This is a complete list of compositions by William Lloyd Webber (1914–1982).
Organ solo
Prelude and Fugue (composed in 1936. Unpublished.) Three Voluntaries (composed in 1950. London: Bosworth & Co. Ltd., 1950): I. Introit (in E-flat Major) II. Offertory (in G Minor) III. Recessional (in E-flat Major) Suite in B Flat Major (composed in 1951. London: Bosworth & Co. Ltd, 1951): I. Prelude II. Fugal Allegro III. Minuet (in G Minor) IV. Choral Song Beside the Still Waters: Six Introductory Improvisations (composed in 1952. London: Bosworth & Co. Ltd., 1952) I. Andante, poco gravamente (in E Minor) II. Andantino Amabile (in E Major) III. Adagio e mesto (in A Minor) IV. Moderato, poco mosso e grazioso (in F Major) V. Andantino alla Cantilena (in F Minor) VI. Lento con tenerezza (in D Major) Three Recital Pieces (composed in 1952. London: Francis, Day & Hunter, 1952): I. Prelude (in E-flat Major) II. Barcarolle (in G Minor) III. Nuptial March (in D Major) The Chapel in the Valley, Vol. 1: Six Voluntaries (composed in 1953. London: A. Weekes & Co., 1953): I. Aria II. Larghetto III. Vesper Hymn IV. Trumpet Minuet (in G Major) V. Cradle Song VI. Choral March ((in B-flat Major) The Chapel in the Valley, Vol. 2: Six Voluntaries (composed in 1953. London: A. Weekes & Co., 1953): I. Prelude (in E-flat Major) II. Song Without Words III. Postlude (in D Minor) IV. Communion V. Festal March (in E-flat Major) VI. Epilogue (in A Major) Dedication March (in F Major) (composed in 1953. London: William Elkin, 1953) Four Epilogues (composed in 1953. London: Bosworth & Co. Ltd., 1953): I. Allegro moderato (in C Major) II. Risoluto (in E Minor) III. Resurgam (in E-Flat Major) IV. Maestoso, ma con anima (in A Major) Christ in the tomb from „The Divine Compassion“ (composed in 1954. In: Centenary Collection Organ, 2014) Intermezzo on „Holyrood“ (composed in 1956. London: Novello, 1956) Four Quiet Interludes (composed in 1956. London: Bosworth & Co. Ltd., 1956): I. Elegiac II. Dorian III. Pastorale (By the waters of Babylon) IV. Choral (in E-flat Major) Rhapsody on "Helmsley" (composed in 1956. London: Novello, 1956) Six Sketches (composed in 1956. London: Francis, Day & Hunter, 1956): I. Prelude II. Slumber SongOrgan arrangement by the composer of the piece with the same title from Three Pieces for cello and piano (1951). III. Summer Pastures IV. Romance V. Intermezzo VI. Postlude (in G major) Arietta in A Major (composed in 1957. London: William Elkin, 1957) Chorale, Cantilena and Finale (composed in 1958. London: Novello, 1958) Benedictus (Diapasons) (composed in 1960. In: The Colours of the organ: six pieces by modern composers. London: Novello, 1960)This anthology presents the characteristic timbres of the organ through six works by various contemporary composers: I. Benedictus (Diapasons) – William Lloyd Webber. II. A Sketch (Scherzando) (Flutes) – Heathcote Statham. III. Diversion (Mixtures) – Francis Jackson. IV. Elevation (Strings) – Arthur Wills. V. Caprice (Oboe) – Desmond Ratcliffe. VI. Holiday Trumpets (Reeds) – Leo Sowerby. Six Interludes on Christmas Carols (composed in 1960. London: Novello, 1961): I. The Holly and the Ivy II. Good King Wenceslas III. Whence is this Goodly Fragrance IV. Noel Nouvelet V. The Coventry Carol VI. God rest you Merry, Gentlemen Solemn procession (composed in 1961. In: Fanfares and processionals: eight pieces for organ by modern composers. London: Novello, 1961) Six Interludes on Passion Hymns (composed in 1963. London: Novello, 1963): I. There is a green hill far away (Horsley) II. When I Survey the Wondrous Cross (Rockingham) III. Ride On, Ride On in Majesty (Winchester New) IV. O Come and Mourn with Me Awhile (St Cross) V. O sacred head sore wounded (Passion Chorale) VI. Praise to the Holiest in the Height (Gerontius) Five Versets (composed in 1964. London: Novello, 1964): I. Introduzione (in F Major) II. Tranquillamente (in F