Kopernikus (sub. Rituel de mort; translated as Ritual of Death) is a 1979 opera in two acts by Canadian composer Claude Vivier, inspired by the astronomer of the same name. It is the only opera of three that Vivier completed prior to his death in 1983. A typical performance lasts around seventy minutes.
History The opera was completed on 14 May 1979, and first premiered only in its musical form on 8 May 1980 at the Théâtre du Monument National in Montréal, under the conductor Lorraine Vaillancourt. Vivier dedicated the piece to his "maître and friend" Gilles Tremblay, whom he had studied composition with for four years.
Composition
Analysis The libretto of Kopernikus, written entirely by Vivier, is composed of sections in German, French, and Vivier's langue inventées — an example of his preoccupation with linguistics and musical multilingualism.
Program notes
The notes given by Vivier in the finished manuscript, with English translation below: Le personnage central est Agni; autour d’elle gravitent des êtres mythiques (représentés par les six autres chanteurs) tirés de l'histoire: Lewis Carroll, Merlin, une sorcière, la Reine de la nuit, un aveugle prophète, un vieux moine, Tristan et Isolde, Mozart, le Maître des eaux, Copernic et sa mère. Ces personnages sont peut-être les rêves d'Agni qui l'accompagnent dans son initiation et finalement dans sa dématérialisation.The main character is Agni; mystical beings borrowed from stories (represented by the other six singers) gravitate around her: Lewis Carroll, Merlin, a witch, the Queen of the Night, a blind prophet, an old monk, Tristan and Isolde, Mozart, the Master of the Waters, Copernicus and his mother. These characters could be Agni's dreams that follow her during her initiation and finally into her dematerialization.
Instrumentation The opera is in a smaller scale compared to other classical operas. It is scored for seven vocalists who double as percussionists (similar to the chamber compositions of George Crumb), and pre-recorded tape.
Percussion Balinese gong 3 Japanese gongs Large tam-tam Tubular bells Bass drum Magnetic tape Crotales Antique cymbals Glockenspiel Tape Voice 2 Sopranos Mezzosoprano Contralto Tenor Baritone Bass
Synopsis and structure Scene English translation Act One Prélude Prelude La Salution The Greeting L'agrégation d'Agni The Union of Agni La Quête The Collection Les Visions The Visions La Proclamation de la prière The Call to Prayer Discours du sage et préparation à la méditation Speech of the Sage and Preparation for Meditation La Solitude d'Agni The Solitude of Agni La Meditation The Meditation Act Two Préparation et l'Ultime èpreuve Preparation and the Final Proof La Grande Transe de initiés The Great Trance of the Initiates Le Duo d'amour The Love Duet La Purification The Purification L'Ultime Épreuve The Final Proof Les Étoiles The Stars La Sortie : vers la démáterialisation The Departure: to Dematerialization References Citations
Sources
Further reading
Bisson, Sophie (2019). "Claude Vivier’s Kopernikus: An Extramusical Postmortem". The WholeNote. Retrieved 2 August 2022. Bonfield, Stephan (2017). "Review: Vivier's Kopernikus at Banff Centre the ideal opera of the future". Calgary Herald. Retrieved 25 July 2022. Bratishenko, Lev (2017). "SCRUTINY | Kopernikus Heralds Opera In The 21st Century" Ludwig Van Toronto. Retrieved 6 August 2022.
Potvin, Gilles (1980). "Kopernikus: un coup d’audace de Claude Vivier." Le Devoir. Simeonov, Jenna (2019). "Against the Grain Theatre’s production of Kopernikus is a true operatic ritual". The Globe and Mail. Retrieved 6 August 2022.