Betty Hare (31 March 1898 – 9 May 1981) was a British actress and singer. She appeared in revues, musicals, spoken comedies and dramas in a career that spanned more than fifty years. Her first and last West End appearances were in works by Noël Coward – his musicals Cavalcade (1931) and Sail Away (1962). She also appeared in four other Coward shows. She toured extensively in Britain and also in Africa, Asia and Australia.

Life and career Early years Hare was born Bessie Maud Hare. In her entry in Who's Who in the Theatre she claimed to have been "born in a caravan, on tour, March 1900";Gaye, pp. 700–701 in fact she is listed in official records as being born on 31 March 1898 at Treharris, Glamorgan, Wales."Bessie Maud Hare", England & Wales, Civil Registration Birth Index, 1837–1915, 1898 Q2-Apr-May-Jun, Volume 11a, p. 706 She was the daughter of Herbert Edwin Hare and his wife, Kate, Tansley, who were both actors. Bessie, their eldest child, described herself as having "been on the stage since early childhood in 'fit-ups', music-halls, choruses etc, having made her first appearance at the age of two, when she was carried on by her mother in Uncle Tom's Cabin".Parker, Gaye and Herbert, p. 1092

Hare, billed as Betty rather than Bessie, appeared in a wide range of productions in provincial theatres before, during and after the First World War. She was seen in 1913 as "The Searchlight Girl" in variety in resorts on the south coast and in the Channel Islands;"Meetings, Entertainments etc", Isle of Wight County Press, 10 May 1913, p. 5; and "St Julian's Theatre", Guernsey Evening Press and Star, 23 September 1913, p. 4 in melodrama (as comic relief) in 1914;"Australian Nell", Sheerness Guardian and East Kent Advertiser, 5 December 1914, p. 5 in pantomime in 1917;"Betty Hare", The Stage, 18 January 1917, p. 18 in a cabaret entertainment, High Tide, in 1924;"High Tide at the Opera House", Bridlington Free Press, 28 June 1924, p. 4 and in revues – Bon Voyage, in 1927,"Theatre Topics", Burnley Express, 30 July 1927, p. 6 and Oh, Countess! in 1928. A reviewer in a local paper described her as "a very able artiste, who sings, acts and dances equally well"."Oh, Countess!", East Kent Times and Mail, 16 June 1928, p. 5 From 1929 to 1931 she toured in India, the Far East, Australia and South Africa.

West End Hare made her West End début in October 1931, playing Marion Christie in Noël Coward's Cavalcade at the Theatre Royal, Drury Lane. It was the first of six Coward productions in which she created roles.Mander and Mitchenson, pp. 161, 170, 230, 234, 277 and 330 In September 1932 she was in the cast of his Words and Music, as was her younger sister, Doris Hare.Mander and Mitchenson, pp. 170–171 In Manchester and then in the West End in 1933 she played Winnie (and three other roles) in Cole Porter's Nymph Errant,Eelis, pp. 385–386 after which came two revues at the Palace Theatre: Why Not To-Night? and Streamline. At the Adelphi in April 1935 she appeared in another revue, Stop Press!

At the Phoenix Theatre in 1936 she created roles in two of the ten plays in Coward's cycle of short pieces, Tonight at 8.30, playing Violet Vibart in Star Chamber and Mildred in Still Life.Mander and Mitchenson, pp. 230 and 234 When Coward took the cycle to New York later in the year she again played Mildred (Star Chamber was not played in New York). Her other stage appearances of the 1930s were in Destination Unknown (as the Hospital Nurse and Betty at the Q Theatre, 1937) and in Dodsworth (Palace, 1938). During the Second World War she appeared in the West End and on tour in six productions: the Cochran revue Lights Up, (Savoy Theatre, February 1940); another revue, Sky High (Phoenix, June 1942); a comic American play, My Sister Eileen (Savoy, September 1943); a dramatisation of Little Women (as Mrs March, on tour, 1944); another American comedy, Three's a Family (Saville Theatre, September 1944); and a British comedy, The Great Day (as Mrs Mumford, on tour 1945).

Post-war At Drury Lane in December 1946 Hare played Teresa Scobie in Coward's musical Pacific 1860, the show was not a great success, closing in April 1947 after 129 performances,Mander and Mitchenson, p. 277 but Hare was quickly cast as Sylvia Potter-Porter in Irving Berlin's Annie Get Your Gun, which ran for 1,300 performances at the Coliseum from June 1947 to May 1950."The Coliseum", The Stage, 12 June 1947, p. 1; "Annie Get Your Gun", The Times, 2 May 1950, p. 4; and Gaye, p. 700

During the 1950s Hare appeared as Mrs Rignold in Arnold Ridley's comedy Beggar My Neighbour (King's, Hammersmith, April 1952);"King's Hammersmith", The Stage, 1 May 1952, p. 9 Lady Lindley in The Merry Month (Q Theatre, November 1953);Gaye, p. 700 Mrs Maynard in a controversial drama, Vice In the Street (Wimbledon Theatre, March 1954);"Vice in the Street", Streatham News, 26 February 1954, p. 10 and Letty in First Night, a comedy-drama about a theatrical family (on tour, 1955)."A Play About the Theatre", Harrow Observer, 18 August 1955, p. 2

Hare's final stage roles were in the first half of the 1960s. At the Duke of York's Theatre in September 1960, she played Dora, the dresser to Sybil Thorndike's Lotta Bainbridge, in Coward's Waiting in the Wings;Coward, unnumbered introductory page at the Comedy in February 1962 she played the Elderly Actress in Elaine Dundy's My Place;Marriott, R. B. "Cilento and Foster Save the Evening", The Stage, 15 February 1962, p. 14 her last West End role was Eileen Leopard in Coward's musical Sail Away at the Savoy in June 1962.Marriott, R. B. "The Three Things in Sail Away", The Stage, 28 June 1962, p. 13 In 1965 she toured as Mrs Pearce in My Fair Lady.

Hare died in Chichester, West Sussex, on 9 May 1981, aged 83."Betty Maud Hare", England & Wales, Civil Registration Death Index, 1916-2007, Volume 18, p. 1464

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