Ion Heliade Rădulescu or Ion Heliade (also known as Eliade or Eliade Rădulescu; ; 6 January 1802 – 27 April 1872) was a Wallachian, later Romanian academic, Romantic and Classicist poet, essayist, memoirist, short story writer, newspaper editor and politician. A prolific translator of foreign literature into Romanian, he was also the author of books on linguistics and history. For much of his life, Heliade Rădulescu was a teacher at Saint Sava College in Bucharest, which he helped reopen. He was a founding member and first president of the Romanian Academy.
Heliade Rădulescu is considered one of the foremost champions of Romanian culture from the first half of the 19th century, having first risen to prominence through his association with Gheorghe Lazăr and his support of Lazăr's drive for discontinuing education in Greek. Over the following decades, he had a major role in shaping the modern Romanian language, but caused controversy when he advocated the massive introduction of Italian neologisms into the Romanian lexis. A Romantic nationalist landowner siding with moderate liberals, Heliade was among the leaders of the 1848 Wallachian revolution, after which he was forced to spend several years in exile. Adopting an original form of conservatism, which emphasized the role of the aristocratic boyars in Romanian history, he was rewarded for supporting the Ottoman Empire and clashed with the radical wing of the 1848 revolutionaries.
Biography
Early life Heliade Rădulescu was born in Târgoviște, into a family of Greek ancestry; he was the son of Ilie Rădulescu, a wealthy proprietor who served as the leader of a patrol unit during the 1810s, and Eufrosina Danielopol, a Greek woman, who was also educated in Greek.Stănescu-Stanciu, p. 67 Three of his siblings died of bubonic plague before 1829. Throughout his early youth, Ion was the focus of his parents' affectionate supervision: early on, Ilie Rădulescu purchased a house once owned by the scholar Gheorghe Lazăr on the outskirts of Bucharest (near Obor), as a gift for his son. At the time, the Rădulescus were owners of a large garden in the Bucharest area, nearby Herăstrău, as well as of estates in the vicinity of Făgăraș and Gârbovi.
After basic education in Greek with a tutor known as Alexe, Ion Heliade Rădulescu taught himself reading in Romanian Cyrillic (reportedly by studying the Alexander Romance with the help of his father's Oltenian servants).Măciucă, pp. vi, xxxvii; Stănescu-Stanciu, pp. 67–68 He subsequently became an avid reader of popular novels, especially during his 1813 sojourn in Gârbovi (where he had been sent after other areas of the country came to be ravaged by Caragea's plague).Stănescu-Stanciu, p. 68 After 1813, the teenaged Rădulescu was a pupil of the Orthodox monk Naum Râmniceanu; in 1815, he moved on to the Greek school at Schitu Măgureanu, in Bucharest, and, in 1818, to the Saint Sava School, where he studied under Gheorghe Lazăr's supervision.Encyclopedia of Revolutions of 1848; Măciucă, pp. vi, xxxvii
Between his 1820 graduation and 1821, when effects of the Wallachian uprising led to the School ceasing its activities, he was kept as Lazăr's assistant teacher, tutoring in arithmetics and geometry.Măciucă, pp. vi–vii; xxxvii It was during those years that he adopted the surname Heliade (also rendered Heliad, Eliad or Eliade), which, he later explained, was a Greek version of his patronymic, in turn stemming from the Romanian version of Elijah.Djuvara, p. 183
Under Grigore Ghica In 1822, after Gheorghe Lazăr had fallen ill, Heliade reopened Saint Sava and served as its main teacher (initially, without any form of remuneration).Giurescu, p. 120Măciucă, pp. viii, ix–x, xxxvii He was later joined in this effort by other intellectuals of the day, such as Eufrosin Poteca, and, eventually, also opened an art class overseen by the Croat Carol Valştain.George Oprescu (ed.), Scurtă istorie a artelor plastice în R.P.R., Editura Academiei RPR, Bucharest, 1958, p. 31. This re-establishment came as a result of ordinances issued by Prince Grigore IV Ghica, who had just been assigned by the Ottoman Empire to the throne of Wallachia upon the disestablishment of Phanariote rule, encouraging the marginalization of ethnic Greeks who had assumed public office in previous decades. Thus, Prince Ghica had endorsed education in Romanian and, in one of his official firmans, defined teaching in Greek as "the foundation of evils" (temelia răutăţilor).
