The Merseburg charms, Merseburg spells, or Merseburg incantations () are two medieval magic spells, charms or incantations, written in Old High German. They are the only known examples of Germanic pagan belief preserved in the language. They were discovered in 1841 by Georg Waitz, who found them in a theological manuscript from Fulda, written in the 9th century, although there remains some speculation about the date of the charms themselves. The manuscript (Cod. 136 f. 85a) is stored in the library of the cathedral chapter of Merseburg, hence the name. The Merseburg charms have been the subject of notable study since their discovery.
History
The Merseburg charms are the only known surviving relics of pre-Christian, pagan poetry in Old High German literature.
The charms were recorded in the 10th century by a cleric, possibly in the abbey of Fulda, on a blank page of a liturgical book, which later passed to the library at Merseburg. The charms have thus been transmitted in Caroline minuscule on the flyleaf of a Latin sacramentary.
The spells became famous in modern times through the appreciation of Jacob Grimm, who wrote as follows: Lying between Leipzig, Halle and Jena, the extensive library of the Cathedral Chapter of Merseburg has often been visited and made use of by scholars. All have passed over a codex which, if they chanced to take it up, appeared to offer only well-known church items, but which now, valued according to its entire content, offers a treasure such that the most famous libraries have nothing to compare with it... The spells were published later by Jacob Grimm in On two newly-discovered poems from the German Heathen Period (1842).
The manuscript of the Merseburg charms was on display until November 2004 as part of the exhibition "Between Cathedral and World - 1000 years of the Chapter of Merseburg," at Merseburg cathedral. They were previously exhibited in 1939.
The texts Each charm is divided into two parts: a preamble telling the story of a mythological event; and the actual spell in the form of a magic analogy (just as it was before... so shall it also be now...). In their verse form, the spells are of a transitional type; the lines show not only traditional alliteration but also the end-rhymes introduced in the Christian verse of the 9th century.
First Merseburg Charm
The first spell is a "Lösesegen" (blessing of release), describing how a number of "Idisen" freed from their shackles warriors caught during battle. The last two lines contain the magic words "Leap forth from the fetters, escape from the foes" that are intended to release the warriors.
Second Merseburg Charm
Phol is with Wodan when Balder's horse dislocates its foot while he is riding through the forest (holza). Wodan intones the incantation: "Bone to bone, blood to blood, limb to limb, as if they were mended".
Figures that can be clearly identified within Continental Germanic mythology are "Uuôdan" (Wodan) and "Frîia" (Frija). Depictions found on Migration Period Germanic bracteates are often viewed as Wodan (Odin) healing a horse.
Comparing Norse mythology, Wodan is well-attested as the cognate of Odin. Frija is the cognate of Frigg. Balder is Norse Baldr. Phol is possibly the masculine form of Uolla. According to Jacob Grimm, the context would make it clear that it is another name for Balder. The identification with Balder is not conclusive. Modern scholarship suggests that Freyr might be meant.Wolfgang Beck: Die Merseburger Zaubersprüche, Wiesbaden 2003. Uolla is cognate with Old Norse Fulla, a goddess there also associated with Frigg. Sunna (the personified sun) is in Norse mythology Sól. Sinthgunt is otherwise unattested.
Parallels The First Merseburg Charm (loosening charm)'s similarity to the anecdote in Bede's Hist. Eccles., IV, 22 has been noted by Jacob Grimm. In this Christianized example, it is the singing of the mass, rather than the chanting of the charm, that effects the release of a comrade (in this case a brother). The unshackled man is asked "whether he had any spells about him, as are spoken of in fabulous stories",translation based on L.C. Jane (1903); A. M. Sellar (1907) (wikisource version) which curiously has been translated as "loosening rune (about him)" () in the Anglo-Saxon translation of Bede, as has been pointed out by Sophus Bugge. Bugge makes this reference in his edition of the Eddaic poem Grógaldr (1867), in an attempt to justify his emending the phrase "Leifnir's fire (?)" () into "loosening charm" () in the context of one of the magic charms that Gróa is teaching to her son. But this is an aggressive emendation of the original text, and its validity as well as any suggestion to its ties to the Merseburg charm is subject to skepticism., p.365, footnote. Quote: "The existence of the term "leysigaldr" in Old Norse is seductive, but does not constitute proof of the existence of these outside the realm of fiction, or that it can be applied to the Merseburg charm. "
Many analogous magic incantations to the Second Merseburg Charm (horse-healing spell) have been noted. Some paralleling is discernible in other Old German spells, but analogues are particularly abundant in folkloric spells from Scandinavian countries (often preserved in so-called "black books"). Similar charms have been noted in Gaelic, Lettish and FinnishChristiansen, Reidar. 1914. Die finnischen und nordischen Varianten des zweiten Merseburgerspruches. (Folklore Fellows’ Communications 18.) Hamina Academia Scientiarum Fennicum. suggesting that the formula is of ancient Indo-European origin. Parallels have also been suggested with Hungarian texts.Pócs, Éva. "A „2. merseburgi ráolvasás” magyar típusai" [Hungarian types of the 2nd Merseburg Charm]. Olvasó. Tanulmányok a 60 (2010): 272-281. Some commentators trace the connection back to writings in ancient India.
