Major General Prince Chalermbol Dighambara (April 29, 1913 – October 1, 1991), also known as Phra Ong Chai Klang, was a son of Yugala Dighambara, Prince of Lopburi, and Chalermkhetra Mangala.

Biography Major General Prince Chalermbol Dighambara was the son of Yugala Dighambara, Prince of Lopburi, and Princess Chalermkhetra Mangala. He was born on Tuesday, the 9th waning moon of the 5th lunar month, the Year of the Ox, corresponding to April 29, 1913, in Songkhla Province. At the time, his father was serving in the Ministry of Interior as the High Commissioner (Samuha Thesaphiban) and Governor of Nakhon Si Thammarat Monthon, and was residing at Khao Noi Palace in Songkhla. He had two full brothers: Prince Bhanubandhu Yugala and Prince Anusorn Mongkolkarn.

His father was a royal son of King Chulalongkorn (Rama V) and Princess Saisavali Bhiromya. His mother was a niece of King Chulalongkorn, being the daughter of Bhanurangsi Savangwongse, who was a full younger brother of King Chulalongkorn.

King Prajadhipok (Rama VII) graciously commanded that a royal topknot-cutting ceremony (Sokan) be held at the Grand Palace on March 29, 1925. After the King poured the holy water from the royal conch and performed the initial symbolic cut with the royal scissors, he graciously permitted Prince Bhanurangsi Savangwongse and Narisara Nuvadtivongs to perform the subsequent clips respectively.

Major General Prince Chalermbol Dighambara was an alumnus of Debsirin SchoolDebsirin Alumni Hall of Fame http://www.debsirinalumni.org/main_hof.php?type_1=บรมวงศานุวงศ์ and the Royal Military Academy (Primary Section) in the year 1923. Afterwards, he went to study in the United Kingdom at Eton College.Members of Royal Families https://www.etoncollege.com/Royals.aspx On April 11, 1930, he received the royal grace of King Prajadhipok, who anointed him and poured royal holy water from the conch upon his audience to take leave to study in England. He traveled alongside Prince Damrong Rajanubhab. He studied military science at the Royal Military College, Sandhurst, and successfully completed the commissioned officer course. Following his graduation, he returned to Thailand to join the military service and was appointed to the Royal Thai Army Headquarters with the rank of Acting Second Lieutenant.Memorial of Love, on the Occasion of the Royal Cremation of Major General Prince Chalermbol Dighambara at the Royal Crematorium in Front of the Issariyaphorn Pavilion, Wat Debsirindrawas, Saturday, February 1, 1992 Later, he transferred to become a police officer under the Thonburi Metropolitan Police Division, Metropolitan Police Bureau, until 1948. He then transferred back to serve in the Royal Thai Army until his retirement at the rank of Colonel, attached to the Cavalry Center. Afterwards, he received the royal grace of King Bhumibol Adulyadej (Rama IX), who promoted him to the rank of Major General on October 26, 1988.

Education

Studied under the abbot at Wat Matchimawat, Songkhla, with his most prominent teacher being Phra Rattanatachamuni (Chu Issarayano). Debsirin School Saint Gabriel's College Eton College

Military Training

Chulachomklao Royal Military Academy Royal Military College, Sandhurst Cavalry Officer Advanced Course (Class 2), Cavalry School, Cavalry Center Studied and observed operations at the Armor School and the Special Warfare Center of the United States Army Senior Officer Parachute Course (Class 1), Special Warfare Command, Royal Thai Army

Work and career

Military and police service Upon completing his education in the United Kingdom, Prince Chalermbol Dighambara returned to Thailand and entered military service in the Royal Thai Army, being commissioned to the Royal Thai Army Headquarters as an Acting Second Lieutenant. He later transferred to serve as a police officer under the Thonburi Metropolitan Police Division, Metropolitan Police Bureau, until 1948. After that, he transferred back to the Royal Thai Army, where he served until his retirement at the rank of Colonel, attached to the Cavalry Center. Furthermore, during his military service, he played a key role as a spearhead in pursuing Pridi Banomyong during the 1947 Thai coup d'état. He requested an aircraft to track and attack Pridi and his party who were escaping by water, a request granted by the coup council. Prince Chalermbol Dighambara, along with Lieutenant Colonel Lamai Uthayananon (rank at the time), boarded a Royal Thai Air Force aircraft from Don Mueang, heading straight to Samut Prakan to track Pridi's escape boat. They conducted aerial searches from Pak Nam deep into the Chao Phraya River, widely across the mouth of the bay, and out into the sea. However, they could not locate Pridi's vessel due to heavily overcast skies and unusually strong winds, which deteriorated visibility to the point where the aircraft had to abort the search. Ultimately, Pridi Banomyong successfully escaped Thailand.The Book: Senior Statesman Pridi Banomyong, Exiled by the Coup of Nov 8, 1947, from Bangkok to Beijing, by Suphot Dantrakul, pp. 30-31

In 1950, while holding the rank of Captain, he joined the 21st Combined Regiment to fight alongside United Nations forces in the Korean War.https://trove.nla.gov.au/newspaper/article/18501257 He served on the front lines for two years and was awarded the Victory Medal, subsequently receiving the Bravery Flash on his Victory Medal ribbon in 1952 in recognition of official commendation.http://www.ratchakitcha.soc.go.th/DATA/PDF/2495/D/051/2672.PDF In addition, the United States Army presented him with the Bronze Star Medal for highly successful operations during the joint UN military campaign in Korea.http://www.ratchakitcha.soc.go.th/DATA/PDF/2494/D/058/3969_1.PDF

