weeks at number one on the Danish singles chart from October 1992 to January 1993. Week 1: Week 2: Week 3: Week 4: Week 5: Week 6: Week 7: Week 8: Week 9: Week 10: Week 11/12: Week 13: Germany (8 weeks), Greece (10 weeks),"All That She Wants" spent 10 weeks at number one on the Greek singles chart from May to July 1993. Week 1: Week 2: Week 3: Week 4: Week 5: Week 6: Week 7: Week 8: Week 9: Week 10: Iceland, Israel (3 weeks), Search "All That She Wants" for Israeli chart history. Italy (9 weeks),"All That She Wants" spent 9 weeks at number one on the Italian Musica e dischi singles chart from June to September 1993. Week 1: Week 2: Week 3: Week 4: Week 5: Week 6: Week 7: Week 8: Week 9: Spain (2 weeks),"All That She Wants" spent 2 weeks at number one on the Spanish singles chart in May and August 1993. Week 1: Week 2: Switzerland (2 weeks), and the United Kingdom. In the latter, it peaked in its third week at the UK Singles Chart, on 16 May 1993. It spent three weeks at the top position on the chart after debuting as number five. The song peaked at top three positions in most other places where it was released. "All That She Wants" peaked at number two on the Eurochart Hot 100 in June, being held off the top position by Snow's "Informer". The song was a very successful radio hit in the United States, peaking at number one on the US Billboard Top 40 Mainstream chart. On the Billboard Hot 100 and Cash Box Top 100, it peaked at number two and three. On the Canadian RPM Dance/Urban chart, it peaked at number one for 4 weeks."All That She Wants" spent 4 weeks at number one on the Canadian RPM Dance/Urban chart in November 1993. Week 1: Week 2: Week 3: Week 4:
"All That She Wants" was listed at number nine on the Billboard 1994 year-end charts and at number 70 on the 1990s decade-end charts. In Germany, the song was the best-selling single of 1993. It sold 604,000 copies in the United Kingdom in 1993. According to Mega Records, the single sold 3.7 million copies worldwide as of May 1998.
Retrospective response