The Greatest Hits Tour was the eighth concert tour by Canadian recording artist Avril Lavigne. It began on May 22, 2024, in Vancouver, Canada, and concluded on June 29, 2025, in Oro-Medonte, Canada, consisting of 69 shows.
Designed to promote Lavigne's discography, the majority of concerts on the Greatest Hits Tour took place in North America, while her European dates primarily consisted of festival appearances.
Background During 2022 and 2023, Lavigne embarked on her Love Sux Tour, promoting her seventh studio album Love Sux (2022). This tour spanned across Asia, Europe, North America and South America. At the end of 2023, Lavigne revealed a series of European festival dates, accompanied by select stand-alone concerts including performances in Pula, Croatia and Cardiff, Wales. In January 2024, she announced a lineup of tour dates across the United States and Canada, officially naming the tour the Greatest Hits Tour.
On December 2, 2024, it was announced that the tour would be extended with an additional leg, featuring concerts across the United States and Canada through May and June 2025. Lavigne is set to perform a mix of arena and stadium concerts, with one festival appearance scheduled for June 29 at the All My Friends Fest.
Critical reception North America For the opening show of the Greatest Hits tour, the Vancouver Suns Stuart Derdeyn praised the performance for delivering a high-energy, nostalgia-filled experience that delighted longtime fans. He noted that Lavigne "really did deliver all hits and no filler", and described the show as "the kind of legacy act showcase that will paste smiles on the faces of her now 40-something fans". Reviewing the same opening night in Vancouver, Alyson Eng of BroadwayWorld commended Lavigne's vocal performance and nostalgic appeal, though she mentioned some technical issues with the sound. Eng observed that despite these problems, the concert was "a powerful testament to Lavigne's enduring connection with her fans". The first concert also received praise from Caroline Charruyer of Canadian Beats, noted that the "setlist was well-curated," with songs that "showcased her vocal prowess and emotional depth." Charruyer described the event as a celebration not only of the artist's greatest hits but also of "the remarkable journey of an artist who has remained true to herself." Each song was met with "enthusiastic cheers and fervent sing-alongs," and the crowd "erupted in thunderous ovation." She characterized the concert as "a triumphant celebration of her career, filled with nostalgia, emotion, and pure rock energy," making it "a night to remember for all in attendance."
Reviewing the Mountain View concert, Jim Harrington of The Mercury News highlighted Lavigne's strong vocals and engaging stage presence, noting that the show featured "unfussy pop-punk pretty much from start to finish" and was well received by the crowd of longtime fans. Santiago Hernandez of Out Magazine also praised Lavigne for her high-energy performance and nostalgic appeal, noting that "there's something magical about an entire stadium screaming a 22-year-old song". Kat Sophia of Santa Barbara Independent also praised Lavigne's energy and nostalgic performance, noting that "highlights like "My Happy Ending", "I'm With You" and "Sk8er Boi" lit up the energy in the venue in a palpable manner". Conversely, Gabe Lehman of SFGate observed that while the audience was enthusiastic and fully committed to the pop-punk vibe, Lavigne's energy did not match that of her fans, making parts of the performance feel like "Avril Lavigne karaoke". Mike DeWald of Riff Magazine, also praised Avril Lavigne's Mountain View Shoreline show, stating that she "is in the midst of a renaissance" and her Greatest Hits tour is "a smashing success". He lauded the production, noting that "it felt like a spectacle," and highlighted her interaction with the crowd. DeWald emphasized that her "biggest strengths are the songs and her voice." He also mentioned how Lavigne "thanked fans for their support over the years and reflected on her humble beginnings" multiple times during the concert. Additionally, he observed that Lavigne now appears more comfortable on stage than in her previous concerts: "Lavigne looked more at ease interacting with the crowd; before, she was more awkward."
For her Canadian shows, Billboard stated that her concert in Toronto was acclaimed as a celebration of "her impressive career", as someone who "made her mark in the 2000s as a young singer making space for herself in a male-dominated pop-rock field". Her "outdoor performance at Budweiser Stage should be a little less cramped, but no less fun", and the tour "has been hitting all the right notes for fans". They concluded that Lavigne is one of Canada's biggest pop stars and was recently named to the Order of Canada in June 2024, following recognition from Hollywood's Walk of Fame in 2022 and Canada's Walk of Fame in 2023.
