Bérangère Bonvoisin (1953 – 19 August 2026) was a French actress and director.
Life and career Bérangère Bonvoisin trained as an actress at the Rouen Regional Conservatory, where she won first prize for tragedy and second prize for classical and modern comedy. In 1970, she met Alain Bézu, who directed her and his brother Bertrand in, among others, No Trifling with Love by Alfred de Musset. She played the role of Camille in the film.
In 1973, she entered the Conservatoire national supérieur d%27art dramatique (National Conservatory of Dramatic Art) in Paris for three years, in the class of Antoine Vitez. It was there that in 1975, still a student, she staged Les Sincères by Marivaux, an experience which made her the first woman in the history of the Paris Conservatory to direct.Interview with Bérangère Bonvoisin by Fabian Gastellier in Actors, September 1982
In 1984, she signed at the Bastille Theater what she considered to be her "first real production".Interview with Bérangère Bonvoisin, Actors op.cit. The play Celle qui ment (The One Who Lies) was based on the writings of Angela of Foligno.
In 1987, she directed for the first time in France, with Pioneers in Ingolstadt by Marieluise Fleisser at the Théâtre des Amandiers – Nanterre. It was produced by Patrice Chéreau (the only female director during the Chéreau years at Nanterre).
On 3 February 2003, at the request of Georges Lavaudant and Jean Jourdheuil, she brought together around a hundred actors at the Odeon Theatre for a unique evening. The feature, Philippe Clévenot, Tête à Tête, was a show which combined readings and video documents in homage to the art of the actor, Philippe Clévenot, her late companion.
On 25 April 2005, she created another unique feature at the National Theatre of the Hill with Slogan for 343 Actresses by Nadia Soudaïeva and Antoine Volodine where she brought together 343 actresses, among others, Jeanne Moreau, Gisèle Casadesus, Elsa Zylberstein, Myriam Boyer, Nada Strancar, Micheline Presle, Ludmila Mikaël, Christine Boisson. etc. The filmmaker Alain Cavalier made a film of the evening, Pour Bérangère. The film remains unpublished to this day.
She was very close to the painter Gilles Aillaud, who accompanied her in a good number of productions. In 2006, a year after his death, she staged La Maladie de la mort (The Disease of Death) by Marguerite Duras. It featured Fanny Ardant at the Madeleine Theatre without any set. Bonvoisin said she was "not conceiving of calling on another scenographer"."Marguerite Duras, Fanny Ardant and Bérangère Bonvoisin", by Monique Le Roux, La Quinzaine littéraire, July 1, 2006 The show was later the subject of a single performance, on March 17, 2007, in the hall of the Roches Noires Hotel, in Trouville-sur-Mer where the author lived for a long time.
Bonvoisin was married to actor/comedian Philippe Clévenot until his death in 2001. She was the daughter of MP Jeanine Bonvoisin, the sister of actor Bertrand Bonvoisin, and the sister-in-law of actor Jean-Yves Dubois. Bérangère Bonvoisin died in August 2026, at the age of 73.
Theatre
1970: You Don't Play With Love by Alfred de Musset, directed by Alain Bézu 1973: Miracles based on the Gospel according to John, directed by Antoine Vitez, Théâtre national de Chaillot 1975: Les Sincères by Marivaux, directed by B. Bonvoisin, Paris Conservatory, Avignon Festival 1976: Stories of telling by Jean-Pierre Thibaudat, directed by Jacques Lassalle, Théâtre Ouvert 1976: Fragments for a theatrical speech by Maria Koleva, with Antoine Vitez and Bertrand Bonvoisin 1976: Dom Juan Returns from the War by Ödön von Horváth, directed by Marcel Bluwal, Théâtre de l'Est parisien 1977: Marivaux 's Double Inconstance, directed by Jacques Rosner, toured in the United States 1977: L'Arrivante by Hélène Cixous, directed by Viviane Théophilidès and Anne-Marie Lazarini, Théâtre Ouvert, in Avignon 1978: The Star of Forgotten by Yvane Daoudi, directed by Bérangère Bonvoisin, Avignon