Maryhill Burgh Halls is a local heritage site located in the Maryhill area of Glasgow, a few miles North-West of Glasgow city centre. Maryhill Burgh Halls was initially opened in 1878 as a municipal building complex, which served as a police station and fire station until the 1970s. The complex fell into disuse and disrepair especially towards the late 20th century, and plans for its demolishment were proposed. However, as a result of local campaigning, the decision was taken to restore the complex and for it to be used as a community resource. Repairs, selective demolition, restoration, and development work took place between 2008 and 2011. The halls re-opened in April 2012.
Maryhill Burgh Halls is run by the Maryhill Burgh Halls Trust. The Maryhill Burgh Halls Trust was established in 2004 and is community led. Volunteers form a major and vital component of the Maryhill Burgh Halls Trust. Volunteers carry out a variety a roles within the Trust including the day to day running of the Maryhill Burgh Halls and forming a majority part of the Board of the Trust. The Maryhill Burgh Halls provides for the community office spaces, hall spaces to facilitate the hosting of events of various kinds, and a museum and exhibition space. The museum and exhibition space hosts artefacts and exhibitions relating to local heritage, local history, and other themes of interest. Various organisations operate from the Maryhill Burgh Halls including an architecture company, an accountancy firm, a local housing association, a children's nursery, and the constituency office of the Member of the Scottish Parliament for the area.
When the halls initially opened, it contained twenty stained glass windows depicting individuals carrying out various trades and occupations that could be found practiced within the local area. The windows were produced by the studio of Adam and Small and were specially commissioned for the complex. Today, the halls has eleven of the original windows on display. The remainder are stored within the collections of Glasgow Museums. Along with the eleven original panels, another ten stained glass panels are on display that were produced by artists Alec Galloway and Margo Winning around 2015. Each of the ten panels depicts a different theme of modern Maryhill. The themes depicted were chosen from suggestions given by over two hundred members of the community.
History of the building Early history Maryhill Burgh Halls complex was commissioned in response to the growing population of the Burgh of Maryhill and ensuing lawlessness.Mitchell, Ian. R. (2015) "Walking through Glasgow's Industrial Past". Luath Press Ltd. The complex's architect was the Glasgow based Duncan McNaughton who was born in Rutherglen. The complex was designed in a revivalist French Renaissance style, and built in ashlar stone and completed in 1878. The design involved a symmetrical main frontage of five bays facing the corner of Gairbraid Avenue and Maryhill Road. The central bay featured, on the ground floor, a portico formed by two pairs of Corinthian order columns supporting an entablature and, on the first floor, a casement window flanked by two pairs of pilasters and supporting an entablature, a cornice and a panel containing a clock surmounted by a segmental pediment. The other bays were fenestrated by windows with architraves and window cills and at roof level, there was an octagonal ventilator. There was a canted bay to the left which formed part of the side elevation.
The complex consisted of a police station,Maryhill, Glasgow Police MuseumJohn Turnbull - A Maryhill Police Officer, John Thomson, Maryhill Burgh Halls Trust, 24 May 2024 a court room, a fire station,Maryhill-2, The History of Scottish Fire Brigades a tenement which housed the firemen, and a public hall that could seat nine hundred people. The Burgh of Maryhill being subsumed by the City of Glasgow in 1891 resulted in the civic function of the complex being lost, however it continued to be utilized for social use. A swimming baths and washhouse was added to the complex in 1898.
20th Century to present day The police station and fire station remained in use up until the 1970s, however the complex fell into disuse and disrepair over the course of the remainder of the 20th century and plans for its demolition were proposed. Pressure from the local community led to the restoration of Maryhill Burgh Halls and it being purposed once again as a community resource. The Maryhill Burgh Halls now provides for the community office spaces, a museum and exhibition space, and halls that can be used for the hosting of events of various kinds. It also remains a place for political debate: the Leader of the Scottish Labour Party, Richard Leonard, launched Scottish Labour's campaign for the 2019 United Kingdom general election at Maryhill Burgh Halls in November 2019.
Restoration of the building In 2004 the Maryhill Burgh Halls Trust was set up in order to bring the complex back into use for the local community.MacDonald, J. (2015) "The Value of 'Sloppy Craft': Creativity and Community". in "Sloppy Craft: Postdisciplinarity and the Crafts". Paterson, E.C. and Surette, S. (Editors). 1st Edition. Bloomsbury Academic. In 2006 the Cities Growth Fund granted the Maryhill Burgh Halls Trust £1.1 million. This funding allowed the Trust to carry out various preliminary tasks pertaining the restoration of Maryhill Burgh Halls including the necessary design and planning application work. The restoration of Maryhill Burgh Halls took place between 2008 and 2011.
