Mary P. Hamlin (born Mary Ida Parmele;"Hamlin-Parmele". The Buffalo Express. September 17, 1902 September 30, 1871 – June 26, 1964"Mary Hamlin, Playwright, 93, Dies". Democrat and Chronicle. June 27, 1964. p. 2B.) was an American playwright specializing in religious dramas, but best known for the 1917 Broadway play, Hamilton (co-authored with its star, George Arliss), and for its 1931 screen adaptation, Alexander Hamilton.

Early life and career A native of West Bloomfield, New York, Hamlin was one of four children born to Hiram Taft Parmele and Mary Gates. By no later than 1875, the family had relocated to Canandaigua."New York State Census, 1875", FamilySearch (https://www.familysearch.org/ark:/61903/1:1:VTDZ-VGR : Wed Oct 04 04:45:00 UTC 2023), Entry for Hiram T Parmele and Mary G Parmele, 1875. There, she attended the Granger Place School for Girls, class of 1892."Western New York News; Ontario: Republican Club Organizes; Commencement at Granger Place School". Democrat and Chronicle. June 7, 1892. p. 4. Following her graduation from Vassar College in 1896, she returned to teach at Granger Place, where she soon became head of the English department. Writing in 1910, for Good Housekeeping Magazine, Hamlin recalled an early role model. "Miss Lucy Salmon, the head of the history department at Vassar College, has, I think, the greatest intellectual force of any woman with whom it has ever been my good fortune to come into contact. She has a mind of piercing, needle-point fineness and great breadth of grasp. I think she never had a vague or slip-shod thought in her life." Following a detailed rundown of how, exactly, this intellect was manifested in Salmon's kitchen, Hamlin concludes, In other words, there was a place, and a reason for the place, of everything in that kitchen. Everything was planned to save steps. [...] Here, again, a large mind had been applied to small things, with practical results.Hamlin, Mary P."The Beauty of the House Is Order: A Plea for Just a Little More Dirt and Much More Order and Happiness". Good Housekeeping. December 1910. Vol. 51, Iss. 6. p. 695.

On July 29, 1916, Hamlin copyrighted a three-act play of 193 pages, entitled The Secretary of the Treasury.Library of Congress, Copyright Office (1916). Catalog of Copyright Entries, Part 1, Volume 13, Issue 2: Dramatic Compositions. Washington: Government Printing Office. p. 847. However, there does not appear to be a single, subsequent in-print mention of any such Hamlin play, much less any performance or publication thereof. Taking into account both that and the fact that "Secretary of the Treasury" is the office held by the title character of the 1917, four-act play, Hamilton"Stars of Filmland and Footlights to Be Seen in the Show Shops; George Arliss in 'Hamilton'". Lima Republican-Gazette. September 29, 1918. Sec. 2, p. 6. Retrieved March 12, 2024. it seems more than likely that Hamilton was simply the 1916 work's final draft; retitled, newly partitioned, and—to a now unquantifiable extent—otherwise revised.

As for Arliss's contribution to the final version, despite the tenor of contemporaneous news stories (many of which failed to even mention Hamlin's name, simply crediting Arliss See also: "Noted Actor Is Visiting Here; George Arliss Is Host to Samuel F. Nixon at the Hotel Traymore". Atlantic City Gazette-Review. July 30, 1917. p. 2. "Producers and actors at Peace; George Arliss Announces New Rehearsal Agreement, Finishes Play Here". Press of Atlantic City. July 30, 1917. p. 9.), at least one paper, the Detroit Free Press, attributed the play's authorship in terms—specifically, "by Mrs. Mary P. Hamlin, with suggestions from Mr. Arliss himself""Many Detroiters in Theatrical Offerings; Hit or Miss". The Detroit Free Press. August 5, 1917. p. 6M. Retrieved March 12, 2024.—roughly comparable to those used by Hamlin in her 1953 memoirs, as quoted by the New York Post in 2016. "Mr. Arliss did little writing of my play. He knew nothing of American politics, did not even know, at first, that Thomas Jefferson was president of the United States."Oleksinski, Johnny (June 10, 1916). "The 100-year-old secrets of Broadway's first ‘Hamilton’" New York Post. Retrieved March 12, 2024. To his credit, as Hamlin later notes, Arliss always insisted that she be the primary credited author, and indignantly demanded as much when the play's initial batch of printed programs had that order reversed.Hoy, Cyrus (Autumn 1977). "Mary P. Hamlin: Memoirs and Letters". University of Rochester Library Bulletin. Although Hamlin never specifies the nature of his contributions, she clearly appreciated them. As I worked on the play with George Arliss, I began to realize what a lifetime of experience amounted to. He was putting his knowledge into my play, even if I did the writing. His suggestions were invaluable but he never wanted me to agree to anything I did not understand. When I told him I was willing to accept his experience whether or not I understood it, he said firmly, 'No. This is your play and nothing must go into it that you do not understand.'