Annie Jonas, writing for Boston.com, reviewed Avril Lavigne's performance at Boston Calling 2025, describing her show as "highly anticipated" following her "standout appearance in 2022". Jonas noted that "her energy was contagious", with fans "singing, head-banging, and dancing" throughout the set. The review highlighted that Lavigne's "performance showcased not just her enduring charisma but also her ability to connect across generations". Boston.com, in another article, also named her show one of the festival's highlights and a must-see: "the pop-punk sensation delivered an electrifying performance on Day 2 of Boston Calling 2025, headlining the penultimate set of the night on the Green Stage". Victoria Wasylak of the Boston Globe described Boston Calling 2025 as "a millennial rock marathon", highlighting Avril Lavigne as one of three millennial rock icons alongside Fall Out Boy and Cage the Elephant. Lavigne delivered her signature scowling pop-rock and bratty bubblegum energy, with her set described as "a standout moment of nostalgia and raw attitude".
Geoff Herbert from Syracuse.com reviewed Avril Lavigne's 2025 concert in Syracuse, reporting that "Avril Lavigne and more than 10,000 fans proved it on a rainy Wednesday night" that "pop-punk is not dead". The review highlights that "she swayed breezily on stage, even during faster songs, and told stories about starting her career". According to the outlet, she "didn't look or sound much different from the pop-punk princess who inspired millions of teens to wear striped ties with tank tops".
Deborah Cruz for Yahoo! and Parade wrote that, during her May 30, 2025, concert at Madison Square Garden, Avril Lavigne surprised fans by bringing her mother on stage, sharing a heartfelt story from her childhood. She recalled, "When I was 2 years old, I came home from church singing 'Jesus Loves Me'", and her mother responded, "I said you’re going to be a singer!" Lavigne reflected, "I don't know how she knew it", highlighting the early start of her music career. The moment occurred during Lavigne's Greatest Hits tour stop in New York, celebrating over two decades of her songs. On Instagram, she shared: "Both my mom and dad saw something in me and encouraged me to practice very hard and pursue my dream". Cruz added that "for millennials who grew up with Lavigne's anthems, watching her honor her mother on one of the world's most famous stages feels like witnessing the full-circle moment we didn't know we needed".
Europe
Commenting on her first concert of the European leg of the tour at the Rock for People festival in Hradec Králové, Ondřej Hricko from Music Server praised Lavigne's vocal performance, noting that she "handled the concert vocally excellently" and lauded how she established a welcomed female counterpart amidst the predominantly male headliners. He further explains how she maintained a strong connection with the audience and showcased her charisma. Šárka Hellerová from Headliner praised Lavigne for delivering what fans expected. She further explains how Lavigne's second encore created an emotional moment, saying, "I watched some fans singing with all their hearts". However, others remarked on her getting out of breath easily and leaving the stage for an extended break.
Reviewing Lavigne's debut concert in Croatia, critics highlighted the memorable and nostalgic experience delivered by singer. Marko Bratoš of Glazba.hr praised the performance, emphasizing the powerful connection between Lavigne and her fans. Bratoš noted, "Nostalgia has rarely managed to disrupt reason and bring a huge silly smile to one's face as it did last night at the Arena". He also mentioned that the show was filled with energy and excitement, with Lavigne's strong vocal performance and infectious enthusiasm impressing the audience. Barbara Ban of Jutarnji list further lauded Lavigne's concert, noting that "the performance in Pula was a significant event for Croatian fans". Juraj Dukić Hrvoić of Sound Guardian echoed these sentiments, highlighting the impressive setlist and visual presentation. Dukić Hrvoić commented, "The concert was an unforgettable blend of nostalgia and high energy", with Lavigne captivating the audience both visually and vocally. Emanuela Plišić of Music Box further confirmed these sentiments, praising Lavigne for her ability to engage and energize the audience.
Lavigne's Greatest Hits Tour in the Netherlands received praise from the Dutch press. Roel Peijs of OOR observed that "a mature artist was on the stage", with a legacy that "fits into the pop ranks alongside Robbie Williams and P!nk". Her vocals were notably spotlighted. The publication also mentioned that "her place in this year's lineup was more than justified". Fans were able to "reminisce about their festival wild days with a touch of nostalgia" in a show that offered "a blend of comfort and adventure". Lavigne's show at the Hurricane Festival in Germany was considered by Julia Langmaack, of Stagr, as "a triumphant return". The reviewer said the singer "has lost none of her energy and stage presence". Her performance was marked by "vocals, charisma, and emotional connection". Markus Brandstetter, by Musikexpress ranked Avril Lavigne's performance at the Southside Festival in Germany as well, as one of the best of the festival. Journalists from Schwäbische Zeitung who were present as the Southside Festival wrote that, "for many people, the highlight of the night was likely Avril Lavigne", where fans "floated in nostalgia once more and enjoyed her upbeat songs".