Major) III. Sempre simplicite (in B-flat Major) IV. Poco allegretto (in G Minor) V. Alla marcia (in D Minor) Three Improvisations (composed in 1965. London: Novello, 1965): I. Intrada (in D Minor) II. Asperges Me (in D Major) III. Deo Gratias (in A Major) Prayer and Praise: 13 Simple Organ Voluntaries (Borough Green: W. Paxton & Co. Ltd., 1975): I. Prelude (in E-Flat Major; from: The Chapel in the Valley, Vol. 1, 1953) II. Song Without Words (from: The Chapel in the Valley, Vol. 1, 1953) III. Postlude (in D Minor; from: The Chapel in the Valley, Vol. 2, 1953) IV. Communion (from: The Chapel in the Valley, Vol. 2, 1953) V. Epilogue (in A Major; from: The Chapel in the Valley, Vol. 2, 1953) VI. Aria (from: The Chapel in the Valley, Vol. 1, 1953) VII. Larghetto (from: The Chapel in the Valley, Vol. 1, 1953) VIII. Trumpet Minuet (in G Major; from: The Chapel in the Valley, Vol. 1, 1953) IX. Cradle Song (from: The Chapel in the Valley, Vol. 1, 1953) X. Choral March (from: The Chapel in the Valley, Vol. 1, 1953) XI. Meditation on "Stracathro" – O, for a Closer Walk with God XII. Sarabande on "Vox Dilecti" – I Heard the Voice of Jesus Say XIII. Triumphant March (in C Major) Five Portraits for Home Organs (composed in 1980. Borough Green: W. Paxton & Co. Ltd., 1980): I. Carol – LyricPpiece II. Imogen – Fairy Tale III. Elizabeth – Valse de Ballet IV. Justine – RomanceOrgan arrangement of the Romance (1980) from the Serenade for Strings by the composer (transposed from D major to F major and revised in the organ version). V. Mandy and Dula – Burmese Blues (Variant)
Posthumously published collections with organ works Aria – Thirteen pieces for organ (Bury St Edmonds: Kevin Mayhew, 1995): I. Prelude on "St Cross" – O Come and Mourn with Me Awhile (from: Six Interludes on Passion Hymns, 1963) II. Choral March (from: The Chapel in the Valley, Vol. 1, 1953) III. Communion (from: The Chapel in the Valley, Vol. 2, 1953) IV. Solemn Procession (from: Fanfares and processionals: eight pieces for organ by modern composers,1961) V. Prelude on "Passion Chorale" – O sacred head sore wounded (from: Six Interludes on Passion Hymns, 1963) VI. Prelude on "Rockingham" – When I Survey the Wondrous Cross (from: Six Interludes on Passion Hymns, 1963) VII. Festal March (from: The Chapel in the Valley, Vol. 2, 1953) VIII. Prelude on "Gerontius" – Praise to the Holiest in the Height (from: Six Interludes on Passion Hymns, 1963) IX. Aria (from: The Chapel in the Valley, Vol. 1, 1953) X. Verset (in G Minor; from: Five Versets, 1964) XI. Prelude on "Winchester New" – Ride On, Ride On in Majesty (from: Six Interludes on Passion Hymns, 1963) XII. Vesper Hymn (from: The Chapel in the Valley, Vol. 1, 1953) XIII. Meditation on "Stracathro" – O, for a Closer Walk with God (from: Prayer and Praise: 13 Simple Organ Voluntaries, 1975) Eight varied pieces (London: Bosworth & Co. Ltd, 1995): I. Arietta in A Major (composed in 1957) II. Minuet (in G Minor; from: Suite in B Flat Major, 1951) III. Recessional (in E-flat Major; from: Three Voluntaries, 1950) IV. Andantino alla Cantilena (from: Beside the Still Waters: Six Introductory Improvisations, 1952) V. Introit (from: Three Voluntaries, 1950) VI. Dedication March (in F Major; composed in 1953) VII. Pastorale (from: Four Quiet Interludes, 1956) VIII. Epilogue (in A Major; from: Four Epilogues, 1953)
