Nero Wolfe is a television series adapted from Rex Stout's series of detective stories that aired for two seasons (2001–2002) on A&E. Set in New York City sometime in the 1940s–1950s, the stylized period drama stars Maury Chaykin as Nero Wolfe and Timothy Hutton as Archie Goodwin. A distinguishing feature of the series is its use of a repertory cast to play non-recurring roles. Nero Wolfe was one of the Top 10 Basic Cable Dramas for 2002.

The series won praise for its high production values and jazzy score by Michael Small, and for preserving the language and spirit of the original stories. Most of the teleplays were written by consulting producer Sharon Elizabeth Doyle and the team of William Rabkin and Lee Goldberg, whose "Prisoner's Base" was nominated for an Edgar Award by the Mystery Writers of America.

A total of 20 episodes were produced over the two-season run. Eight of Stout's novels were adapted into two-hour broadcasts, while 12 of his short stories were filmed as one-hour episodes. The title card of each adaptation was styled A Nero Wolfe Mystery.

Nero Wolfe was produced for A&E by Jaffe/Braunstein Films, one of the first production companies to use high-definition video for television. Although the second season was shot in HD, none of the several home video releases of the series has been issued in HD, and only one of the 20 episodes ("The Silent Speaker") has been issued in 16:9 widescreen format.

Plot Archie Goodwin introduces Nero Wolfe as "a man who thinks he's the world's greatest detective. Truth being, he is." Grandly obese and famously eccentric, Wolfe is a genius who lives in—and rarely leaves—a large and comfortably furnished brownstone he owns on West 35th Street in Manhattan. Wolfe maintains an inflexible schedule of reading, tending his 10,000 orchids in the rooftop plant rooms, and dining on the fine cuisine of his master chef, Fritz Brenner. To support his opulent lifestyle and meet the payroll of his live-in staff, Wolfe charges high fees for solving crimes that are beyond the abilities of the police, most often the cigar-chewing Inspector Cramer of Manhattan Homicide. Wolfe sometimes calls upon freelance detectives Saul Panzer, Fred Durkin and Orrie Cather; but he depends upon his assistant Archie Goodwin, the street-smart legman whose wisecracking, irreverent voice narrates the stories.

The wardrobe, cars, furnishings and music place Nero Wolfe primarily in the 1940s–1950s. It is technically a whodunit series, but like the original Rex Stout stories Nero Wolfe is less concerned with plot than with the interplay between its characters.

"I think that's something that's appreciated by Nero Wolfe fans," said Maury Chaykin, who stars as Nero Wolfe. "If you become focused on the crime, I think you're kind of in the wrong place. It's more the enjoyment of the characters and their eccentricities, and the reality of those characters."

The Golden Spiders: A Nero Wolfe Mystery

The series was preceded by the original film The Golden Spiders: A Nero Wolfe Mystery, a Jaffe/Braunstein Films production that aired on A&E March 5, 2000. Veteran screenwriter Paul Monash adapted Rex Stout's 1953 novel, and Bill Duke directed. A&E initially planned that The Golden Spiders would be the first in a series of two-hour mystery movies featuring Nero Wolfe. The high ratings (3.2 million households) and critical praise garnered by The Golden Spiders prompted A&E to consider a one-hour drama series.

"We were so pleased with the reception of the movie that we said, 'Maybe there's a one-hour show (here),'" said Allen Sabinson, A&E's senior vice president for programming, in June 2000. "I don't believe we were thinking, or Maury Chaykin and Timothy Hutton were thinking, there's a series here. These are not people who do series. What happened was they had such a good time, I think they fell in love with their characters."

Cast and characters

Principal Maury Chaykin is the armchair detective Nero Wolfe, a reclusive genius with little patience for people who come between him and his devotion to food, books and orchids. Timothy Hutton is Wolfe's irreverent assistant Archie Goodwin, whose voice narrates the stories. In addition to starring in the series, Hutton directed four episodes and served as an executive producer.

Other members of the principal cast are Colin Fox as Fritz Brenner, Wolfe's master chef; Conrad Dunn (Saul Panzer), Fulvio Cecere (Fred Durkin) and Trent McMullen (Orrie Cather) as the 'teers, three freelance detectives who frequently assist Wolfe; Bill Smitrovich as Inspector Cramer, head of Manhattan's Homicide Bureau; and R.D. Reid as Sergeant Purley Stebbins. Saul Rubinek, who portrayed Saul Panzer in The Golden Spiders, took the role of reporter Lon Cohen in the series. Lon was played by Gerry Quigley in The Golden Spiders.

Repertory

A distinguishing feature of the series is its use of a repertory cast — Boyd Banks, Nicky Guadagni, Kari Matchett, Debra Monk, George Plimpton, Ron Rifkin, Marian Seldes, Francie Swift, James Tolkan and many other accomplished Canadian and American actors — to play non-recurring roles.

"Just as the series beautifully captures a time when cars with fins, fedoras worn at right angles and women's hats with feathers were all the rage, the existence of such a company also evokes another era," wrote syndicated journalist Jacqueline Cutler, who quotes Timothy Hutton as saying, "I don't think it's been done for a very long time."

