"Pop!" is a song recorded by South Korean singer Nayeon for her debut extended play, Im Nayeon. It was released as the EP's lead single on June 24, 2022, through JYP and Republic Records. It is a bubblegum song that features bright beats. It is characterized by live instruments, winding high notes, and a variety of ad libs, with lyrics revolving around a protagonist who sings about her ability to capture her lover's heart in line with "popping a lover's heart like a bubble."

"Pop!" received favorable reviews from music critics, who complimented its catchy production and lyrics. Commercially, it peaked at number two on the Circle Digital Chart for multiple weeks as well as peaking in the top ten in Japan, Malaysia, Philippines, Singapore, and Taiwan. In addition, it was certified platinum by the Recording Industry Association of Japan after surpassing 100 million streams in the country.

Background and release On May 18, 2022, Republic Records announced that Nayeon would be releasing her debut solo EP on June 24, 2022. On May 31, JYP Entertainment released the EP's tracklist, with "Pop!" as the title track. They also released a short snippet of the song. On June 21, the music video teaser was officially released through JYP Entertainment's YouTube channel. On June 24, the song was finally released through all digital platforms. On June 25, 2022, Nayeon performed the song on MTV's Fresh Out Live Show to promote it. This was followed by two performances on Music Bank and one performance on Inkigayo.

Composition "Pop!" was described as a song that "conjures classic Twice, from the fun bubblegum beat to the addictive melody and cute lyrics". It is a bubblegum song that takes inspiration from the sounds of second-generation bubblegum K-pop. It is characterized by bright beats, live instruments such as bass, guitar, electronic handclaps, drums and horn, winding high notes, and a variety of ad libs. Its lyrics revolve around "a bold declaration of confidence." Where the protagonist sings about her ability to capture her lover's heart with ease. The lyrics "explored the flirtatious and accrescent sentiments of romance using onomatopoeia to portray popping a lover's heart like a bubble." In terms of musical notation, the song was written in the key of D major with a tempo of 97 beats per minute.

Critical reception Teen Vogues Lai Frances wrote “Pop!” pays homage to the grandiose sounds and production that embody what K-pop is known for: luxurious music video sets, designer outfits, and a plethora of instruments on top of a catchy hook that revives sounds from second generation K-pop, an era of which she's a fan. She's inspired by Twice as she turns herself into a leader, main vocal, main dancer, energy pill, and center visual all in one. With the spotlight already on her side, she's managed to utilize it as a way to talk casually and let herself be honest about her growth and creativity in music."

Beats Per Minute's JT Early praised the song's catchy energy and its usage of retro and modern sounds, writing "She sings about her ability to captivate and it's hard to disagree as the song maintains a fun and relentlessly catchy energy (the recurrent “pop pop pop”s in particular seem designed to take residence in the brain for days after hearing them). The song effectively mixes the retro and the modern where Nayeon sounds entirely at ease. An anthem for being extroverted and having faith in your own capabilities is a welcome change of pace in the pop landscape."

NME's Rhian Daly described the song as the best track on the album writing, "First, opening the whole show is the title track ‘Pop’ – a confident and assured piece of pop that's bubblegum bright and just as addictive as blowing bubbles til they burst. Nayeon sounds nothing short of spectacular on the summer-ready single, sunnily warning: “You cannot get away from me / The twitch in your eyes / Your nervous gestures, baby / I want to pop you." + "Pop!" on critic lists Critic/Publication List Rank Dazed The Best K-pop Tracks of 2022 8 Mashable 14 Of The Best, Most Influential K-Pop Performances Of 2022 — NME The 25 best K-pop songs of 2022 22 Rolling Stone The Top 100 Best Songs of 2022 86 South China Morning Post 15 Best K-pop Songs of 2022 9 Teen Vogue The 79 Best K-Pop Songs of 2022 — 21 Best K-Pop Music Videos of 2022 —

Accolades +Awards and nominations Award ceremony Year Category Result Circle Chart Music Awards 2023 Artist of the Year – Global Digital Music (June) Golden Disc Awards 2023 Best Digital Song (Bonsang) MAMA Awards 2022 Best Dance Performance Solo Song of the Year

+ Music program awards for "Pop!" Program Date Inkigayo M Countdown Show! Music Core

Credits and personnel Credits adopted from Melon.Studio JYPE Studios – recording Chapel Swing Studios – mixing Sound 360 – mixing & mastering 821 Sound Mastering – masteringSong' Nayeon – vocals Sophia Pae – background vocals Isran – lyricist Kenzie — composition Hayden Chapman — composition Greg Bonnick — composition Ellen Berg — composition LDN Noise — arrangement, all instruments Jane Kim – musician Sim Eunji — vocal arrangement, audio engineer Hyejin Koo – recording Tony Maserati – mixing David K – mixing Younghyun – mixing Haneul Lee – Immersive mixing engineer Choi Jung-Hoon – Immersive mixing engineer

Charts

Weekly charts + Weekly chart performance for "Pop!" Chart (2022) Peakposition Global 200 (Billboard) 30 Hong Kong (Billboard) 16 Japan (Japan Hot 100) 5 Japan Combined Singles (Oricon) 6 Malaysia (Billboard) 9 New Zealand Hot Singles (RMNZ) 17 Philippines (Billboard) 6 Singapore (RIAS) 7 South Korea (Circle) 2 Taiwan (Billboard) 4 US World Digital Song Sales (Billboard) 7 Vietnam (Vietnam Hot 100) 19

Monthly charts + Monthly chart performance for "Pop!" Chart (2022) Position South Korea (Circle) 4

Year-end charts + Year-end chart performance for "Pop!" Chart (2022) Position Global Excl. US (Billboard) 172 Japan (Japan Hot 100) 76 South Korea (Circle) 46

Certifications

See also List of Inkigayo Chart winners (2022) List of M Countdown Chart winners (2022) List of Show! Music Core Chart winners (2022)

References