"The Babysitter" is a short story by Robert Coover first published in Coover's 1969 collection Pricksongs & Descants by E. P. Dutton.Kennedy, 1992 p. 145: Bibliography
The story is Coover's most anthologized work of fiction.Kunzru, 2011: Pricksongs & Descants "contains his most anthologized story, 'The Babysitter'"Temple, 2019: "Robert Coover's oft-anthologized (and ofter-taught) story 'The Babysitter'"Gass, 1972: "One of the most impressive pieces" in the Pricksongs & Descants collection.
Plot "The Babysitter" is told by a third-person unreliable narrator and consists of 107 unnumbered vignettes.
A teenage babysitter arrives at Dolly and Harry Tucker's house to care for their three young children, Jimmy, Bitsy and an infant. The Tuckers depart to attend a party. Jack, the babysitter's boyfriend, arrives with Mark (Mark is the son of the couple throwing the party) and they play pinball. Mark suggests they take advantage of the babysitter; Jack is uneasy, but consents, with the rationalization he can rescue his girlfriend if things get out of hand. The babysitter simply wishes to bathe the children and put them to bed and watch TV. Harry Tucker, intoxicated, schemes to return to his house on a pretext and seduce the babysitter.
The story becomes a phantasmagoria of images involving cross-dressing and voyeurism when the babysitter takes bath. Mr. Tucker arrives home to find Jack in the tub with the girl, and ejects him from the house. Or perhaps Mark and Jack drown her in the tub. Or perhaps Dolly Tucker arrives and finds all four adults in the tub. Or the infant is drowned in the bathwater. Or a strange intruder enters the house and assaults the babysitter. Everything happens, or nothing happens in these 107 variations on real or imagined events.
The story presents two endings; one in which the suburban normality is preserved, and another in which the household becomes a crime scene of mayhem and homicide.Kennedy, 1992 pp. 62-64: Plot summaryGass, 1972 p. 128-129: Plot summaryTemple, 2019: Plot sketch
Structure and theme Literary critic Thomas E. Kennedy cautions readers that "The Babysitter" - and other stories in Pricksongs and Descants - does not offer the "dramatic structure" and realistic coherence expected from the short fiction of Hemingway, Faulkner or Fitzgerald.Kennedy, 1992 p. 9 Rather, "The Babysitter" operates on several levels suggesting "a multitude of reality's possibilities."Kennedy, 1992 p. 8 Kennedy likens the narrative to continuously flipping the channels on a TV set.Temple, 2019: "[T]he television is particularly important... every conceivable story is playing out on the television at all times... 'The Babysitter' mimics flipping through the channels."
Kunzru Hari at The Guardian remarks on Coover's "fantastical funhouse of narrative possibilities:"Kunzru, 2011
Footnotes
Sources Coover, Robert. 1971. Pricksongs & Descants. E. P. Dutton, New York. Garner, Dwight. 2018. Experiments Succeed — and Fail — Spectacularly in Robert Coover's Lab. Review of "Going for a Beer." New York Times, February 12, 2018. https://www.nytimes.com/2018/02/12/books/review-going-for-beer-robert-coover.html Accessed November 1, 2025. Kennedy, Thomas E.. 1992. Robert Coover: A Study of the Short Fiction. Twaynes publishers, New York. Gordon Weaver, General Editor Kunzru, Hari. 2011. Robert Coover: a life writing. The Guardian, June 27, 2011.https://www.theguardian.com/culture/2011/jun/27/robert-coover-life-in-writing Accessed November 1, 2025. Temple, Emily. 2019. "On the Destabilizing Brilliance of Robert Coover's 'The Babysitter' Or, How to Accept the Pain of Not Knowing" Literary Hub, February 4, 2019. https://lithub.com/on-the-destabilizing-brilliance-of-robert-coovers-the-babysitter/ Accessed 05 December, 2025.