"" () is a song recorded by Argentine singer Lali. It was released through Sony Music Argentina on 27 September 2024 as the lead single from her sixth studio album, No Vayas a Atender Cuando El Demonio Llama (2025). The song was co-written by Lali, Galán, BB Asul, Juan Giménez Kuj, Mauro De Tommaso and Don Barreto, and produced by the latter two. The pop rock track and its accompanying music video feature pointed references to Lali's feud with current president of Argentina, Javier Milei, emphasizing his dismissive remarks about her.

In 2024, the song was named "Hit of the Year" by Rolling Stone Argentina. At the 27th Annual Gardel Awards, "Fanático" won in the categories for Song of the Year, Best Pop Song, and Best Short Form Music Video.

Background and release After Javier Milei, a far-right candidate, won the 2023 Argentine primary elections, Lali tweeted her disapproval, calling the outcome "dangerous" and "sad". This led to intense backlash from Milei and his supporters, resulting in harassment and the spread of misinformation about her. Milei's political agenda included proposals to repeal abortion rights and ban comprehensive sex education, among other social conservatism policies. Lali's statement resonated with many who feared the consequences of his policies, and her words became a rallying point for opposition. Despite facing ongoing harassment and false narratives about her finances, Lali defended her right to speak out. At the Cosquín Rock festival, she altered the lyrics of her song "Quiénes Son?" to directly address Milei's dismissive remarks against her. This performance garnered widespread support from other artists and public figures.

In the following months, Lali attempted to seek peace, but the president continued to incite hatred against her, leading to escalating harassment. The "intense" media confrontation was compared to that of Donald Trump against Taylor Swift in the United States. While Lali spoke publicly about the feud, she maintained a respectful tone, aiming to avoid further conflict. After months of silence, she released "Fanático" in response to the lies propagated by the president and the harassment she endured. She later shared that it had been Fito Páez who had advised her not to directly engage with the president but instead to channel her response through her art and music.

Announcement On the morning of 24 September 2024, a Spotify ad billboard featuring Lali's face appeared at the intersection of Coronel Niceto Vega Avenue and Justiano Carranza Street in Palermo, Buenos Aires. The billboard displayed the phrase "Poné Disciplina para entrar en calor" (, referencing her 2022 single "Disciplina". The next morning, the billboard was found vandalized with graffiti covering Lali's face, including devil horns, a mustache, and a dollar sign. This incident quickly drew attention in Argentine media, with speculation that supporters of Milei were behind it. Despite the vandalism, many fans flocked to the site to take photos. The following day, the single was announced with the vandalized billboard serving as its official cover. It was later revealed that Lali's team had orchestrated the stunt as a promotional strategy. In the music video, Lali is shown vandalizing her own image, and the phrase from the billboard turned out to be a lyric from the song.

Music and lyrics "Fanático" was labelled as a pop rock diss track that combines a strong, rebellious rock vibe with the pop essence and energy characteristic of Lali. Its "simple and very mischievous" lyrics dissect misinformation culture, providing a sharp commentary on contemporary society while retaining Lali's characteristic humor. She employs laughter and playfulness as strategies to combat fake news. Romina Navarro from Global Voices said that the lyrics "could easily be about any fan who becomes absurdly obsessed with their favorite star, but the images and the context of the confrontation between Milei and [Lali] Espósito make the reference clear".

Unlike her previous album, Lali (2023), which was primarily a pop record created with Galán and Mauro De Tommaso, she chose to broaden her musical horizons and songwriting team for this new era. She invited BB Asul, Don Barreto, and Juan Giménez Kuj to collaborate with her and decided to innovate her musical style. Since early 2024, she had hinted that the upcoming album would draw significant inspiration from 1970s and 1980s Argentine rock. "Fanático", the first song released from that project, already reflected the sound, lyrics, aesthetics, and rebellious spirit of that era and style of music.

Critical reception In a positive review, Filo News praised the song, stating that "with this new track, [Lali] reinvents herself on the musical horizon, pushing the boundaries of her own sound". Similarly, Infobae noted that "without changing her cheeky pop essence, Lali expresses her rebellion and rock spirit like never before". Irina Avilés Millán from Los 40 highlighted the aesthetics and sound of the single, adding that "the song has a rock edge that perfectly aligns with the message the protagonist aims to convey". Humphrey Inzillo from the Argentine edition of Rolling Stone remarked that the song "impresses with its rock sound, referencing the alternative vibes of the nineties while retaining its pop essence". Meanwhile, Noelia Torres of Tiempo Argentino wrote: "In true Taylor Swift style, the national pop star has kicked off her 'Scandal Era'".

David Montufo from El Periódico described the track as "surprising". Lourdes Maidana from Indie Club called it a "great track," praising its "fresh sound" and "top-notch production". Radidja Cieslak from the French newspaper Libération lauded the song, stating that "the melody is frenetic, the lyrics corrosive, akin to a musical raid"; she also compared it to Mariah Carey's "Obsessed", which responded to rapper Eminem's sexist accusations.

