Charley's Aunt is a farce in three acts written by Brandon Thomas. The story centres on Lord Fancourt Babberley, an undergraduate whose friends Jack and Charley persuade him to impersonate the latter's aunt. The complications of the plot include the arrival of the real aunt and the attempts of an elderly fortune hunter to woo the bogus aunt. The play concludes with three pairs of young lovers united, along with an older pair – Charley's real aunt and Jack's widowed father.
The play was first performed at the Theatre Royal, Bury St Edmunds, in February 1892. It then opened in London at the Royalty Theatre on 21 December 1892, and quickly transferred to the larger Globe Theatre on 30 January 1893. The production broke the historic record for longest-running play worldwide, running for 1,469 performances. It was produced by the actor W. S. Penley, a friend of Thomas, who appeared as Babberley.
The play was also a success on Broadway in 1893, and in Paris, where it had further long runs. It toured internationally and has been revived continually and adapted for films and musicals.
Synopsis
Act I Jack Chesney and Charley Wykeham are undergraduates at Oxford University in love with, respectively, Kitty Verdun and Amy Spettigue. Charley receives word that his aunt, Donna Lucia d'Alvadorez, a rich widow from Brazil whom he has never met, is coming to visit him. The boys invite Amy and Kitty to lunch to meet her, also intending to declare their love to the girls, who are being sent away to Scotland with Amy's uncle, Stephen Spettigue, who is also Kitty's guardian. They seek out another Oxford undergraduate, Lord Fancourt Babberley (known as "Babbs"), to distract Donna Lucia while they romance their girls. While they are out, Babbs breaks into Jack's room to steal all his champagne, but Jack and Charley intercept him and persuade him to stay for lunch. Babbs tells the boys about his own love, the daughter of an English officer called Delahay, whom he met in Monte Carlo, although he does not remember her name. Babbs also uses Jack's room to try on his costume for an amateur play in which he is taking part.
Amy and Kitty arrive to meet Jack and Charley, but Donna Lucia has not arrived yet, and so the girls leave to go shopping until she shows up. Annoyed, Jack orders Charley to go to the railway station to wait for Donna Lucia. Jack soon receives an unexpected visit from his father, Sir Francis Chesney, a retired colonel who served in India. Sir Francis reveals that he has inherited debts that have wiped out the family's fortunes; instead of going into politics as he had intended, Jack will have to accept a position in Bengal. Horrified, Jack suggests that Sir Francis should marry Donna Lucia, a widow and a millionaire, in order to clear the family debts. Sir Francis is hesitant but agrees to meet Donna Lucia before he makes a decision.
Charley receives a telegram saying that Donna Lucia will not be arriving for a few days. The boys panic: the girls are coming, and they won't stay without a chaperone. Fortunately Babbs's costume happens to be that of an old lady. Jack and Charley introduce Babbs as Charley's aunt. His strange appearance and unchanged voice (he had never acted before) do not raise any suspicions. Babbs annoys the boys by accepting kisses from Amy and Kitty; the boys respond to his flirtations with violence.
Sir Francis soon enters to meet Donna Lucia. He takes one look at Babbs and tries to leave, but Jack retrieves him. Spettigue arrives, angered that Kitty and Amy are lunching with the boys without his permission. However, the penniless Spettigue soon learns that Charley's aunt is Donna Lucia D'Alvadorez, the celebrated millionaire. He decides to stay for lunch to attempt to woo "Donna Lucia".
Act II Outside Jack's rooms, in the grounds of St Olde's College, the boys are trying to get their girls alone so that they can confess their love. However, Babbs is in the way, charming the girls as Donna Lucia. Jack's father, Sir Francis, has decided to propose marriage to Donna Lucia, purely for money. Jack urgently corners Babbs and orders him to let his father down gently. Babbs does so, which Sir Francis finds to be a relief. Spettigue still wants to marry "Donna Lucia" for her money.
Meanwhile, the real Donna Lucia, who turns out to be an attractive woman of middle age, arrives with her adopted niece, Miss Ela Delahay, an orphan. The money left to Ela by her father is enough to make her independent for life. Ela reveals that her father had won a lot of money at cards from Fancourt Babberley, for whom Ela still holds a great deal of affection. Donna Lucia recounts the story of a colonel named Frank who she once met more than twenty years ago, of whom she was similarly fond. However, he was too shy to propose, and he left for India before he could tell her how he felt. Sir Francis enters, Donna Lucia recognizes him, and the two rekindle their affection. However, before she can introduce herself, she discovers that someone is impersonating her. To investigate, she introduces herself as "Mrs Beverly-Smythe", a penniless widow.
Jack and Charley finally make their declarations of love to their girls. However, they discover that they need Spettigue's consent to marry. The girls enlist Babbs to get the consent from the greedy Spettigue. Spettigue invites the entire party, including the real Donna Lucia and Ela, to his house, so that he can talk to "Donna Lucia" in private. Babbs, recognizing Ela as the girl he fell in love with in Monte Carlo, tries to escape, but he is caught by Spettigue.