Centenary Collection Organ (Bury St Edmonds: Kevin Mayhew, 2014): Noël Nouvelet (from: Six Interludes on Christmas Carols, 1960) Song Without Words (from: The Chapel in the Valley, Vol. 1, 1953) Trumpet Minuet (in G Major; from: The Chapel in the Valley, Vol. 1, 1953) God rest ye merry, gentlemen (from: Six Interludes on Christmas Carols, 1960) The Coventry Carol (from: Six Interludes on Christmas Carols, 1960) Good King Wenceslas (from: Six Interludes on Christmas Carols, 1960) Prelude on "St Cross" (from: Six Interludes on Passion Hymns, 1963) Choral March (in B-flat Major; from: The Chapel in the Valley, Vol. 1, 1953) Communion (from: The Chapel in the Valley, Vol. 2, 1953) Festal March (in E-flat Major; from: The Chapel in the Valley, Vol. 2, 1953) Solemn Procession (from: Fanfares and processionals: Eight pieces for organ by modern composers, 1961) Prelude on "Passion chorale" (from: Six Interludes on Passion Hymns, 1963) Prelude on "Rockingham" (from: Six Interludes on Passion Hymns, 1963) Prelude on "Gerontius" (from: Six Interludes on Passion Hymns, 1963) Aria (from: The Chapel in the Valley, Vol. 1, 1953) Verset (in G Minor; from: Five Versets, 1964) Prelude on "Winchester New" (from: Six Interludes on Passion Hymns, 1963) Vesper Hymn (from: The Chapel in the Valley, Vol. 1, 1953) Meditation on "Stracathro" (from: Prayer and Praise: 13 Simple Organ Voluntaries, 1975) Slumber Song (from: Six Sketches, 1956) Prelude (in E-flat Major; from: The Chapel in the Valley, Vol. 2, 1953) Summer Pastures (from: Six Sketches, 1956) Christ in the tomb from „The Divine Compassion“ (composed in 1954) Romance (from: Six Sketches, 1956) Intermezzo (from: Six Sketches, 1956) Postlude (in G Major; from: Six Sketches, 1956) Arietta in A Major (composed in 1957) Minuet (in G Minor; from: Suite in B Flat Major, 1951) Recessional (in E-flat Major; from: Three Voluntaries, 1950) Andantino alla Cantilena (from: Beside the Still Waters: Six Introductory Improvisations, 1952) Introit (from: Three Voluntaries, 1950) Dedication March (in F Major; composed in 1953) Pastorale (By the waters of Babylon) (from: Four Quiet Interludes, 1956) Epilogue (in A Major; from: Four Epilogues, 1953) Chorale, Cantilena and Finale (composed in 1958) Three Recital Pieces (composed in 1952) Five Portraits for Home Organs (composed in 1980)
Chamber music
Fantasy Trio for violin, cello and piano (composed in 1936. London: Stainer & Bell, 1997) Sonatina for flute and piano (composed in 1941. London: Hinrichsen, 1941) Benedictus for violin and organ (composed in 1942. London: Stainer & Bell, 1997) Nocturne for cello and piano or harp (composed in 1948. London: Stainer & Bell, 1997)From the oratorio St. Francis of Assisi. Sonatina for viola and piano (composed in 1951. London: Stainer & Bell, 1952) Air and Variations for clarinet in B-flat and piano (composed in 1952. London: Stainer & Bell, 1952) Suite in F Major for trumpet and piano (composed in 1952. London: Stainer & Bell, 1998) Three Pieces for cello and piano (composed in 1951. Bury St Edmonds: Kevin Mayhew, 1995) I. Air Varié (adapted from Tantum Ergo by César Franck) II. Slumber SongArranged for solo organ by the composer in 1956. III. In the Half-Light. A soliloquy Music for the pipes: a suite for treble, alto, tenor & bass pipes (composed in 1955. London: Augener, 1955) Country Impressions (composed in 1960): Mulberry Cottage for flute and piano (London: Ascherberg, Hopwood & Crew, 1960) Northington Farm: Rustic Rondino for bassoon and piano (London: Stainer & Bell, 1960) On Frensham Pond. Aquarelles for clarinet and piano (London: Stainer & Bell, 1960) Summer Pastures: Friesian elegy for horn and piano (composed in 1960. London: Stainer & Bell, 1960) A Lyric Suite for cello and piano (composed in 1964. London: Stainer & Bell, 1964) The Gardens at Eastwell. A Late Summer Impression for flute and piano or harp (composed in 1982, arranged by Pam Chowhan. London: Stainer & Bell, 1997)
Piano
Piano solo
Four Pieces (composed in 1950. London: Francis, Day & Hunter, 1950): I. Frolic II. Air III. Scherzo IV. Lullaby Three Spring Miniatures (composed in 1952. London: William Elkin, 1953):Arranged by the composer for small orchestra in the same year. I. Gossamer (A Little Waltz) II. Willow Song (A lament) III. Tree Tops (A Toccatina) Recreations – Six Pieces (composed in 1953. London: Joseph Williams, 1953): I. A Song for the Morning II. Scherzo in G minor III. Arabesque IV. Romantic Evening V. Explanation