"If a stylized, period series based solely on books wasn't enough to separate Nero Wolfe from other TV shows," reported Scarlet Street magazine, "[executive producer Michael] Jaffe decided to employ a returning repertory cast in the guest roles for each episode. He felt that it was necessary to find actors who understood and fit in with the show's unique approach. 'Every other show agonizes about casting,' Jaffe says. 'We don't. We have 20, 30 people in our repertory company and we get great actors to play bit roles.'"

Kari Matchett played a recurring role (Archie Goodwin's sometime girlfriend Lily Rowan) and a non-recurring role (nightclub singer Julie Jaquette) in the same episode, "Death of a Doxy." Nicky Guadagni played two non-recurring characters (a secretary and Mrs. Cramer) in the same episode, "The Silent Speaker."

Production

Nero Wolfe is a production of A&E Television Networks and Jaffe/Braunstein Films, Ltd., in association with Pearson Television International. The series was shot in Toronto, with select Manhattan exteriors filmed for the series premiere, "The Doorbell Rang," and seen in subsequent episodes including "Prisoner's Base."

Conception and development Independent producer Michael Jaffe's efforts to secure the rights to the Nero Wolfe stories date back to his earliest days in the business. In the mid-1970s he established a friendship with the Stout estate and was working with his father, Henry Jaffe, a successful attorney turned producer, when the Nero Wolfe rights came on the market. Warner Bros. wanted to adapt the Zeck trilogy for a feature film and approached Henry Jaffe, who traveled to New York to negotiate with the agent for Rex Stout's estate but lost out to Paramount Television.

"We finally got this opportunity," said Michael Jaffe. "I had chased the rights numerous times. One of the reasons that I never actually tried to make it as a series was that I didn't believe a network would ever let us make it the right way. Then A&E came along, and Allen Sabinson. I've known him for years and years. He swore he'd let me make it the right way."

The source material for the two seasons of Nero Wolfe was written between 1939 (Over My Dead Body) and 1966 (Death of a Doxy), with most stories written in the 1950s. Jaffe said he chose to stick with the era for the adaptations "because I thought there was so much style that people could identify with and that we could play off. Ultimately, the most important thing is that the audience remain removed from the show by three or four decades. You can't do what Paramount did and update it and make the language modern. The whole thing doesn't make sense, because the tonal idiom doesn't play in the modern world. You have to separate it; you have to create that proscenium arch; you have to create poetic distance—otherwise there's no art in it."

When the series was announced in June 2000, Variety reported that A&E had been licensed to own Nero Wolfe in the U.S. and Canada for an undisclosed fee. Jaffe/Braunstein Films, which retained ownership of the series in the rest of the world, licensed distribution outside the U.S. to Pearson International Television (now FremantleMedia, Ltd.). Producer Michael Jaffe told Variety that the Nero Wolfe episodes would cost $1 million each; sources said the full production cost would be covered by A&E's and Pearson's licensing fees.

Writing

Adapting the stories

"It was a screenwriting assignment unlike any other that my writing partner, William Rabkin, and I had ever been involved with," wrote screenwriter Lee Goldberg, who adapted four Stout stories for the series. "Because Nero Wolfe, starring Maury Chaykin as Wolfe and Timothy Hutton as Archie, was unlike any other series on television. It was, as far as I know, the first TV series without a single original script — each and every episode was based on a Rex Stout novel, novella, or short story. ... The mandate from executive producers Michael Jaffe and Timothy Hutton (who also directed episodes) was to 'do the books,' even if that meant violating some of the hard-and-fast rules of screenwriting."

"It's amazing how many writers got it wrong," said head writer Sharon Elizabeth Doyle.

Consulting producer for Nero Wolfe, Doyle was the show's only full-time writer — overseeing the work of freelance screenwriters and writing 11 of the teleplays herself. She devoted most of her attention to the dialogue:

What Stout writes actually sounds good when you say it out loud, but the stuff that makes you laugh out loud and fall on the floor in the books doesn't work most of the time when you transpose it directly into actors' mouths. Frequently I end up moving words — tenderly and respectfully — but retaining as much of the language as possible. I feel a great belief in Rex Stout. I see the script process as writing his second draft.

Relationship to literary source In the preface to the second edition of his book At Wolfe's Door: The Nero Wolfe Novels of Rex Stout, J. Kenneth Van Dover assessed the fidelity of the show to its literary source:

A quarter century after his death, the Nero Wolfe books remain in print ... and, as a result of a very popular A&E television series which premiered in 2000, their continuing presence seems assured. ... The success of the series is significant especially because the scripts remained remarkably faithful to the novels. The programs are set in the period, and much of the dialogue is lifted directly from the novel. Effective novelistic dialogue is not usually effective screen dialogue, as Raymond Chandler discovered when he worked on the script for the 1944 film of James M. Cain's Double Indemnity. The A&E series was able to adopt verbatim both the sharp exchanges between Wolfe and Archie, and as well Archie's narration in voiceover. Credit certainly goes to the skills of the repertory actors who played the roles, and especially to Maury Chaykin and Timothy Hutton; but it was Stout who supplied the language and the characters who speak it. And it was Stout who created in words the real pleasures of the novels: the voices and ideas, the rooms and the routines. Producer Michael Jaffe realized this, and with great care recreated those pleasures on film.