List of minor deities in Finnish mythology, either mentioned by Mikael Agricola in his preamble to the Finnish translation of the Book of Psalms in 1551, or addressed in Finnic incantations and other runic songs collected in Suomen kansan vanhat runot.

In Modern Finnish, deity-like figures in Finnish mythology are often described with two words: and . described a as a being who rules over a wider concept, such as water, while a is more localized, ruling over a specific body of water. According to him, there is only a small number of beings in Finnish paganism which could be called , but a wide variety of beings.

Etelätär Etelätär, Suetar or Suvetar (all ) is a luonnotar and, according to Christfried Ganander, sunny weather itself. She's on the move in the spring when it's raining and southern wind blows: this was ideal time to let cows to pasture, as she would protect the cattle in her embrace. During northern wind, evil things were on the move instead. In runic songs, she is asked to bring refreshing wind and healing rain, as well as look after cattle.

Epithets EpithetEpithet meaningRegionsEtelätär, neito nuoriEtelätär, neity nuori'Etelätär, young maiden'Kainuu, Ostrobothnia, South SavoEtelätär, ilman impi'Etelätär, air maiden'North KareliaEtelätär, luonnon eukko'Etelätär, old woman of nature'Kainuu, White KareliaSuetar, hyvä emäntäSuvetar, hyvä emäntä'Suetar, good mistress'Kainuu, North Ostrobothnia, White KareliaSuetar, valivo vaimoSuvetar, valio vaimo'Suetar, outstanding woman/wife'Kainuu, White Karelia

Hillervo and Juoletar Hillervo and Juoletar are a pair of water related haltijas known from one runic song collected by Christfried Ganander. He identified Hillervo as the Mother of Otters and Juoletar as her husband, a beautiful man and Finnish Neptune. This has awoken a lot of questions among researchers, as they don't appear in other runic songs, and Juoletar is an explicitly feminine name with the final suffix -tar. According to Martti Haavio's theory, Hillervo was originally the Mother of Polecats, but as polecats only lived in Finland between the 13th and 17th centuries (before returning in the 20th century), Hillervo of polecat hunting spells was reutilized in otter hunting spells. Haavio connected the name Juoletar to the name Kuolari mentioned in a Ladoga Karelian, Karelian language otter-hunting song, believing it to have originally been *Juolari. Therefore, Juoletar would be the original Mother of Otters, or the Elder of Otters (whether the rune singer referred to Juoletar as a mistress or a king).

Some researchers, such as Haavio and Matthias Castrén, have supported the theory that Hillervo would be the same goddess as Tellervo. Haavio suggested her name could come from either the word 'trap' or 'polecat', finding the latter theory more likely. Kaarle Krohn suggested origins in 'cloudberry' and as well. Krohn also suggested a connection to Hilasatar, maiden of Hiisi, mentioned in a Kainuu runic song describing the origin of copper (sharing similarities with the runic songs describing the origin of the common lizard). In Krohn's opinion, these names could be connected to Saint Hilarius.

The name Juoletar has been theorized to come from either 'bog bilberry', known in Swedish as 'otter berry', or the word 'oxbow lake'. Haavio thought these two words could be connected to each other, further connecting to an older name of the otter or a description of an otter's place of living (calling 'river fork which periodically dries up').

Epithets EpithetEpithet meaningRegionsHillervo, oma emuu'Hillervo, mother of one's own'Ostrobothnia, unknownHillervo, hyvä emäntä'Hillervo, good mistress'Ostrobothnia, unknown(About Hillervo:) Vejen ehtosa emäntä'Generous mistress of water'Ostrobothnia, unknownJuoletar ukko kaunis'Juoletar, beautiful old man'Ostrobothnia, unknown(About Juoletar:) Vejin kultanen kuningas'Golden king of water'Ostrobothnia, unknownKuolari, kultani emäntä'Kuolari, golden mistress'Ladoga Karelia

Juonetar Juonetar, Juonitar or Uramatar is a haltija or goddess who only appears in two written down runic songs, one being from Kainuu and the other from Ladoga Karelia. Both songs are spells or prayers for hunting forest reindeer. For this reason, Martti Haavio identified Juonetar as the Mother of Reindeer. The songs ask Juonetar to make her "lines" run through the bluish forests and for Uramatar not to cover up animal tracks.

Kaarle Krohn initially thought Juonetar was but a corruption of Johannes (John the Baptist). Later, he also suggested Juonetar could be the personification of or 'track'. Haavio connected the word to Karelian 'line of reindeer; reindeer tracks in snow' and Sámi 'reindeer path; path of reindeer tracks in snow'. Similarly, the Finnish word means a 'narrow path; path of sheep' as well as a path made by cows. With this connection, Uramatar would be synonymous with Juonetar in meaning.

Epithets EpithetEpithet meaningRegionsJuonetar, metän jumala'Juonetar, god of the forest'KainuuJuonitar, metsän emäntä'Juonitar, mistress of the forest'Ladoga KareliaUramatar, uusi piika'Uramatar, new maid'Kainuu

Kasaritar The common lizard was thought to be born from copper, so its mother in runic songs was called Kasaritar, Kasarikki, Kasarikko or Vasketar ( 'saucepan', 'copper'). One North Ostrobothnian song also mentions the common lizard's father, Uparo (likely from 'copper'), along with Kasaritar.