During the late 1820s, Heliade became involved in cultural policies. In 1827, he and Dinicu Golescu founded Soțietatea literară românească (the Romanian Literary Society), which, through its program (mapped out by Heliade himself), proposed Saint Sava's transformation into a college, the opening of another such institution in Craiova, and the creation of schools in virtually all Wallachian localities.Măciucă, pp. vii, x, xxxvii In addition, Soţietatea attempted to encourage the establishment of Romanian-language newspapers, calling for an end to the state monopoly on printing presses. The grouping, headquartered on central Bucharest's Podul Mogoșoaiei, benefited from Golescu's experience abroad, and was soon joined by two future Princes, Gheorghe Bibescu and Barbu Dimitrie Știrbei. Its character was based on Freemasonry;Encyclopedia of Revolutions of 1848; Djuvara, p. 317 around that time, Heliade is known to have become a Freemason, as did a large section of his generation.Djuvara, p. 317; Dan Amedeo Lăzărescu, "1848: Revoluţia intelectualilor" , in Magazin Istoric, June 1998
In 1828, Heliade published his first work, an essay on Romanian grammar, in the Transylvanian city of Hermannstadt (which was part of the Austrian Empire at the time), and, on 20 April 1829, began printing the Bucharest-based paper Curierul Românesc.Giurescu, p. 125Măciucă, pp. x–xi, xxxviii This was the most successful of several attempts to create a local newspaper, something Golescu first attempted in 1828. Publishing articles in both Romanian and French, Curierul Românesc had, starting in 1836, its own literary supplement, under the title of Curier de Ambe Sexe; in print until 1847, it notably published one of Heliade's most famous poems, Zburătorul.Giurescu, pp. 125, 126; Măciucă, pp. xi–xii Curierul Românesc was edited as a weekly, and later as a bimonthly, until 1839, when it began to be issued three or four times a week. Its best-known contributors were Heliade himself, Grigore Alexandrescu, Costache Negruzzi, Dimitrie Bolintineanu, Ioan Catina, Vasile Cârlova, and Iancu Văcărescu.Măciucă, p. xi
In 1823, Heliade met Maria Alexandrescu, with whom he fell passionately in love, and whom he later married. By 1830, the Heliades' two children, a son named Virgiliu and a daughter named Virgilia, died in infancy; subsequently, their marriage entered a long period of crisis, marked by Maria's frequent outbursts of jealousy. Ion Heliade probably had a number of extramarital affairs: a Wallachian Militia officer named Zalic, who became known during the 1840s, is thought by some, including the literary critic George Călinescu, to have been the writer's illegitimate son. Before the death of her first child, Maria Heliade welcomed into her house Grigore Alexandrescu, himself a celebrated writer, whom Ion suspected had become her lover. Consequently, the two authors became bitter rivals: Ion Heliade referred to Alexandrescu as "that ingrate", and, in an 1838 letter to George Bariţ, downplayed his poetry and character (believing that, in one of his fables, Alexandrescu had depicted himself as a nightingale, he commented that, in reality, he was "a piteous rook dressed in foreign feathers"). Despite these household conflicts, Maria Heliade gave birth to five other children, four daughters and one son (Ion, born 1846).Stănescu-Stanciu, p. 69
Printer and court poet
In October 1830, together with his uncle Nicolae Rădulescu, he opened the first privately owned printing press in his country, operating on his property at Cișmeaua Mavrogheni, in Obor (the land went by the name of Câmpul lui Eliad"Eliad's Field", and housed several other large buildings). Among the first works he published was a collection of poems by Alphonse de Lamartine, translated by Heliade from French, and grouped together with some of his own poems.Măciucă, p. xxxviii Later, he translated a textbook on meter and Louis-Benjamin Francoeur's standard manual of Arithmetics, as well as works by Enlightenment authorsVoltaire's Mahomet, ou le fanatisme, and stories by Jean-François Marmontel. They were followed, in 1839, by a version of Jean-Jacques Rousseau's Julie, or the New Heloise.
Heliade began a career as a civil servant after the Postelnicie commissioned him to print the Official Bulletin, and later climbed through the official hierarchy, eventually serving as Clucer. This rise coincided with the establishment of the Regulamentul Organic regime, inaugurated, upon the end of the Russo-Turkish War of 1828–1829, by an Imperial Russian administration under Pavel Kiselyov. When Kiselyov placed an order with Heliade for the printing of official documents, including the Regulament, the writer and his family were made prosperous by the sales. Nevertheless, Heliade maintained contacts with the faction of reformist boyars: in 1833, together with Ion Câmpineanu, Iancu Văcărescu, Ioan Voinescu II, Constantin Aristia, Ștefan and Nicolae Golescu, as well as others, he founded the short-lived Soţietatea Filarmonică (the Philharmonic Society), which advanced a cultural agenda (and was especially active in raising funds for the National Theater of Wallachia).Encyclopedia of Revolutions of 1848; Măciucă, pp. vii, xii–xiii, xxxviii Aside from its stated cultural goals, Soţietatea Filarmonică continued a covert political activity.Encyclopedia of Revolutions of 1848; Giurescu, p. 131; Măciucă, p. xii
In 1834, when Prince Alexandru II Ghica came to the throne, Heliade became one of his close collaborators, styling himself "court poet". Several of the poems and discourses he authored during the period are written as panegyrics, and dedicated to Ghica, whom Heliade depicted as an ideal prototype of a monarch. As young reformists came into conflict with the prince, he kept his neutrality, arguing that all sides involved represented a privileged minority, and that the disturbances were equivalent to "the quarrel of wolves and the noise made by those in higher positions over the torn-apart animal that is the peasant". He was notably critical of the radical Mitică Filipescu, whom he satirized in the poem Căderea dracilor ("The Demons' Fall"), and later defined his own position with the words "I hate tyrants. I fear anarchy".Măciucă, p. vii
It was also in 1834 that Heliade began teaching at the Soţietatea Filarmonică'''s school (alongside Aristia and the musician Ioan Andrei Wachmann), and published his first translations from Lord Byron (in 1847, he completed the translation of Byron's Don Juan).Măciucă, p. x The next year, he began printing Gazeta Teatrului Național (official voice of the National Theater, published until 1836), and translated Molière's Amphitryon into Romanian.Măciucă, pp. xii, xxxviii In 1839, Heliade also translated Miguel de Cervantes' Don Quixote from a French source. The first collection of his own prose and poetry works saw print in 1836. Interested in the development of local art, he contributed a brochure on drawing and architecture in 1837, and, during the same year, opened the first permanent exhibit in Wallachia (featuring copies of Western paintings, portraits, and gypsum casts of various known sculptures).