The Rue du Faubourg-PoissonnièreNomenclature des voies marks the boundary between the 9th and 10th arrondissements of Paris, the main thoroughfare of the old Faubourg Poissonnière district.
Location and access
Origin of the name The Rue du Faubourg-Poissonnière owes its name to the fact that it crossed the hamlet located outside the Porte de la Poissonnerie of the surrounding wall drawn in the alignment of the Rue des Poissonniers to the north and the Rue Poissonnière to the south, it formed part of the Chemin des Poissonniers. The faubourg was originally a district "fors le bourg" (from the old French fors, derived from the Latin foris meaning "outside" and from borc meaning "burg" or "town", which became forsborc around 1200, and forbours around 1260).Alain Rey, Dictionnaire historique de la langue française, Le Robert, 2006
History In the 17th century, the street which appears on the old plans bore the name of "Chaussée de la Nouvelle-France" because it led to the hamlet of Nouvelle-France founded in 1642 on an old vineyard.
It ran along, in its southern part of the boulevard to the large sewer (location since its covering in 1760 of the Rue des Petites-Écuries), the seam of the Filles-Dieu, which extended to the east to the Rue du Faubourg-Saint-Denis, and, to the north of the Rue de Paradis, the Saint-Lazare enclosure, which also extended to the east to the faubourg Saint-Laurent.
In 1660, it took the name "Rue Sainte-Anne", because of a chapel that had been built there at no. 77 to serve the district of Nouvelle-France.Dictionnaire administratif et historique des rues de Paris et de ses monuments The street took the name "Faubourg-Poissonnière" around 1750.Jacques Hillairet, Évocation du vieux Paris, t. 2 Les faubourgs, Paris, 1953, p. 622
From 1770, Claude-Martin Goupy speculated in the Faubourg Poissonnière on land sold by the community of Filles-Dieu, of which he was the entrepreneur, playing a key role in the urbanization of the district.Pascal Etienne, Le Faubourg Poissonnière. Architecture, élégance et décor, Paris, Délégation à l'Action artistique de la Ville de Paris , 1986, 312 p., p. 92-108
On August 11, 1792, it was near the Poissonnière barrier, in a vast trench dug for this purpose, that 400 to 500 corpses of Swiss Guards killed in the stairs, courtyards and Tuileries garden were thrown haphazardly.Girault de Saint-Fargeau, Les quarante-huit quartiers de Paris (in French), Paris, E. Blanchard, 1850, 3e éd., 612 p.
On June 23, 1848, during the Trois Glorieuses, the Poissonnière barrier was the scene of fierce fighting between the insurgents, barricaded in the buildings, and the government troops.
On March 8, 1918, during World War I, a bomb thrown from a German plane exploded at no. 66 rue du Faubourg-Poissonnière. On April 1, 1918, a shell launched by the Paris Gun exploded at no. 54 rue du Faubourg-Poissonnière.
Remarkable buildings and places of memory
No. 2: Lycée Edgar-Poe. No. 3: location, in the second half of the 19th century, of the Bains du Gymnase, the first Parisian public bath establishment to have been raided by the morality police. The trial of the homosexuals who were arrested there took place in June 1876 (Affaire des Bains du GymnasePerverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle) before the Paris Criminal Court. No. 4: the vaudevillist Nicolas Brazier lived there in 1831. No. 5: house where Colonel La Bédoyère was arrested in 1815, at Madame de Fontry's. This number was then occupied by the newspaper Le Matin. No. 9: Jean-Baptiste Buffault lived there. At no. 10 was the Alcazar café-concert opened in 1858 and replaced in 1899 by a four-storey commercial building designed by the architects Auguste and Gustave Perret, the first office building built in France. At no. 13 was the Hôtel de Sénac de Meilhan. At no. 15 was the former Hôtel des Menus-Plaisirs du Roi, where his administration was based, in a vast building that stretched from the Rue Bergère to the Rue Richer today. During the Revolution, the revolutionary section of Faubourg-Montmartre met there. This is where the Convention set up the Music Conservatory in 1795. Nos. 15-17: Bergère telephone exchange, also called “Provence”, built in 1911-1914 by the architect François Le Cœur.Central téléphonique «Provence» No. 25 was inhabited by Luigi Cherubini during the last years of his life. At no. 26 was the Hôtel de Cypierre, since destroyed, built by the architect Jean-Benoît-Vincent Barré for Jean-François Perrin de Cypierre. Classified as a historic monument, no. 30, Hôtel Benoît de Sainte-Paulle, also known as "Hôtel Chéret", "Hôtel Akermann" and "Hôtel Ney",Hôtel Chéret ou Akermann built by Nicolas Lenoir in 1773 for François Benoît de Sainte-Paulle, on land acquired in 1172 by Claude-Martin Goupy, architect and speculator behind the creation of the district. The two courtyard wings were built in 1778 by Antoine-François Peyre. From 1779 to 1795, this hotel was the property of Marie-Louise O'Murphy, wife of François Nicolas Le Normand de Flaghac. Under the Empire, it belonged to Marshal Ney. In 1942, the design office of the Société anonyme des factories Farman was housed there, which employed the future General Jacques Collombet there that year, as an engineer. The hotel is now occupied by social housing managed by the property management of the city of Paris.Ravalement des façades sur cours et reprise des pans de bois 30-32, rue du Fbg-Poissonnière (10e)
