Hellbent is a 2004 American slasher film written and directed by Paul Etheredge-Ouzts. Hellbent played the gay and lesbian film festival circuit throughout 2004 and 2005 before a limited theatrical release on September 16, 2005. The film's success helped spark a wave of similarly themed "gay slasher" films.
Plot The night before Halloween, a gay couple are making out in a car when a bare-chested killer in a devil mask appears and decapitates them with a sickle.
Halloween finds Eddie at his job as a police technician talking with his police officer sister. He distributes flyers about the murders and dresses in his father's police uniform for a Halloween costume. While distributing the flyers, he meets Jake in a tattoo shop.
Eddie meets with his friends Chaz, Joey, and Tobey, and they head for the West Hollywood Halloween Carnival. They visit the murder scene, where the devil-masked killer appears. They taunt him because they think he is cruising them.
Eddie and his friends enter the carnival, and Eddie sees Jake coming in as well. Eddie leaves to find Jake. Joey sees a man on whom he has had a crush on for weeks entering one of the dance venues. Chaz encourages Joey to talk to the man, but when he does Joey is cruelly turned down. Chaz goes to the restroom with Joey to console him, then waits for Joey outside. Chaz takes ecstasy and leaves when he sees an attractive man walk past. Joey's crush comes into the bathroom and apologizes, leaving Joey ecstatically happy. Just then, the killer emerges from a bathroom stall and decapitates Joey, taking his head as a trophy.
Chaz goes into another dance venue, where the killer catches up with him on the dance floor. In his drugged state, Chaz does not realize that the killer is slashing his torso with the scythe. The killer then decapitates Chaz while the crowd dances on (thinking it is a Halloween gag).
Tobey, drunk and angry that no one is hitting on him while he is in his Halloween drag, spots the killer, who is still carrying Joey and Chaz's heads in trick or treat bags. Tobey pursues the killer, who dismisses him. When Tobey partially removes his drag costume, the killer returns and decapitates him as well.
Eddie finally finds Jake. They go to the first dance venue but find it closed following the discovery of Joey's body. Jake climbs over a tall chain-link fence to retrieve his motorcycle, and Eddie goes after him. On his motorcycle, Jake heads for the exit to circle around and return to Eddie. The killer finds Eddie inside the closed dance venue and attacks him. Eddie locks himself in a shallow chain-link enclosure. The killer slashes at Eddie with his scythe; the tip of the blade just touches Eddie's glass eye. Jake arrives with a police officer, and the killer leaves.
Eddie and Jake give their statements at police headquarters. Jake learns that Eddie wanted to be a policeman like his father, but he had lost an eye in a training accident and having a glass eye means he cannot join the force. The two go to Eddie's place and start having sex. Jake handcuffs Eddie to his bed and searches for condoms. As Jake is returning, the killer stabs him and leaves him for dead. Eddie hears the struggle and calls out. As the killer approaches and Eddie struggles with the cuffs, Jake hits the killer from behind with a baseball bat. Eddie slips a hand out of the cuffs, tends to Jake's wound, and heads off to call an ambulance, but the killer wakes and disables the phone. Eddie runs to the kitchen. He finds a knife but also finds the heads of Joey, Chaz, and Tobey in a closet. Eddie evades the killer and retreats to his bedroom, locking Jake and himself in. As the killer chops at the door, Eddie retrieves his father's gun and some bullets. Eddie pushes Jake onto the fire escape and loads the gun. The killer breaks down the door and attacks Eddie, knocking him out the window and over the fire escape railing. As Eddie dangles from the fire escape, the killer turns toward Jake. Eddie fires the gun, grazing Jake (as Eddie lacks the stereoscopic vision and depth perception to aim well). Eddie fires again, hitting the killer in the forehead.
Jake is taken to the hospital in an ambulance, and Eddie promises to be there when he wakes up. Eddie's sister gloats over the fallen killer, but Eddie realizes the man is still alive. In the final moment, the killer opens his eyes and grins hideously, disclosing that he has Eddie's artificial eye clenched between his teeth.
Cast
Production Conception
About 2000, executive producers Michael Roth (Circuit), Joseph Wolf (Fade to Black, Hell Night, Halloween II, Halloween III: Season of the Witch), and Karen Lee Wolf (Children of the Living Dead) conceived the idea of a serial killer horror film featuring homosexual characters. They had a concept involving Halloween, a masked murderer, and the use of West Hollywood, California, as the location in mind. Paul Etheredge-Ouzts, an art director who had worked with Roth on two films, was working in the trio's production office. After reading a portion of a romantic comedy script Etheredge-Ouzts had written, the producers asked him to write and direct their gay-themed horror film. It was to be a micro budget picture with a minimal advertising budget.