After returning from his United Nations assignment in the Korean War, King Bhumibol Adulyadej graciously promoted him to the military rank of Lieutenant Colonel on April 23, 1952.Royal Gazette, Volume 69, Part 28, regarding Military Promotions http://www.ratchakitcha.soc.go.th/DATA/PDF/2495/D/028/1212.PDF In 1950, Prince Chalermbol Dighambara wrote letters to his family describing his journey to fight with the United Nations in Korea. In his first letter, he mentioned making a vow to the spirit shrine of Prince Abhakara Kiartivongse, Prince of Chumphon, at Nang Loeng Palace to ensure a safe sea voyage. He requested Mom Thongthaem Yugala na Ayudhaya to fulfill the vow on his behalf, writing:

"Tomorrow the ship will stop at Okinawa, an American naval base, to pick up provisions. Our ship has to travel slower than usual because we must wait for the Sichang ship, which is an old vessel that sails very slowly, and we have hit very strong waves and winds... We encountered typhoons several times along the way, but every time we prayed to the Prince of Chumphon, it completely quieted down. It is very sacred. Please bring some liquor to fulfill the vow at his shrine at the palace for me too (Yugala, 1991, P. 150)."Yugala, C., Lieutenant Colonel Momjao. (1991). Anusorn ngan phra rachatan phloeng phra sop phontri phra chao woravongther phraaong chao Chaloemphon Thikhamporn [Commemoration at His Royal Highness Prince Chaloemphon Thikhamporn’s Cremation]. Bangkok: The Agricultural Co-operative Federation of Thailand.

Furthermore, Prince Chalermbol Dighambara received the royal grace of King Bhumibol Adulyadej, who appointed him as a Special Officer attached to the 1st Cavalry Regiment, King's Guard, on April 18, 1955,http://www.ratchakitcha.soc.go.th/DATA/PDF/2498/D/033/971.PDF and he was promoted to the rank of Major General on October 26, 1988.Announcement of the Prime Minister's Office regarding Military Promotion and Appointment of Special Officer

Thai Performing Arts Prince Chalermbol Dighambara was a royal figure highly knowledgeable and passionate about arts and literature, providing consistent patronage and support to both the arts and artists. He encouraged Dhanit Yupho to continue writing about the art of Khon (masked dance-drama) after Dhanit had written on the subject years prior. He ordered the publication of the book "The Art of Thai Dance Drama" or "A Manual of Thai Performing Arts" (1st edition) by Dhanit Yupho for his own 5th-cycle (60th) birthday celebration on April 29, 1973. Prince Chalermbol Dighambara also kindly entrusted Mr. Chaeng Khlaisithong to learn Sepha (Thai narrative poetry chanting) from Master Chuea. As a result, Mr. Chaeng acquired the traditional method of chanting the Sepha Wai Khru ritual, along with various traditional techniques. Eventually, he became the famous Chaeng Khlaisithong known to Thai classical music and Sepha listeners nationwide, earning the moniker "Chang Khap Kham Hom" (The Sweet-Voiced Singer).http://www.m-culture.in.th/album/14163

Due to his expertise, various writers and artists requested him to accept the presidency of the Writers' Association of Thailand, a position he held from 1971 to 1975.

After Prince Chakrabandhu Pensiri Yugala took up a position as a Privy Councilor, Prince Chalermbol Dighambara was invited by Eua Sunthornsanan and his committee to serve as the president of the Music Association of Thailand under Royal Patronage, and he remained its Honorary Life President.Suntrapohn Half a Century. A commemorative book on the 50th anniversary of the founding of the Suntrapohn Band, November 20, 1989.

Additionally, Prince Chalermbol Dighambara founded a theatrical troupe named the "Nataraj Troupe". He expressed a wish to Master Boonyong Ketkong, a highly skilled Thai classical musician at the time, to compose a theme song for his troupe. Master Boonyong Ketkong composed it according to his wishes by adopting the melody of "Dap Khuan Thian," the final song in the sacred Wai Khru suite "Phleng Rueang Wien Thian Yai", which is considered highly auspicious. He adapted it into a "Phleng Tra" format, using a two-tier rhythmic cycle to produce a new sacred overture song (Phleng Na Phat) named "Tra Nataraj" and presented it to Prince Chalermbol Dighambara. Later, the Tra Nataraj song was used for the first time on television on Thai TV Channel 4 Bang Khun Phrom. Before any play by the Nataraj Troupe was broadcast, the sound of the Tra Nataraj song would play along with the credits of the director, actors, producers, and sponsors, serving as the signature opening for the troupe. Generally, in Thai music and dance initiation rituals (Wai Khru), old traditional Na Phat songs are used throughout the ceremony, but the Tra Nataraj song also came to be used in initiation rituals as well. This practice began among the students of Master Boonyong Ketkong, who used it as an initiation overture, though it is played only when the ritual master specifically calls for it, a tradition continuing among his disciples to this day.Nukul Thapdee, The Importance of the Tra Nataraj Song in Thai Musical Culture file:///C:/Users/admin/Downloads/66745-Article%20Text-262661-1-10-20171123.pdf