Pale Face () is a Canadian drama film, directed by Claude Gagnon and released in 1985.Gerald Pratley, A Century of Canadian Cinema. Lynx Images, 2003. . p. 232. The film stars Luc Matte as Claude "C.H." Hébert, a former hockey player turned coach who takes a camping trip in the wilderness; when he is physically attacked by a group of backwoods residents (Guy Thauvette, Gilbert Sicotte and Marcel Leboeuf), he is defended by Peter (Denis Lacroix), a First Nations man who is killed in the altercation. Peter's sister Marie (Allison Odjig) subsequently shelters him on the nearby reserve, despite her grief over her brother's death and her history of distrust of white people.Charles-Henri Ramond, "Visage pâle – Film de Claude Gagnon". Films du Québec, June 20, 2009.
The cast also includes Josie Mathias, Christine Séguin, Louise Richer, Claude Desjardins, Angèle Matte, Cécile Mathias, Michel David, Claudette Lapierre and Christian Talbot in supporting roles.
Distribution The film premiered at the 1985 Montreal World Film Festival,Jay Scott, "Festival to spotlight My American Cousin". The Globe and Mail, July 31, 1985. and went into commercial release in October 1985.
It was also screened at the 1985 Toronto International Film Festival,Noel Taylor, "Big film names lined up as spotlight hits Toronto". Ottawa Citizen, September 5, 1985. and at the 1986 Berlin Film Festival."Quebec film chosen for Berlin festival". The Globe and Mail, September 21, 1985.
Critical response Bruce Bailey of the Montreal Gazette wrote that "there's nothing particularly wrong with the acting here. Indeed, screen newcomer Allison Odjig (an Ottawa civil servant) is believable as the native woman. In any other hands, her pivotal speech about Indian grievances would have come off as unduly preachy. And there are also some deftly-handed sequences here and there - notably those in which the bozos from the bush taunt C.H. with a veiled viciousness reminiscent of what we get in Harold Pinter's so-called Theatre of Menace. But in the end, Gagnon's script gets rather tedious and silly. It's even downright laughable at times when the fugitive from justice starts staging his own Hockey Nights in Canada on a wilderness pond."Bruce Bailey, "Silly script sinks Quebec allegory". Montreal Gazette, October 16, 1985.
For the Ottawa Citizen, David McDonald wrote that the film's narrative setup played like a cross between Death Weekend and Deliverance, while the relationship between Claude and Marie settled into "the romanticized theme that in the wilderness - in the past - the white man, out of necessity, learned from the Indians the art of survival. Having learned to survive, the white man was then in a position to conquer and destroy - and forget."David McDonald, "Third-rate cliches and beautiful images". Ottawa Citizen, April 7, 1986.
Awards At FFM, it won the award for Best Canadian Film.Jay Scott, "Some win, some lose, some just show". The Globe and Mail, September 2, 1985.
It was one of the five finalists for the Prix L.-E.-Ouimet-Molson for 1985."Feature film finalists chosen". The Globe and Mail, January 18, 1986.
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