Etheredge-Ouzts had never written a complete script before, nor had he directed a film. To prepare to write the script, Etheredge-Ouzts viewed as many horror films from the 1980s as he could locate. From these, he identified a film structure and stock character types ("the final girl", "the ingénue", "the slut", "the tough guy"), turning each type into a gay version of the heterosexual trope. Rather than write characters who are LGBT stereotypes or whose sexuality is their critical, defining personality trait, Etheredge-Ouzts wrote characters whose sexuality appeared incidental to them. "The young men in Hellbent have moved beyond worrying about whether 'it's ok to be gay' or not," he later said.
Etheredge-Ouzts kept the killer as anonymous as possible. He wanted the audience to project their fears onto the murderer, assigning a motive and background to him themselves. Adding details seemed to rob the character of menace, he felt. This approach led Etheredge-Ouzts to cut the killer's lines from the film, as he worried that a portion of the audience would not find whichever voice was used to be frightening.
He began working on a visual style for the film which would help disguise its low budget. The 1959 Brazilian-French film Black Orpheus was an initial guide, with the work of photographers James Bidgood and Pierre et Gilles and the 1953 science fiction film Invaders from Mars providing later inspiration. He also worked closely with production designer Matthew Flood Ferguson and cinematographer Mark Mervis to work out how to capture the "surreal, carnival atmosphere of Halloween".
Second unit footage and music
Second unit filming on Hellbent began in October 2001. Etheredge-Ouzts only had a concept for the film and no script yet, but had already decided he did not want to use stock footage in the motion picture. The second unit was sent to the 2001 West Hollywood Halloween Carnival to "shoot anything cool." Although six hours of footage was shot, less than two minutes of it appear in the film.
As Etheredge-Ouzts and music supervisor John Norris began planning the music for the film, Etheredge-Ouzts read an article about the queercore (gay punk music) scene in Los Angeles. The article mentioned queercore band Nick Name and the Normals, and Etheredge-Ouzts contacted Name to see if he would be interested in writing music for the film. Working with Name helped Etheredge-Ouzts to further define the motion picture's aesthetics, characters, and themes. At some point, Name, who had been an Abercrombie & Fitch model, was asked to play the serial killer in the film, and he agreed. Through Name, Etheredge-Ouzts came to know Texas Terri, whom he cast as the tattoo artist. Only later did Etheredge-Ouzts discover that Texas Terri was a punk rock musician and singer, after which he asked her to contribute to the soundtrack as well.
Script and casting The script was finished some time in early to mid 2002. Live filming occurred on Santa Monica Boulevard in West Hollywood, and a wooded location in Los Angeles was used as the scene of the first crime. Several sets were built to depict the carnival and streets. Several scenes were filmed in Los Angeles buildings (including a local church used as 'The Meatlocker') redressed to look like carnival venues.
Casting occurred shortly before principal photography began. Etheredge-Ouzts sought a racially diverse cast of handsome men who were "regular guys" who didn't "play gay". Because the shooting schedule was so tight, actors were cast who did not require rehearsal time. Casting concluded two days before principal photography began, leaving just enough time to costume the actors. Although the lead character, Eddie, was intended to be Latino, none of the other characters had been written with an ethnicity in mind. However, only a small number of racial and ethnic minority actors auditioned for the film, and none of them had the requisite acting skills. At one point, Etheredge-Ouzts claimed, 30 non-white actors were scheduled to audition and none of them showed up. This left the production with an all-white cast. The director attributed the lack of interest by minority actor to an unwillingness to play a gay character. Dylan Fergus was cast just two days before principal photography began. Although unhappy with Fergus' haircut, the production team decided against cutting his hair. If the haircut didn't turn out right, there was no time for his hair to grow back.
Principal photography and title Principal photography occurred in October 2002, and involved a cast and crew of about 30 individuals. The shoot occurred without any major incidents. None of the main cast, all of whom were heterosexual, had any problems with portraying gay characters, or engaging in same-sex kissing or sex-play. Actor Dylan Fergus ("Eddie") found it difficult to kiss co-star Bryan Kirkwood ("Jake") at the end of the day due to Kirkwood's five o'clock shadow, and actor Matt Phillips ("Tobey") fell several times while wearing high-heeled footwear.
Etheredge-Ouzts had never been able to devise an appropriate title for the film by the end of 2002. The producers proposed holding an online contest to allow the public to name the film (sight unseen). The contest began running in September 2003. Etheredge-Ouzts was dismayed to discover that most of the suggestions were very poor; many were sexually inappropriate, some far too campy, and others too topical (which meant they would not stand the test of time). Among the suggestions received were Boy Meets Knife, Queer Eye for the Dead Guy, and 28 Gays Later. Among the final eight submissions received on the final day of the contest was the title Hellbent. Etheredge-Ouzts chose Hellbent for the title because it was aggressive and simple, as well as a play on words (referring both to the devil-masked killer and the "bent" [e.g., gay] victims). The title was also flexible, in that it could refer to the killer, the victims' recklessness, or the fast pacing of the picture.
Soundtrack Hellbent features original as well as licensed songs by queercore bands Nick Name and the Normals, Best Revenge, Pansy Division, and Three Dollar Bill. The music has been described as "equal doses of club tracks and Korn-style nu metal."
Release Theatrical release