Descriptions of how the common lizard was born vary. First to write of it was Christfried Ganander in 1789, stating that a satyr named Vingas lied with Vangas, and their son was Vangamoinen, the lord of snakes and lizards. It's been theorized that names such as Vankamoinen originate from the name Väinämöinen. Another song written down by Ganander stated that "Vingas lied with Vangas, / with his own mother's child". A Kainuu song states that a man named "Vingas Vankamoinen" lied with Vangas and wind impregnated someone, and labour is attempted unsuccessfully in water and in hays, until finally, giving birth to the common lizard was successful in a rotten tree stump. Another Kainuu song gives this scenario a prelude, in which Kasaritar fell down from a tree branch and the berries and twigs on the ground break her stomach; then Vingas lied with Vangas, and the common lizard was born. The common lizard is said to have been made by Kasaritar, its head cast from copper. If the common lizard has done something bad ( 'poison'), Kasaritar is asked to "drink the poison as brännvin" into her "golden dome, coppery stomach".

Another Kainuu song described Vangas swallowing a bubble on the sea, the bubble burning her throat, and the common lizard being born. In his book Magic Songs of the Finns, Elias Lönnrot combined the above-mentioned elements, creating a lizard origin song where Syöjätär spits a bubble on the sea, and Kasaritar swallows it and then becomes pregnant with the common lizard.

Epithets EpithetEpithet meaningRegionsKasaritar, kaunis neito'Kasaritar, beautiful maiden'Kainuu, North Karelia, Olonets Karelia, White KareliaKasarikki, nuori neiti'Kasarikki, young lady'KainuuVasketar, valio vaimo'Vasketar, outstanding woman/wife'Olonets Karelia

Köndös Köndös is a deity mentioned by Mikael Agricola in 1551 as the creator swiddens and fields. E.N. Setälä connected the name to Mari language kinda 'grain, bread'. He also wondered if it was related to the Finnish word 'vine'. In the 1930s, Uno Harva connected him to the Eastern Finnish folklore figure Köntys 'clumsy person', who created swiddens by cutting down trees, being very strong but also clumsy. R.E. Nirvi wrote that "creating swiddens and fields" should be understood as sowing swiddens and fields. This is why Harva later connected Köndös to Sampsa Pellervoinen instead. Martti Haavio thought Köndös was actually Saint Urban of Langres, the patron of vineyards.

Osmotar

Osmotar is a kave brewing the first beer in the runic songs describing the origin of beer. Despite her best attempts, she can't get the drink to ferment so she summons animals to help her. She does the summoning by rubbing her hands together, which is a shamanistic method. The beer brewing happens in the center of the world. A marten brings her the drool of fighting animals which finally works. Yeast was not available to Finns in the past, so the drool of a boar was one of the alternatives used in beer making.

The word means a wolverine or a bear, depending on the dialect. It is also used as a synonym for Kaleva, as well as a synonym for 'bridegroom'. Haavio believed the name Osmotar was not a feminine derivate of the word Osmo at all, but a compound word of os-motar, 'plant juice lees' or in other words, 'yeast'. He also believed the word "kapo" in her epithet doesn't mean a kave, but kabu (Russian for 'small bread'). Anna-Leena Siikala thought Haavio was mistaken in this view, as Osmotar's names also appear in other contexts outside of beer brewing.

In Karelia, she has also been called Saarivo.

Epithets EpithetEpithet meaningRegionsOsmotar oluen seppäKosmotar oluen seppä'Osmotar, smith of ale'Kainuu, North Savo, Olonets Karelia, White KareliaKapo kaljojen tekijäKapo kahjahin panija'Kave who makes beers''Kave who brews beers'Kainuu, North Savo, White KareliaOsmotar oiva vaimo'Osmotar splendid wife/woman'KainuuKalevatar kelpo emäntä'Kalevatar fine mistress'KainuuKalevatar kaljavaimoKalevatar kaljaseppä'Kalevatar beer wife/woman'Kalevatar beer smithOlonets Karelia, White Karelia

Otavatar Otavatar () is a luonnotar or goddess asked to light up the night sky in order to make it easier to find a lost object in the night, or find the thief of a lost object. According to Christfried Ganander, she is a goddess from the Big Dipper and, according to Carl Axel Gottlund, although it is a part of the Ursa Major constellation, it is personified as a girl with the feminine name Otavatar. Along with her appears Kipinätär (), who is called Hiisi's cat, and who protects items and scares away thieves. A runic song from the Karelian Isthmus says a cloth weaved by a girl is so fine, it's as if it was made by Kuutar, Otavatar, and/or Tähetär ().

Otavatar's sole epithet is 'Otavatar, girl of the sun'.

Panu Panu in runic songs means fire, flame or personified fire haltija. Panu is called a sunny son, created by sun goddess Auringotar. Kainuu runic singers considered Panu a very powerful word for fire: mentioning it in spells was essential. However, when asked what kind of deity Panu was, answers varied from fire's protector to birther to mother, etc. In Kainuu and Rear Bothnian songs, Panu also has the epithet 'Poor Panu, son of Tuoni'. In Central Finland, this appears as 'Poor one of fire, son of Tuoni', and in South Savo and Ostrobothnia as 'Red beard, son of Tuoni'. Ganander called Punaparta one of Tuoni's sons and the guardian spirit of fire. According to these songs, he "churned a fiery churn" in clean white clothes. According to Anna-Leena Siikala, the word is of Baltic origin.

The feminine form Panutar (or Pannatar) also exists in runic songs: Christfried Ganander called her the serpent's milkmaid who caused burning and pain. Runic songs from Kainuu, Rear Bothnia, North Savo, Olonets Karelia and Ostrobothnia also describe that a spark of fire has feathers of (feminine Panutar in plural). An Olonets Karelian song also calls humans of panuttaret, and a great creation of Panutar.

Epithets EpithetEpithet meaningRegionsPanu poika Aurinkoinen'Panu Sunny son'Kainuu, North KareliaPanu poika auringoisen'Panu, son of little Sun'KainuuPanu parka, Tuonen poika'Poor Panu, son of Tuoni'Kainuu, Rear Bothnia

Rongoteus