In November 2024, the song was named Rolling Stone Argentina'''s most recommended song of the month and was dubbed a "political hit".

Commercial performance In Argentina, "Fanático" debuted at number five on the Billboard Argentina Hot 100, becoming Lali's highest debut and highest position achieved on the chart. This surpassed "N5", which had reached number nine in August 2022. The song also peaked at number five on the CAPIF singles chart.

Awards and nominations At the 27th Annual Gardel Awards, "Fanático" triumphed in all three categories it was nominated for. It won Song of the Year, making Lali the first artist in the award's history to win that category four times. The song also earned Best Short Form Music Video, marking Lali's third win in that category—and her third consecutive one—following her victories with "Disciplina" in 2023 and "Quiénes Son?" in 2024. Lastly, she took home the award for Best Pop Song, bringing her total Gardel Award wins to 13. With this achievement, Lali tied with Mercedes Sosa as the female artist with the most wins in the history of the Gardel Awards.

+ Awards and nominations for "Fanático" Year Organization Award Result Ref. 2025 Premios Gardel Song of the Year Best Pop Song Best Music Video

Music video An accompanying music video was released alongside the single, directed by Lali and Lautaro Espósito. The clip stood out for its numerous references and hidden messages.

Synopsis The video begins with a figure approaching a microphone, accompanied by an audience chanting "Olé, Olé, Olé, Lali". It is soon revealed that the figure is not Lali but a look-alike dressed in her costume for the 26th Annual Premios Gardel performance. In the next scene, the real Lali is shown sitting at a table in a warehouse, holding auditions for "the new Lali". Various candidates appear: one in a red leather outfit reminiscent of Lali's iconic Disciplina Tour attire, another wearing a "Who The Fuck Is Lali?" t-shirt, and a third, portrayed by Argentine actor Lucas Spadafora, dressed in her famous nun costume from Esperanza Mía.

During the chorus, Lali and her band perform the song, adopting a 1990s rock aesthetic with outfits and wigs. The casting call continues, featuring more candidates: a Lali barra brava (akin to American ultras or British hooligans), and a drag queen in an outfit inspired by Lali's Libra album cover. A young man in a suit, visibly disinterested, expresses his disdain for being there. He is later transformed by the Disciplina Tour Lali, reappearing in a sparkling platinum jacket and holding a whip.

One of the more controversial candidates, a man in a leather jacket, tears apart a sign reading "Fan #38,900" while yelling at Lali, who is casually eating a hotdog and eventually falls asleep. The barra brava intervenes to remove him.

In the next scene, Lali performs a dance routine with her dancers on top of a truck. A flag featuring Lali's face is unfurled, and someone graffitis it, interspersed with images of the dance routine and the various candidates spinning behind her. Toward the end of the video, all the Lalis engage in a lively dance, throwing artificial foam (or fake snow) and silly string at each other. It is ultimately revealed that the person vandalizing Lali's picture was Lali herself. This defaced image served as the actual cover for the single.

Analysis The music video was subject to multiple interpretations, with many analyses converging on similar themes. As the lyrics humorously address Lali's feud with Argentine president Javier Milei and the harassment she faced from him, his party, and his supporters, the video also references and even "ridicules" the president.

The clip was filmed in a warehouse, a setting not chosen at random. The term "depósito" in Spanish translates to both "warehouse" and "deposit". This is significant because, in February 2024, Milei nicknamed Lali "Lali Depósito", suggesting her wealth came from taxpayer money through state contracts for public performances. He implied that she embodied the state largesse he criticized.

Moreover, one of the character was widely interpreted as a portrayal of the president: a middle-aged man sporting sideburns and a leather jacket, "bearing a striking resemblance to Milei", who appears yelling angrily at Lali. This man first appears tearing down a sign that reads "Fan No. 38,900." This number is notable because it alludes to the estimated 30,000 people killed or disappeared during Argentina's 1976-1983 civic-military dictatorship, along with the 8,900 identified victims documented by the National Commission on the Disappearance of Persons (CONADEP). During his campaign, Milei had repeatedly denied the existence of these 30,000 disappeared individuals, dismissing the events as merely a "war", which he also endorsed. Thus, the act of tearing apart the sign labeled "38,900" carries significance and makes it clear that the character referenced the president directly.

The man auditioning to be the new Lali connects to the lyric "His biggest fantasy is one day being me". Lali is a successful singer and actress known for selling out football stadiums and winning numerous singing and acting awards, earning her many fans. Some suggest that Milei's fixation on Lali stems from his frustration over not achieving similar success artistically. During his time as president, his actions blurred the lines between his duties and artistic ambitions; he organized a concert at Luna Park Arena and starred in a docuseries about his rise to power. For these reasons, it was interpreted that Lali mocks the president in her lyrics and the video, implying that he aspires to be like her despite claiming disinterest.