Act III Babbs is upset by being in the same room as the girl he loves without being able to talk to her. Jack and Charley try to calm him down. Babbs spends time with the real Donna Lucia, Ela, Amy and Kitty, during which the real Donna Lucia embarrasses Babbs by showing how little he really knows about Donna Lucia. Ela takes a liking to the fake Donna Lucia, who sounds like the man she loves, and pours her heart out to Babbs, telling him of the anguish of losing her father and of the man who cared for him in his dying days, Lord Fancourt Babberley. She admits that she loves him and longs to see him again.
Babbs tricks Spettigue into giving the letter of consent for the marriages of Charley to Amy and Jack to Kitty by accepting marriage to Spettigue. (Kitty's father's will specified that if she marries without Spettigue's consent, Spettigue would inherit all of the money.) Charley can no longer keep up the lie and admits that "Donna Lucia" is not really his aunt. Babbs, now dressed in a suit, confirms that he had been playing the part of Charley's aunt. As he is about to return to Spettigue the letter of consent, the real Donna Lucia reveals her identity and takes the letter, stating that it "is addressed to and has been delivered to Donna Lucia d'Alvadorez".
Spettigue storms off, threatening to dispute the letter. Amy is upset at everyone for making a fool of her uncle. Donna Lucia reassures her and gives the girls the letter. Sir Francis and Donna Lucia are engaged (he made the proposal before he realized her identity); the young couples can marry; and Babbs confesses his feelings to Ela.
Productions Original production The play was originally given at Bury St. Edmunds on 29 February 1892, commissioned by the local hunt, which sponsored a new play every year for its annual social festivities, known as the "Hunt Bespeak".The Bury and Norwich Post, 1 March 1892, p. 8 Penley produced the piece and played Lord Fancourt Babberly,Adams, William Davenport (1904). A Dictionary of the Drama London: Chatto and Windus. OCLC 499281551 Both the local paper and the leading national theatrical paper, The Era, record Charley's surname as Wyckenham.The Era, 5 March 1892, p. 21 It was soon simplified to Wykeham. A provincial tour followed, including Colchester, Cambridge and Cheltenham, with the original cast.The Era, 12 March 1892, p. 18; 19 March 1892, p. 18; and 26 March 1892, p. 19 Penley recast some of the roles, presenting the play at Derby in May.The Era, 14 May 1892, p. 20 The original and Derby casts were as follows: Stephen Spettigue, uncle of Amy, guardian of Kitty, and the story's villain – Henry Crisp Colonel Sir Francis Chesney, father of Jack Chesney – Arthur Styan (Gerald Godfrey in Derby) Jack Chesney, Oxford undergraduate, in love with Kitty – Wilton Heriot (H. J. Carvill in Derby) Charley Wykeham, Oxford undergraduate, in love with Amy – Ernest Lawford (Brandon Hurst in Derby) Lord Fancourt Babberley, undergraduate pulled unwillingly into Jack and Charley's scheme – W. S. Penley Brassett, Jack's valet – Harry Nelson (Percy Brough in Derby) – Charles King Donna Lucia d'Alvadorez, Charley's aunt from Brazil – Ada Branson Amy Spettigue, Stephen Spettigue's young niece – Lena Burleigh (Rose Nesbitt in Derby) Kitty Verdun, Stephen Spettigue's young ward – Dora de Winton Ela Delahay, orphaned young woman accompanying Donna Lucia (loved by Lord Fancourt) – Emily Cudmore
After a further provincial tour, Penley secured the Royalty Theatre in London, which had suddenly fallen vacant, and opened the play there on 21 December 1892. He again recast the piece, except for a few roles, as follows: Stephen Spettigue – Ernest Hendrix Colonel Chesney – Brandon ThomasThomas played the part for only the first few weeks of the London run, but he regularly played it in later revivals until shortly before his death. See Stephens, John Russell. "Thomas, (Walter) Brandon (1848–1914)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, January 2008, accessed 5 October 2010 Jack Chesney – Percy Lyndal Charley Wykeham – H. Farmer Lord Fancourt Babberley – W. S. Penley Brasset – Cecil Thornbury Footman – G. Graves Donna Lucia – Ada Branson Amy Spettigue – Kate Gordon Kitty Verdun – Nina Boucicault Ela Delahay – Emily Cudmore
The play was an immediate success, opening to enthusiastic audiences and excellent notices from the press.See: The Morning Post, 22 December 1892, p. 3; The Standard, 22 December 1892, p. 3; Birmingham Daily Post, 23 December 1892, p. 5; Liverpool Mercury, 23 December 1892, p. 5; The Graphic, 24 December 1892, p. 770; The Pall Mall Gazette, 24 December 1892, p. 1; and The Era, 24 December 1892, p. 9 It soon transferred to the larger Globe Theatre on 30 January 1893. It ran for a record-breaking 1,469 performances across four years, closing on 19 December 1896.Stephens, John Russell. "Thomas, (Walter) Brandon (1848–1914)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, January 2008, accessed 5 October 2010
Revivals