Festival 1978: L'Adulateur by Carlo Goldoni, directed by Robert Gironès and Bernard Chatellier, Théâtre du Huitième Lyon 1978: And yet, this silence could not be empty by Jean Magnan, directed by Robert Gironès, Avignon Festival 1979: And yet, this silence could not be empty by Jean Magnan, directed by Robert Gironès, Théâtre du Huitième, Théâtre de Gennevilliers 1979: Eddy (Mitchell) by B. Bonvoisin, directed by Bérangère Bonvoisin, Théâtre des Quartiers d’Ivry 1980: Violence in Vichy by Bernard Chartreux by Michel Deutsch, directed by Jean-Pierre Vincent, National Theatre of Strasbourg, Amandiers Theatre, New Theatre of Nice 1980: Ruins by Michel Deutsch, directed by Jean-Pierre Vincent, National Theatre of Strasbourg, Maison de la culture de Nanterre, New Theatre of Nice 1982: Schliemann by Bruno Bayen, directed by Bruno Bayen, Théâtre national de Chaillot 1982: Hippolyte (play) by Robert Garnier, directed by Antoine Vitez, Théâtre national de Chaillot 1984: She Who Lies by Philippe Clévenot after Angèle de Foligno, directed by Bérangère Bonvoisin, Théâtre de la Bastille 1985: Conference on swimming by Michel Charolles, directed by Bérangère Bonvoisin, Théâtre Ouvert Avignon 1987: Carson McCullers, directed by Bérangère Bonvoisin, Théâtre Ouvert
1988: 'The Transfigured Salon' by Philippe Clévenot, based on Empress Sissi, directed by Bérangère Bonvoisin 1990: Medea by Jean Vauthier, directed by Alain Bézu 1991: Old Winter by Roger Planchon, directed by Roger Planchon, TNP 1991: Fragile forêt by Roger Planchon, directed by Roger Planchon, TNP 1993: The Goat by Marieluise Fleisser, directed by Bérangère Bonvoisin 1994: The Goat, the Virgin and the Horse, directed by B. Bonvoisin, Théâtre national de l'Odéon, Centre dramatique national d' Annecy, Chambéry 2000: The Silence by Elfriede Jelinek, directed by André Wilms, Théâtre Ouvert 2001: The Adventures of Sister Solange, directed by Bruno Boëglin (Théâtre des Célestins, Théâtre des Abbesses) 2001: Anna Christie by Eugene O'Neill, directed by Philippe Clévenot, Comédie de Genève, Théâtre de Villeurbanne 2002: Iggy Pop's Diary, directed by Laurent Vacher, Saarbrücken Festival 2003: Philippe Clévenot: tête à tête, performance directed by Bérangère Bonvoisin and performed by around a hundred actors, Théâtre de l'Odéon 2003: The Summer Monsoon by Ravenhill Mayenburg, directed by Michel Didym 2003: I Too Had a Shitty Childhood by Rodrigo García, directed by Claude Guerre 2004: Jackie by Elfriede Jelinek, directed by Michel Didym and B. Bonvoisin Pont-à-Mousson 2004: A strong smell of apple by Pedro Eiras, directed by Claude Guerre, Pont-à-Mousson – France Culture in public 2004: Blitz by Bosco Brasil, directed by Claude Guerre, Pont-à-Mousson 2005: Tumulte by François Bon, directed by François Bon ( Pont-à-Mousson – Reading) 2005: Slogans for 343 actresses by Maria Soudaïeva and Antoine Volodine, performance directed by B. Bonvoisin and performed by 343 actresses, including Jeanne Moreau, Micheline Presle, Marie-France Pisier, Nada Strancar, and Édith Scob, Théâtre national de la Colline – Show filmed by Alain Cavalier 2005: Sarinagara by Philippe Forest, directed by Nadine Eghels, with Aurélien Recoing 2005: Misterioso 119 by Koffi Kwahulé, directed by Michel Didym, Pont-à-Mousson 2005: The Woman Before by Roland Schimmelpfenning, directed by Jean-Pierre Vincent, Pont-à-Mousson 2005: The Other by Enzo Cormann, directed by Enzo Cormann, Pont-à-Mousson 2005–2006: A Woman of Mystery by John Cassavetes, reading staged by Marc Goldberg, Vingtième Théâtre 2006: The Eclipse of the August 11, by Bruno Bayen, directed by Jean-Pierre Vincent, Théâtre national de la Colline 2007: The Eclipse of the August 11, by Bruno Bayen, directed by Jean-Pierre Vincent, La Criée Theater, North Theater, Manufacture Theater 2008: Conference on Economics (Word Festival) 2008–2009: Little Catherine of Heilbronn by Heinrich von Kleist, directed by André Engel, Odéon-Théâtre de l'Europe Ateliers Berthier 2011: This is why time is running out by Philippe Clévenot, according to WC Williams at Maison de la poésie 2016: People of Oz by Yana Borissova, directed by Galin Stoev at the National Theatre on the Hill