No. 32: entrance to a coach passage leading to a dead end. This set, or city, comes from the subdivision made by the marble sculptor Leprince (apparently François-Robert, from a dynasty of marble workers and wives of marble workers, including François Leprince, marble worker of the king who died in 1746, already installed in the Notre-Dame-de-Bonne-Nouvelle district). The land had been acquired by Claude-Martin Goupy in 1771 by emphyteutic lease from the convent of the Filles-Dieu. In 1772, Goupy ceded his rights to these lands to Leprince, who had buildings built between 1773 and 1776, probably by his brother, on the site of the gardens and the few farmhouses that already existed. The marble worker established his accommodation and probably his workshops on the spot, without it being possible to say whether he was staying on the street, or in one of the two hotels located in the impasse. The building on the street (no. 32bis) was joined to no. 34 during the 19th century to form a large apartment building after complete recovery of the wings of the building at the back of the courtyard. This building was completely separated from the rest of the housing estate, apparently from the end of the 18th century. It is probably Leprince who is the author of the models of the stuccoed panels with antique motifs visible on the street facade of 32bis, and of which we can see occurrences on various Parisian buildings of the same period. He also probably created the stucco decorations of the same type preserved in the reception rooms of one of the hotels in the passage; The first hotel in the passage (no. 32A) is in a "U" shape, backing onto a courtyard, without a garden. It was modified in the middle of the 19th century and then raised by one floor at the beginning of the 21st century, following the style adopted for the lower floors; The back of the Leprince housing estate is occupied by a second hotel accessible under a porch (no. 32, building 1), organized around a courtyard. Oral tradition indicates that the Folies Bergère feather workshop occupied the 1st floor of the hotel during the 20th century. Its outbuildings consisted of a set of wings flat against the northern adjoining areas, up to the Rue d'Hauteville (building 4 is a remnant of this). These wings housed accommodation and possibly workshops. Before the end of the 18th century, the half facing the Rue d'Hauteville was separated by building a transverse wing (building 3), thus closing off a second courtyard. Under the Empire (around 1810), the garden of this hotel was replaced by an immovable (building) along the passage, in order to extend the spaces of the initial hotel. This building was separated from Building 1 around 1830 and converted into an independent apartment building, still in the neoclassical style. To replace the wing overlooking the garden, an industrial building (building 5) was built around 1900, between the adjoining building and building 2. The interior of this building was completely transformed in the 1980s and then in 2012-2013. The Cité Leprince is a good example of historical stratification within the framework of the progressive subdivision of the Faubourg Poissonnière between 1770 and 1900.Pascal Etienne, Le Faubourg Poissonnière. Architecture, élégance et décor, Paris, Délégation à l'Action artistique de la Ville de Paris, 1986, 312 p., p. 30-32
No. 34 : plaque in memory of the poet Sully Prudhomme born in this house on March 16, 1839. No. 36 : building facade. No. 50: Hotel Cardon built around 1773-1774 by Claude-Martin Goupy for the sculptor and director of the Académie de Saint-Luc, Nicolas-Vincent Cardon. No. 52: hotel built around 1775 by Claude-Martin Goupy for the painter-decorator Pierre-Hyacinthe Deleuze, of the Academy of Saint-Luc. No. 52: Julie Candeille lived there in 1834. No. 56: plaque in memory of the painter Camille Corot, who died on February 22, 1875, in this house. Here lived in 1833 the painter Alexandre-Charles Sauvageot (1781-1860), who was represented in the dining room of his apartment, in the middle of his collections by his friend Louis-Pierre Henriquel-Dupont, a drawing in 1833 and an engraving of 1852. A painting of the same was also painted by the painter Arthur Henry Roberts in 1857. No. 57: location of the former Opéra décor store which was destroyed by fire in 1894. The store occupied the site of the former Menus-Plaisirs du Roi stores. At this location, the Rue Ambroise-Thomas was opened in 1897. No. 58: former Hôtel Titon built by Jean-Charles Delafosse around 1776.Maison, ancien hôtel Titon
No. 64 (corner of the Rue de Paradis): location of the Porte Sainte-Anne, built in 1645 and destroyed around 1715. The granting barrier at this location is shown on Turgot's plan. It was replaced around 1788 by the Poissonnière barrier on the Wall of the Ferme générale. Nos. 66-68: Gustave Prioré publishing house, musical editions (circa 1850). Gustave Prioré is also a composer. Nos. 69-71 (corner of the Rue Bleue): then the Rue Sainte-Anne, site of the dwelling of the Sanson family, executors of high works of justice. The garden extended beyond the current Rue Bleue.Pascal Etienne, Le Faubourg Poissonnière. Architecture, élégance et décor, Paris, Délégation à l'Action artistique de la Ville de Paris , 1986, 312 p., p. 62-66 After the death of Charles-Henri Samson in 1778, his heirs sold the complex to the architect Nicolas Lenoir who subdivided the land with the opening in 1780 of the Rue Papillon and Rue Riboutté and the widening of the Rue Bleue (then the Rue d'Enfer). No. 72: stay from 1841 to 1846 of Henri Heine (1797-1856). Large plate.