Lyn Kidd (born 1952) is an Australian teacher of acting, voice and character technique. Author of The Jungle of Sounds, Kidd is also the founder and principal of The Actors Workshop, Brisbane Australia. " Lyn Kidd, jedna od najboljih profesorica glume i dikcije u Australiji. (Lyn Kidd, one of Australia's best acting and voice teachers)."The jungle of sounds / a journey through the magic of language / Rowena Balos and Lyn Kidd, National Library of Australia. "Kidd, principal and founder of The Actors Workshop in Brisbane." "Brisbane-based acting teacher Lyn Kidd, who with partner Michael Caton - of The Sullivans fame - is helping local performers take a big bite out of south-east Queensland's plumping acting pie."Michael Caton: "So finally, happy 20th anniversary, for The Actors Workshop, and good on you Lyn, you always said, "This is what you wanted to do." And you did it mate. You did it. And you did it so well." "Rob Doran trained with Australian master teacher Lyn Kidd from 1994 to 1996 to teach and direct her acting technique, the Psychology of Character."
Early life
Lyn Kidd is from Gladstone. "Originally from Gladstone, [Lyn Kidd] from Brisbane's 'The Acting Workshop' will return home bringing 20 years of experience with her."
Education
Lyn spent her early adult years in Sydney, Australia where she studied Speech and Drama from 1975 to 1980 with Dorothy Goldie "Acknowledgements: Dorothy Goldie." at Bellevue Hill, New South Wales. Lyn completed the requirements for an Associate Diploma of Speech and Drama through the Australian Music Examinations Board. "Lyn first trained as an A.M.E.B. Speech and Drama teacher." She began delivering workshops for children at various schools around Sydney. "Kidd's connection with the enthusiastic students isn't surprising, considering her life was changed by an intense desire to educate herself. She has always been a gifted teacher, having worked originally with the Australian Musical Education Board in Sydney. "After a few years of this I wanted more," she says."
Lyn witnessed Stella Adler at the Bondi Pavilion Theatre during her 1976 workshop in Sydney organised by the Peter Summerton Foundation. "The Peter Summerton Foundation announced plans recently to bring teacher Stella Adler back to Australia in June to give a series of professional classes to actors. Miss Adler visited Australia in 1974 and ever since members of the profession have been demanding more stimulation from this dynamic American. The classes will be held over 6 weeks in June/July. Scene classes (limit 30) will cost $150 for the course, technique classes (limit 30) $100. Apply immediately." After the completion of her Speech and Drama qualification she sought out teachers who taught the Stella Adler technique, itself an interpretation of Stanislavski's System. "It was the late 1970s and a chance discovery of a workshop with American acting teacher Stella Adler sent her in search of similar teachers in Australia."
In 1980 Cleo magazine's fashion editor Rosena O'Casey Ita Buttrose (Chair of the Australian Broadcasting Corporation): "We met in the '70s. She launched her first boutique around the same time we launched Cleo magazine. I remember my fashion editor, Rosina O'Casey, coming in, saying, 'I've found a new designer, she's fabulous, her name is Carla Zampatti.' And we all loved it from the beginning." and assistant Deborah Franco "Deborah Franco ... Currency Press is Australia's foremost publisher of the performing arts and its oldest active independent publisher" informed Kidd about Jone Winchester (also known as Joan Winchester) "Winchester speaks of her association with the Peter Summerton Foundation; about her early interest in the theatre and her admission to the Metropolitan Theatre classes; the various stage roles she has played." and Brian Syron running masterclasses in Stella Adler technique. Thus, Kidd studied under the tutelage of Jone Winchester and Brian Syron at The Actors Masterclass, Edgecliff, Sydney. "[in search of similar teachers in Australia]... She found Jone Winchester and Brian Syron. It was Winchester, however, who instilled in Kidd a sense of artistic morals." She then continued for a further two years at the Spare Parts Studio privately with Jone Winchester. "The Group, Spare Parts Theatre, was originally formed as Sparta Parts Studio to hone and maintain their acting skills under the tuition of Jone Winchester." "A straight-talking single mother, who worked in a Kings Cross, Sydney, bar as a waitress to support her drama studies." "Michael Caton: "And I don't know if you realise how really well qualified Lyn really is? She studied the Stella Adler method both here and overseas and is incredibly well qualified. She hides all this under a camouflage of Aussie-ness."" "While Kidd has trained in the techniques of legendary teaching doyenne Stella Adler and Stanislavsky, young students such as Luisa Sanzone say just as important is the sense of self-confidence Kidd instils. "Having someone that believes in you and criticises you only in a way so that you will make the most of yourself makes a big difference," Stanton says."