Staged performances in the theater 1975: Les Sincères, by Marivaux (Paris Conservatory, Avignon Festival) 1978 : The Star of Oblivion, by Yvane Daoudi ( Avignon Festival – Open Theater) 1979: Eddy (Mitchell), by B. Bonvoisin (Théâtre des Quartiers d'Ivry) – production A.Vitez 1984: The One Who Lies, by Philippe Clévenot, based on Angèle de Foligno (Théâtre de la Bastille -Théâtre des Deux-Rives, Rouen. (With Nicolas Bonvoisin) 1985: Conference on swimming, by Michel Charolles (Open Theater, in Avignon) 1987: Pioneers in Ingolstadt, by Marieluise Fleisser (Théâtre des Amandiers) Set design:Gilles Aillaud. Production:Patrice Chéreau. 1987: Carson McCullers (Open Theatre) 1988: The Transfigured Salon, by Philippe Clévenot, based on the Empress Sissi, and texts by Cioran. Théâtre Ouvert. 1992: Rumor on Wall Street, by Bernard Chatellier, based on Bartleby by Herman Melville (Théâtre des Amandiers) Set design by Gilles Aillaud 1993: The Stranger, by Albert Camus (Beirut) 1993: The Goat, by Marieluise Fleisser Petit Odéon. 1994: The policeman is merciless, by Georges Courteline (Trouville) Decor:Gilles Aillaud. 1994: The Commissioner is a Good Child, by Georges Courteline (Trouville) 1994: The Goat, the Virgin and the Horse (Odéon Theatre, Annecy National Drama Centre, Chambéry) 1996, 1997, 1998 :The Conference of the Old Dovecote, by Antonin Artaud (tour) Co-directed with Philippe Clévenot. 1998: The Deep Sea Fish, by Marieluise Fleisser (National Drama Center of Orléans, Théâtre de la Colline. Set design by Gilles Aillaud 2000: Anna Christie, by O'Neill at the Comédie de Genève, co-directed with P. Clévenot. Set design by Gilles Aillaud 2003: Philippe Clévenot:tête à tête, performed by approximately a hundred actors, directors, and philosophers (including Isabelle Huppert, François Cluzet, André Marcon, Michèle Goddet, Jean-Pierre Vincent, Hélène Vincent, Jean-Christophe Bailly, Philippe Lacoue-Labarthe) (Théâtre de l'Odéon) 2004: Jackie, by Elfriede Jelinek, directed in collaboration with Michel Didym (Pont-à-Mousson) 2005: Slogans for 343 actresses, by Maria Soudaïeva and Antoine Volodine, performed by 343 actresses, including Jeanne Moreau, Micheline Presle, Marie-France Pisier, Nada Strancar, Édith Scob, etc. (Théâtre national de la Colline – Show filmed by Alain Cavalier) 2006–2007: The Malady of Death, by Marguerite Duras, with Fanny Ardant<ref>See the article by Monique Le Roux, “Marguerite Duras, Fanny Ardant and... Bérangère Bonvoisin” « Marguerite Duras, Fanny Ardant et... Bérangère Bonvoisin », La Quinzaine littéraire, July 2006 (document pdf).</ archive ] , La Quinzaine littéraire, July 1, 2006 (pdf document).</ref> (Théâtre de la Madeleine – Tour Washington, D.C., New York, Florence, Berlin, Rome, Trouville-Les Roches Noires, Istanbul) 2008: What if ants were nothing without cicadas, Conference on economics with Emmanuelle Béart, based on texts by Bernard Maris (Théâtre de l'Odéon) 2009: Is secularism soluble in Sarkozysme?, based on an article by Gérard Desportes and the comments left in reaction on the website of the newspaper Mediapart (Théâtre de la Madeleine) 2011: This is why time is running out, by Philippe Clévenot, based on WC Williams, Maison de la poésie. 2013–2015: Big Hug by Romain Gary (Émile Ajar), at the Théâtre de L'Œuvre. Best Show in a Private Theater. Critics' Prize.
Filmography
Movie theater 1978: The Adolescent, by Jeanne Moreau 1979: The Sewers of Paradise, by José Giovanni 1983: The Trace, by Bernard Favre (with Richard Berry) 1984: La Garce, by Christine Pascal (with Isabelle Huppert, Richard Berry, and Vittorio Mezzogiorno) 1984: Heart Side, Garden Side, by Bertrand Van Effenterre (with Julie Jézéquel, Jean-François Stévenin, and Robin Renucci)