Nirvanna the Band the Show the Movie is a 2025 Canadian science fiction comedy film directed by Matt Johnson, from a script he wrote with Jay McCarrol. It is based on their 2007–2009 web series, Nirvana the Band the Show, and its 2017–2018 television adaptation, Nirvanna the Band the Show. As in the previous series, Johnson and McCarrol star as fictionalised versions of themselves in a musical duo called Nirvanna the Band as they attempt to book a gig at the Rivoli in Toronto. A new plan accidentally sends Matt and Jay back in time to 2008.
Development of a feature adaptation began as early as 2009. After the success of his 2023 film BlackBerry, Johnson secured financing for the project through Telefilm Canada. Shot over 200 days with a small crew, the film was produced in a guerrilla style similar to the television series, with many scenes filmed in public without permits and featuring improvised interactions with unsuspecting members of the public. Its plot was heavily inspired by Back to the Future (1985), which is also heavily referenced throughout the film.
Nirvanna the Band the Show the Movie premiered at the 2025 South by Southwest Film & TV Festival on March 9, 2025, before being theatrically released in Canada and the United States on February 13, 2026. It received critical acclaim, winning Best Motion Picture at the 14th Canadian Screen Awards. McCarrol and Johnson were also recognised for their performances, winning Best Lead Performance in a Comedy Film and Best Supporting Performance in a Comedy Film, respectively.
Plot In 2008, Toronto musicians Matt Johnson and Jay McCarrol form Nirvanna the Band in the hopes of playing a show at the Rivoli. Seventeen years later, they have still not secured a show, with their schemes repeatedly failing. Matt proposes a publicity stunt whereby they skydive off the CN Tower into the SkyDome during a Blue Jays game. They use pliers to cut through the wires of the tower’s tour, but their attempt fails when the SkyDome roof closes during their dive, deepening Jay's frustrations and disillusionment with Matt's schemes.
While Matt becomes convinced they can persuade the Rivoli by pretending to be time travelers, Jay secretly books an open mic slot in Ottawa. Matt modifies their RV with fake time travel equipment inspired by Back to the Future, but accidentally spills his last bottle of Orbitz on it. The next morning, Jay attempts to leave for Ottawa in the RV, learning too late Matt is still inside, and the two are unexpectedly transported to 2008.
Realizing that the Orbitz caused the time machine to work, they attempt to obtain another bottle from their younger selves' apartment. They narrowly avoid being discovered, and a positive interaction between the younger Jay and the older Matt makes the older Jay reconsider leaving the band. When he confesses to his plan to go solo, Matt, hurt, alters their younger selves' planning whiteboard to instruct them not to play the Rivoli. They return to 2025, where Jay has become a successful musician while Matt is a drummer in a Jay McCarrol cover band. Matt confronts Jay at a concert, but Jay denies having any knowledge of the time machine. Jay sneaks out and smashes the last bottle of Orbitz.
Without Matt, Jay finds celebrity life hollow and lonely. In an attempt to make friends with his new band, he accidentally shoots and kills one of them. Now a fugitive, Jay returns to Matt, still claiming to be the alternate version of himself. He offers to help repair the time machine, secretly intending only to use it to reverse the events of his murder.
Without Orbitz, Matt recalls that lightning struck the CN Tower the night their skydiving plan failed. They attempt to power the RV's time circuits using a cable stretched from the top of the CN Tower connected to a power box at an intersection. As the authorities pursue Jay, the cable disconnects from the tower, forcing Matt to reconnect it, but the cable is too short to connect to the power box on the street. As Matt tries to plug it back in, he sees the news that Jay has murdered someone. He completes the circuit with the plier using his body, sacrificing himself to power the time machine, which Jay witnesses.
Jay travels back to 2008 and alters Matt's whiteboard message to encourage their younger selves to play the Rivoli, repairing the timeline. In the present, Matt, with no memory of the other timeline's events, once again proposes the skydive. Jay suggests beginning the plan earlier to avoid complications.
Cast Most of the cast portray fictionalised versions of themselves:
Matt Johnson Jay McCarrol Jared Raab Ben Petrie Ethan Eng Michael Scott Reid Janisse
A number of real-world figures appear as themselves. Mitch DeRosier, Steve Hamelin, Luke Lalonde, and Maddy Wilde of the Born Ruffians portray Jay's alternate timeline band; they had previously portrayed Matt's band in the episode "The Battle of the Bands" of the original web series. Radio hosts Roz Weston and Mocha Frap interview Jay on The Roz & Mocha Show, while Anthony Fantano reviews Jay's album on his YouTube channel. The film also incorporates archival footage of James Corden, Ellen DeGeneres and Will Smith.