In July 1943, it was widely reported that Otto Preminger had purchased the rights to Hamlin's Benjamin Franklin, with the intention of staging the play on Broadway that fall, contingent on the availability of Sidney Greenstreet.Hopper, Hedda (July 18, 1943). "Hollywood". New York Daily News.Redellings, Lowell E. (July 21, 1943). "Paul Lukas Signed for Leading Role in 'Uncertain Glory'". Los Angeles Citizen-News. p. 4.Mines, Harry (July 21, 1943). "March-Smith May Team". Los Angeles Daily News. p. 20. However, despite lingering coverage as late as December,Redellings, Lowell E. (August 23, 1943). "Jane Withers Will Star in Showgirl Movie at Republic". Los Angeles Citizen-News. p. 6.Soanes, Wood (December 16, 1943). "Curtain Calls: Broadway Finds Play With Charm; 'Voice of the Turtle' Hailed by Critics for Its Lines and Fine Acting by Its Leads". The Oakland Tribune. p. 41. Greenstreet's requested leave of absence from Warner Brothers failed to materialize, as did, evidently, did any Plan B on Preminger's part.

Personal life and death From September 16, 1902 until her death on November 11, 1947, Hamlin was married to George Wright Hamlin, a Canandaigua-based attorney who would later succeed his father as president of the Canandaigua National Bank and Trust Company."George W. Hamlin, 74, Dies; Canandaigua Bank Leader; Heart Attack Kills Man Long Active in Civic Affairs". Democrat and Chronicle. November 12, 1947. p. 18.

On June 26, 1964 (following roughly three years of being confined to her bed due to a hip fracture suffered in 1901), Hamlin died of undisclosed causes at her home on 107 Howell Street in Canandaigua. Predeceased by her husband and daughter, she was survived by three sons, nine grandchildren and seven grandchildren. Following the funeral service, conducted on June 28 at Canandaigua's Congregational Church, Hamlin's remains were buried at Woodlawn Cemetery."Mary P. Hamlin Dies; Playwright Was 93" [sic]. The Daily Messenger. June 26, 1964. p. 3.

Works "The Beauty of the House Is Order". Good Housekeeping. December 1910. Vol. 51, Iss. 6. pp. 692–696. The Secretary of the Treasury, 1916Library of Congress U.S. Copyright Office (1916). Catalog of Copyright Entries, Part 1, Volume 13, Issue 2. Washington, DC: Government Printing Office. p. 848. Hamilton, 1917 The Style's the Thing; A Vaudeville Sketch for Four People, 1919NYPL Research Libraries (1967) Catalog of the Theatre and Drama Collections, Volume 1. G.K. Hall. p. 344. . The Efficiency Mother-in-Law; A Play in One Act for One Man and Four Women, 1919Library of Congress U.S. Copyright Office (1919). Catalog of Copyright Entries, Part 1, Group 2: Dramatic Compositions. Washington, DC: Government Printing Office. p. 1033. The Rock ( Simon the Rock and Peter the Rock), 1921 He Came Seeing, 1928 The Trouble with Christmas Presents, 1930 Burnt Offering, 1933"New Books: Group of New Plays to Interest the Amateurs". The Boston Globe. November 27, 1933. p.5. The Separatist, 1934 Certain Greeks, 1935 The Pattern in the Mountain: A Play with a Prologue and Three Acts, 1937Library of Congress U.S. Copyright Office (1937). Catalog of Copyright Entries. Part 1. [C] Group 3. Dramatic Composition and Motion Pictures. New Series, Volume 10, No. 1. Washington, DC: Government Printing Office. p. 1033. The Wee Bit Seed, 1949

Notes

References

Further reading "Mrs. G. W. Hamlin Reads Own Unpublished Play". The Daily Messenger. March 19, 1935. p. 5. "Annual Church Drama Planned". The Tulsa Tribune. February 25, 1940. p. 10.

External links

Works by or about Mary T. Hamlin at Internet Archive

Mary P. Hamlin: Memoirs and Letters at University of Rochester's RBSCP