Yvonne Madeleine Adair (18 March 1897 – 17 December 1989) was a British pianist, teacher and composer whose educational compositions still regularly appear in the graded pieces of music college examination boards.Melanie Spanswick. 'The Female Canon: Educational Works by Women', in Music Teacher, November 2019 Some pieces were published under the pen name Ella Fairall.Gerald Leach. British Composer Profiles, 3rd Edition (2021), p. 1
Life Adair was born in Guernsey.Internet sources claiming she was American are confusing her with the actress and singer Yvonne Adair (?1922 - ?2001) Her father was the Wesleyan minister Philip George Adair, and from 1901 she grew up with her family at 2 Vauxhall Street, St Helier, Jersey. She was educated at Kent College, Folkestone'Kent College', in Folkestone, Hythe, Sandgate & Cheriton Herald, 19 July 1913, p.8 and trained at the Royal Academy of Music, where she was a bronze and silver medallist. She taught with the Training School for Music Teachers in London, and privately, specialising in rhythmic and aural training for children. During the war (1916–18) she served in the War Office Intelligence Department.Landon Ronald (ed.): Who's Who in Music (1935), p.16 From 1945 she was a music teacher at Sheen Gate House Preparatory School.Who's Who in Music, Fifth Edition (1969), p.1
Her work includes original vocal, piano and percussion pieces and arrangements for individual learners and ensembles of young players, such as the collections Sketches from Hans Christian AndersenOxford University Press keyboard archive and Little Dog Tales.The Piano Studio: RCM Preparatory A Between the 1930s and the 1950s Adair published a series of what Christopher Scobie calls "rhythmic, didactic games", an example being 'The Zoo', using "rhythmic durations to represent the footsteps of different animals: crotchets for prowling tigers, quavers for trotting dogs, semiquavers for scurrying mice, and minims for the plodding bears".'Ephemeral Music: The 'Secondary Music' Collection at the British Library', in Fontes Artis Musicae, Vol. 63, No. 1 (January–March 2016), p. 30
She also wrote books on music teaching, including The Percussion Band: A Guide for Teachers (1933), Music Through the Percussion Band (1952, accompanied by a set of four EP records issued by EMI), and contributions to Musical Education: A Symposium (1946, ed. Watkins Shaw).Adair reviewed Shaw's later book, Music in the Primary School in Tempo, No. 23 (Spring, 1952), pp. 38–40
In the 1930s Adair was living at 117 Westbourne Terrace, London W2. By 1950 she was living at 15, Springfield Road, Wimbledon.L.G. Pine. Who's Who in Music (1950), p. 1 Her address was 14 Madeira Park, Tunbridge Wells in 1969, where she died in 1989 at the Halliwell Nursing Home.
Selected works Andante and Vivace for percussion band and voices La Bourbonnaise. Couperin, arranged for piano solo and percussion band (as Ella Fairall, Chappell 1930) Ducks and Drakes: Fifteen Pieces for Percussion Band (Boosey & Hawkes, 1942) Empire suite, for voices, piano and percussion band (Hawkes, 1937) Folk Tunes From all Nations series The Golden Isle, (six descriptive pieces for piano, grade 2–3) Handelesques for piano Jingle Songs for Percussion Band A Little Anthology of Folk Tunes arranged for percussion band (Boosey & Hawkes, 1950) A Little Concerto for piano, percussion and voices (1958) Little Dog Tales Mr Pumphrey: his mood and fancies, Air and 12 variations for percussion band (1935) Percussion Band Reading series Pussy Velvet: Fifteen pieces for percussion band and piano (1958) The Rhythmic Band series Ring-a-DingL Sings with Tuned Percussion, Books 1 and 2 (Novello) Six Ecossaises''', by Beethoven, arranged for percussion band (Hawkes, 1934) Sketches from Hans Christian Anderson, piano suite (OUP, 1967) Three Preludes for the Left Hand, (Joseph Williams Ltd, 1930) Three Stories for or Interpretation through Rhythmic Movement (Winthrop Rogers, 1933) Tunes for Children, sets 1-4 (issued with HMV record series Tunes for Children'', arranged by Roger Fiske)
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