Jone Winchester as president and founding member of the Peter Summerton Foundation " "... if we could only get a Zeffirelli or a Peter Brook out here - even for two or three, or better still, for four weeks - it would do more good than twenty Australians going overseas for a year a piece..." - Peter Summerton... When Peter Summerton died suddenly while adjudicating a drama festival in Queensland, while still in his forties, it was a great shock to the Australian theatre. Known and loved throughout the profession, Peter Summerton had built for himself over the previous years the reputation of being one of Australia's leading directors...After his death, several members of the profession met together to form a committee aiming to carry on Peter's inspiration and dedication. The Peter Summerton Foundation is dedicated specifically to fulfilling a dream of Peter's — to help stem the drain overseas of Australia's theatrical talent by bringing overseas teachers and directors to Australia for master classes and workshops." "The Peter Summerton Foundation has been going for seven years now; it was formed by a group of Peter's friends when he died. He was a director, and so our primary aim is to help directors, and as many directors as possible. There was a lot of discussion about the best way to do this. We thought of overseas scholarships, but in fact we have a tape of Peter saying that can only help one person, who might not come back anyway, while bringing someone in can affect far more people. The original plan was to have a directors' workshop once every two years, but it's turned out to be more: William Ball in 1971; Stella Adler in 1973; Bill Gaskell in 1975; and Michael Blakemore in 1976. "I think this year Alan Schneider has a very special contribution to make because he is a teacher — a lecturer — as well as a director. Michael Blakemore was very reluctant to teach. Alan is doing 10 short Beckett scenes — one entirely mimed — and he is a Beckett expert....The Tote has very kindly helped us to pay for the workshop by giving us a preview night of Big Toys where the actors and everyone involved have donated their services, for which we sell tickets. The Australia Council and the Wran Government have supported us minimally." Time stamp, Tape Reel One: 00.00.00 - 00.13min14sec, Joan Winchester: "At present, I am the president and the founder of the Peter Summerton foundation. This is a foundation to help and promote the cultural growth as far as directors are concerned in Australia. And it's in memory of one of my greatest and dearest friends, Peter Summerton, who was one of our bright young directors here and died some three and a half, four years ago at the age of forty. We got together some of the artists, writers directors, of Sydney who felt sad about Peter dying and we formed a living memory to him, and we hoped to perpetuate his memory in this way,... it was one of his desires to have workshops like this in Australia by, some of the greatest overseas, to help stimulate the young people who are going into theatre on the direction side. And so we decided to have his wish become or dream become an actuality." recommended to the board that Lyn Kidd be awarded scholarships in 1982 and 1983 as assistant to international master teacher and director Yevgeny Lanskoy. "THE Russian director, Yevgeny Lanskoy, will be arriving in Sydney this Saturday to hold two months of master workshops in acting, writing and directing for theatre and film. He is being brought to Australia by the Peter Summerton Foundation, which has previously introduced such distinguished people as Michael Blakemore. Stella Adler and Alan Schnieder. Yevgeny Lanskoy' visit will have the added interest of some rare contact between the Australian and Russian theatres. Although he has been in America for the past two and a half years, he has had 12 years of professional experience as actor, director, writer and teacher in the Soviet Union. He is a Stanislavsky expert and has worked at the famous Moscow Art Theatre, home of such talents as Stanislavsky himself, Chekhov and Meyerhold." "Invited to return to NIDA as a Guest Director, Egil was inspired to pass on his knowledge within an education setting. 'In some ways, there was a tacit understanding in the profession at that time that you couldn't really "teach" directing,' he said. 'My only key to acquiring a directing process at theatre school had been a two-week course led by visiting Russian actor and director, Yevgeny Lanskoy from the Maly theatre in Moscow. He brought with him an orthodox and Soviet view of Stanislavski's system.'" "Following the tremendous response to the master workshops conducted by New York director Yevgeny Lanskoy in Sydney last year, the PETER SUMMERTON FOUNDATION has invited this distinguished Russian-born director back to Australia for another series of his popular workshops aimed at theatre professionals. The Foundation is calling for applications for the five week workshops which will be held in Sydney from June 6 and July 8. Enquiries on 321 5689. Cost of the workshops is $100. " "Acknowledgements: Peter Summerton Foundation."
In 1984, Lyn was again awarded the Peter Summerton Foundation Scholarship to be assistant to master voice teacher Rowena Balos. "Lyn was twice the recipient of the prestigious Peter Summerton Foundation Scholarship studying Acting, Direction, Script Analysis and Voice Production with internationally recognised Master Teachers, Rowena Balos and Yevgeny Lanskoy.." "Assisting American master teacher Rowena Balos, who has tutored at NIDA and leading Australian theatre companies, for six months in Los Angeles in 1991, Kidd observed that it wasn't just young hopefuls getting coaching. "She works out with well-known actors all the time. They don't just get there and forget about it, because then they have to be able to sustain what they've created." Balos' students have included Judy Davis, Joanne Woodward, Heather Locklear, Paul Reiser and Robyn Archer." "Kidd has also honed her voice teaching skills by working with acclaimed American teacher Rowena Balos." In 1985, Lyn was awarded the Publishing and Broadcasting Film Company Ltd (PBL) scholarship to study film and television technique in Sydney with American teachers/actors Rae Allen and Bibi Besch.
The Jungle of Sounds
Kidd commenced to write an educational book for children shaped by her experience with dyslexia. Her idea was to incorporate Australian animal vocalisations for the pronunciation of each consonant sound. The research of bird sounds was conducted between 1988 and 1990 at Natural Bridge in the Numinbah Valley with the assistance and guidance of Peter Lehmann, ranger at the National Parks and Wildlife Services Queensland.