Other Old High German and Old Saxon spells Other spells recorded in Old High German or Old Saxon noted for similarity, such as the group of spells for casting out the (worm) causing the affliction. There are several manuscript recensions of this spell, and Jacob Grimm scrutinizes in particular the so-called variant, in Old Saxon from the Cod. Vindob. theol. 259 (now ÖNB Cod. 751). The title is Latin:
As Grimm explains, the spell tells the worm and its nine young ones to begone, away from the marrow to bone, bone to flesh, flesh to hide (skin), and into the (arrow), which is the implement into which the pest or pathogen is to be coaxed. It closes with the invocation: "Lord (), let it be". Grimm insists that this charm is "about lame horses". And the "transitions from marrow to bone (or sinews), to flesh and hide, resemble phrases in the sprain-spells", i.e. the Merseburg horse-charm types.
Scandinavia Jacob Grimm in his Deutsche Mythologie, chapter 38, listed examples of what he saw as survivals of the Merseburg charm in popular traditions of his time: from Norway a prayer to Jesus for a horse's leg injury, and two spells from Sweden, one invoking Odin (for a horse suffering from a fit or equine distemper) and another invoking Frygg for a sheep's ailment. He also quoted one Dutch charm for fixing a horse's foot, and a Scottish one for the treatment of human sprains that was still practiced in his time in the 19th century (See #Scotland below).
Norway Grimm provided in his appendix another Norwegian horse spell, which has been translated and examined as a parallel by Thorpe. Grimm had recopied the spell from a tome by Hans Hammond, Nordiska Missions-historie (Copenhagen 1787), pp. 119–120, the spell being transcribed by Thomas von Westen c. 1714. This appears to be the same spell in English as given as a parallel by a modern commentator, though he apparently misattributes it to the 19th century. The texts and translations will be presented side-by-side below:
LII. gegen knochenbruchNumeral and German title is Grimm's Jesus reed sig til Heede, der reed han syndt sit Folebeen. Jesus stigede af og lägte det; Jesus lagde Marv i Marv, Ben i Ben, Kjöd i Kjöd; Jesus lagde derpaa et Blad, At det skulde blive i samme stad. i tre navne etc. (Hans Hammond, "Nordiska Missions-historie", Kjøbenhavn 1787, pp.119, 120), Appendix, Spells, Spell #LVII. Title is Grimm's. (= Bang's formula #6),--- Jesus rode to the heath, There he rode the leg of his colt in two. Jesus dismounted and heal'd it; Jesus laid marrow to marrow, Bone to bone, flesh to flesh; Jesus laid thereon a leaf, That it might remain in the same place. , text and translation. Lacks the last invocational lineFor a Broken Bone Jesus himself rode to the heath, And as he rode, his horse's bone was broken. Jesus dismounted and healed that: Jesus laid marrow to marrow, Bone to bone, flesh to flesh. Jesus thereafter laid a leaf So that these should stay in their place. (in the Three Names, etc.)
The number of Norwegian analogues is quite large, though many are just variations on the theme. A similar spell is known to being used by Lisbet Nypan, who was burned as a witch in 1670. Bishop Anton Christian Bang compiled a volume culled from Norwegian black books of charms and other sources, and classified the horse-mending spells under the opening chapter "Odin og Folebenet", strongly suggesting a relationship with the second Merseburg incantation.Bang's Norse hexeformulaer collection lacks commentary, but makes clear he subscribes to the parallelism view espoused by Grimm and Bugge. Bang here gives a group of 34 spells, mostly recorded in the 18th–19th century though two are assigned to the 17th (c. 1668 and 1670), and 31 of the charms are for treating horses with an injured leg. The name for the horse's trauma, which occurs in the titles, is in most of the rhymes, with smatterings of raina and bridge (sic.), but they all are essentially synonymous with brigde, glossed as the "dislocation of the limb" in Aasen's dictionary. (pdf)
From Bishop Bang's collection, the following is a list of specific formulas discussed as parallels in scholarly literature: No. 2, "Jesus og St. Peter over Bjergene red.." (c. 1668. From Lister og Mandal Amt, or the modern-day Vest-Agder. Ms. preserved at the Danish Rigsarkivet) No. 6, Jesus red sig tile Hede.." (c. 1714. Veø, Romsdal). Same as Grimm's LII quoted above., repr. Grimm#LVII and Bang's no.4 have spelling differences, but both cite Hammond as source, and the identity is mentioned in No, 20, "Jeus rei sin Faale over en Bru.." (c. 1830. Skåbu, Oppland. However Wadstein's paper does not focus the study on the base text version, but the variant Ms. B which has the "Faale" spelling) No. 22, "Vor Herre rei.." (c. 1847. Valle, Sætersdal. Recorded by Jørgen Moe)
It might be pointed out that none of the charms in Bang's chapter "Odin og Folebenet" actually invokes Odin. The idea that the charms have been Christianized and that the presence of Baldur has been substituted by "The Lord" or Jesus is expressed by Bang in another treatise, crediting communications with Bugge and the work of Grimm in the matter. Jacob Grimm had already pointed out the Christ-Balder identification in interpreting the Merseburg charm; Grimm seized on the idea that in the Norse language, "White Christ (hvíta Kristr)" was a common epithet, just as Balder was known as the "white Æsir-god", citing Grimm's DM 1st ed., Anhang, p.cxlviii and, .
Another strikingly similar "horse cure" incantation is a 20th-century sample that hails the name of the ancient 11th-century Norwegian king Olaf II of Norway. The specimen was collected in Møre, Norway, where it was presented as for use in healing a bone fracture:
This example too has been commented as corresponding to the second Merseburg Charm, with Othin being replaced by Saint Olav.
Sweden