From the Foundations is the debut album by the English soul group the Foundations, released in November 1967 by Pye Records. It contains their hit, "Baby Now That I've Found You".

Background According to Foundations guitarist Alan Warner, the album was made up of tracks that the Foundations recorded at their audition and some new songs. He also said that the group never had a chance to listen to it before it was released.It's Psychedelic Baby Magazine, 22 July 2011 – Pluto interview with Paul Gardner & Alan Warner, The Foundations Albums:

The album was described in the 25 November, 1967 issue of Melody Maker as being half soul and discotheque music that the group really liked to play, and the other half, their single sound. Tony Macaulay said "Half of their music contains beat and a raucous sound, the other is good, strong melody". He also said that sales-wise it would sell to people who liked both.Melody Maker, November 25, 1967 - Page 7 THE HITS THAT ALMOST NEVER WERE, Foundations, Baldry songs lay in drawer

Announcing the album's arrival, the front page of New Musical Express said "New LPs by Foundations and Jimi Hendrix".New Musical Express, No. 1089 Week ending' November 21, 1967 - Page 1 New LPs by Foundations and Jimi Hendrix The album, From the Foundations was released on Pye NPL 1820.New Musical Express, No. 1089 Week ending' November 21, 1967 - Page 4 Six Superlative Albums in Your Shops Now., The Foundations From the Foundations NPL 18206 The same issue showed that "Baby, Now That I've Found You" was at No. 1 in the NME Top 30 chart (Wednesday, November 22, 1967).New Musical Express, No. 1089 Week ending' November 21, 1967 - Page 9 NME Top 30 Last Week 1, This Week 1, Weeks in chart 8, Highest Position 1

The album was released in the United States on Uni 73016,Popsike - The Foundations UNI 73016 STEREO M-/M- "Baby Now That I've Found You" LP and in Australia on Astor SPLP 1237.Popsike - "From the Foundations", DISCOGRAPHY In South Africa it was released on Pye PL 2129. The cover was blurred so buyers couldn't see the band.Discogs - The Foundations – From The Foundations The reason for this is clearer with a later release by The Foundations. The South African authorities didn't allow multi-racial groups to be seen.Record Mirror, 21 March 1970 – Page 11 Face Face Face Face Face Face Face

Critical reception The album was reviewed by Nick Logan in the 25 November issue of New Musical Express. Logan had joined Tony Macaulay and John Macleod for a pre-hear of the album that was to be released on the Friday that week. They listened to it on an old record player rather than the studio's record player so that they could gauge how it would sound to the average record buying customer. Logan said that the first three songs were of the discotheque feel and nothing like the weak copy of the soul sound that the Foundations' detractors would have people believe. All of the tracks were commented on. The songs "Show Me", a Joe Tex composition, "Jerking the Dog", a Rufus Thomas song and "A Whole New Thing", a song the band performed live were the songs with the discotheque feel. "Hold Me A Little While Longer" which used a double-tracked piano was composed by Barbara Ruskin. The song "I Can Take or Leave Your Loving" was mentioned as Tony Macaulay's favorite track.New Musical Express, No. 1089 Week ending' November 21, 1967 - Page 14 Filled with sweet soul – Nick Logan

The 2 December issue of Record Mirror was positive. The reviewer started off with saying how it can be a gamble in Britain to bring out an album on the strength of a single, even a number one. He said that the band's talent came over quite well and the album was a happy sound. He also said that for those who dug sax-based backings, plentiful organ and a similar tempo throughout, then they would like it.Record Mirror, No. 351 Week ending December 2nd, 1967 - new albums reviewed by Norman Joplin, The Foundations

A review in the 2 December issue of Disc and Music Echo said that the album was perfectly timed to cash in on the success of the single. The reviewer confirmed Chris Denning's statement that the band captured the Detroit sound.Disc and Music Echo, December 2, 1967 - Page 13 4-page LP Special to make it swing . . .

Released in the US as Baby, Now that I've Found You on Uni 73016, it had a brief review in the 10 February, 1968 issue of Record World. The reviewer said that the group first clicked in the US with "Baby, Now that I've Found You" and the re-did that ditty and added other popular and new tunes to the album. Songs mentioned were "I Can Take or Leave Your Loving", "Call Me" and "Show Me".Record World, Vol. 22. No. 1079 February 10, 1968 - Page 14 record world Album Reviews Baby, Now That I've Found You

The album was one of the Pop Picks in the 10 February issue of Cash Box. Mentioning "Baby, Now That I've Found You" as the song to spark the set, it was also said that the group would get a slice of the sales pie with this LP and it was well worth listening to. Good action was predicted for the album. Besides the hit song, two other tracks singled out for mention were "Mr. Personality Man and "I Can Take or Leave Your Loving".Cash Box, February 10, 1968 – Cash Box Album Reviews, Pop Picks, 'Baby, Now That I've Found You'—Foundations—UNI 3016/73016

The album was given 3½ stars by AllMusic.AllMusic - From the Foundations – The Foundations

Re-release The album was re-released on Culture Factory CFU01212 in October 2022 with the vinyl in an orange smoke design.Discogs - The Foundations – From The FoundationsGoldmine - The Foundations 'From the Foundations (Baby Now That I Found You)' LP (Orange Smoke Vinyl)

Track listing

Charts + Chart performance for From the Foundations Chart (1968) Peakposition

References

External links Discogs - The Foundations – From the Foundations