Production Development From 2007 to 2009, filmmakers Matt Johnson and Jay McCarrol co-wrote and independently produced the web series Nirvana the Band the Show, in which fictionalised versions of themselves go to extreme lengths to book their band a gig at the Rivoli in Toronto. Johnson and McCarrol began workshopping a feature adaptation as early as 2009, and Johnson pitched a feature film to Telefilm Canada as early as 2012. A television adaptation, Nirvanna the Band the Show, aired on Viceland for two seasons from 2017 to 2018. The third season was not released due to Viceland's discontinuation.
Johnson directed the 2023 film BlackBerry with the aim of securing the third season's release. When this did not eventuate, he pivoted to developing a Nirvanna the Band the Show feature film. BlackBerry's success helped the film secure funding from Telefilm, and in May 2023, it was reported that it would be his next project. Johnson wanted the film to be accessible to audiences who were unfamiliar with the series, and intends to release the third season of the television show after the film's release "if there's enough interest".
Johnson originally planned to film in the United Kingdom but production instead started in the United States. The original version, inspired by A Confederacy of Dunces, featured Matt and Jay in the RV on a road trip across the US meeting people from different cultures, which Johnson compared to The Trip (2010). One sequence filmed in New Orleans parodied The Talented Mr. Ripley. Upon reviewing the footage, Johnson and McCarrol realised that the storyline lacked the scope necessary for a feature film. McCarrol's pitch that the film should "parody the biggest movies of all time", and the existence of unused footage from the original web series featuring a younger Johnson and McCarrol, led to the development of a time travel storyline inspired by Back to the Future (1985). Nirvanna the Band the Show the Movie uses audiovisual material from Back to the Future without permission from its copyright holders, relying on the film's status as parody to provide "fair use" protection under United States copyright law.
Filming
Nirvanna the Band the Show the Movie was shot over 200 days, with a crew of between four and eight people. As with the television series, exterior scenes were often shot in public without permits and involved unsuspecting members of the public, in the style of a hidden camera show. The storyline was developed during filming based on these encounters. Johnson and McCarrol's dialogue was often improvised. Most of the film was shot with the Sony PXW-Z280, though the 2008 sequences were shot on the HVX and Panasonic AG-DVX100A. The opening credits sequence was shot on 16 mm film.
The scenes involving the CN Tower were filmed without permits. As early as February 2017, Johnson and McCarrol discussed a potential episode of the television series in which Matt and Jay would fake a terrorist attack on top of the CN Tower. They expected the security staff to refuse them access, and had already shot an alternate scene in which, rather than skydiving, Jay trespasses into the SkyDome dressed as the Blue Jays mascot. McCarrol was arrested whilst filming the mascot sequence. Part of the scene on the CN Tower's ledge was shot by a GoPro on the helmet of an oblivious tour guide. Johnson said: "We're getting this guy to look and move exactly where we need him to in order to create the beats of that sequence without him even realizing he's doing it, with the real crazy trick being that we leave with the footage." According to Johnson, "what you're seeing is literally what's happening, apart from us at the very last second jumping off the tower". A replica of the tower's tip was built for the later scenes showing Matt reeling down the cable. Capturing drone footage of Toronto from the height of the tower's tip was complicated due to regulations which restrict how high drones can fly in the Greater Toronto Area. As a result, the production's drone operator reprogrammed the drone to recognise the top of a tall building as ground level in order to capture the footage.
In May 2024, amid the escalating Drake–Kendrick Lamar feud, a shooting took place at the Bridle Path mansion of musician Drake. The film crew were recording a scene with presenters Roz Weston and Mocha Frap, but upon hearing news of the shooting, the crew went to the scene and captured footage of McCarrol running away from the residence amid the police investigation. News coverage of the event was also used in the film; a police officer's statement was recontextualised as a statement about Jay's shooting.
Jay's live performance of "Never Come Down" was filmed at a concert at the Budweiser Stage by Canadian band Arkells. Through a favour to cinematographer Jared Raab—who had shot some of Arkells's music videos—the band allowed McCarrol to perform on stage for a few minutes.
The scene in which Matt parachutes onto the streetcar was filmed on the same day as a Taylor Swift Eras Tour concert in November 2024. Johnson said: "Planning it the same day as a Taylor Swift concert in Toronto means that there's so much chaos in the city that whatever we're doing is not going to compare." The scene in which Matt and Jay watch The Hangover was filmed at the Paradise Theatre, with Nirvanna the Band the Show fans as extras. The production attempted to have the RV towed as part of the plot by leaving it parked on a street during rush hour, but the attempt failed because Toronto authorities did not have a tow truck large enough.
The sequences featuring the 2008 versions of Matt and Jay incorporate unused footage from the web series, and were written by editors Curt Lobb and Robert Upchurch after reviewing hundreds of hours of raw footage. The 2008 apartment was recreated on a soundstage by the production design team purely using footage from the web series as reference.
Music
As with all of Matt Johnson's previous films, the score is composed by Jay McCarrol. Johnson originally wanted to use the Back to the Future score without paying royalties via fair use law, but lawyers informed him this would not be possible.