Stonework and masonry repairs in order to secure the stability of the structure took place in 2008. Funding for the remaining restoration and development work was secured in Autumn 2009 after five years of campaigning by the Trust. A total of £9.2 million funding for the restoration and development of the halls was secured. In November 2009 transfer of ownership of the halls, the police station, and the fire station from Glasgow City Council to the Maryhill Burgh Halls Trust took place. The main restoration and development work on the parts of the complex under the stewardship of the Maryhill Burgh Hall Trust also started in November 2009. This work was completed in November 2011, and the halls re-opened in April 2012.
The main funding sources for the restoration and development of Maryhill Burgh Halls are: Scottish Government City Growth Fund Phases 1 and 2, The National Lottery Heritage Fund, Big Lottery (Growing Community Assets), The European Regional Development Fund (ERDF), Glasgow City Council Better Glasgow Fund, Glasgow City Council Vacant and Derelict Land Fund, Scottish Government Town Centre Regeneration Fund, Historic Scotland, Scottish Government Wider Role Fund, and Robertson Trust. The baths remained under the ownership of Glasgow City Council. A separate project was undertaken by Glasgow City Council to convert the former baths into a modern leisure centre for the community of Maryhill. The leisure centre was opened in April 2010 and makes available a 25m swimming pool, sauna, gym, sports hall, dance studio, and other facilities for community use.
Maryhill Burgh Halls Trust Maryhill Burgh Halls is owned and run by the Maryhill Burgh Halls Trust. The Maryhill Burgh Halls Trust was established in November 2004. It is a partnership between local residents, Cube and Maryhill Housing Associations, Glasgow City Council, Elected Members, and officers of local organisations. Members of the public can apply to join Maryhill Burgh Halls Trust. It currently has 180 members. The Board of the Trust includes members of the public who are local residents or who work in the local area and have been or are active in Community Development Work in the area over a number of years. They are elected on to it by the members of Maryhill Burgh Halls Trust at the Annual General Meeting. The Board may also co-opt members from time to time.
Stained glass windows When Maryhill Burgh Halls first opened they contained twenty specially commissioned stained glass windows.Mitchell, Ian. R. (2013) "A Glasgow Mosaic". Luath Press Ltd.Donnelly, Michael. (1997) "Scotland's Stained Glass". The Stationery Office. These were removed from the halls in 1963 and were stored in the collection of Glasgow Museums. The panels were then restored through a process of cleaning, repairing, and reframing. Today, the Maryhill Burgh Halls has eleven of these panels on display along with ten specially commissioned glass panels that were produced around 2015.
Historic stained glass windows
The stained glass windows that were on display in the Maryhill Burgh Halls when it first opened were produced by the Glasgow studio Adam and Small. Adam and Small was founded by Stephen Adam, who was born in the vicinity of Edinburgh in 1847 and was of international renown in the field of stained-glass design and production. He had the author Robert Louis Stevenson as a school classmate and started as an apprentice of James Ballantine of Edinburgh. The panels depict ordinary people, dressed in their ordinary work clothing, carrying out various trades that could be found practiced in the Maryhill area during the period. This makes the panels unique, for at the time religion was the main theme depicted by stained glass artists. In other stained glass panels of the period where workers are depicted, they are usually depicted in classical, biblical, or medieval clothing, poses, and settings. The author Michael Donnelly writes that the commission for Maryhill Burgh Halls was "one of the most important commissions" of Stephen Adam's career. The author Ian R. Mitchell describes the stained glass panels as of "world-historic" importance for being "one of the largest and most realistic collection of portraits of labour produced in two centuries."
The titles of the glass panels in alphabetical order are: The Blacksmiths, The Boatbuilder, The Bricklayers, The Calico Printers, The Canal Boatman, The Chemical Workers, The Dye Press Worker, The Engineers, The Glassblower, The Iron Moulders, The Joiners, The Linen Bleachers, The Papermaker, The Railway Men, The Sawyer, The Soldiers, The Teacher, The Wheelwrights, and The Zinc Spelters. Due to a dearth of accounts or photographs of the historic glass panels as they were originally on display in the halls, it is currently unknown in what order they were initially displayed. Eleven of the historic stained glass windows are now on display in Maryhill Burgh Halls. Ten of them can be found mounted in the main hall, and The Canal Boatman is on display at the main entrance to the building.
Modern stained glass windows
In order to contribute to the lasting legacy of the Maryhill Burgh Halls restoration project, ten new stained glass windows were commissioned. The ten stained glass windows were produced by the Scottish artists Alec Galloway and Margo Winning. The themes for the modern stained glass windows were chosen to reflect themes of importance for the community of Maryhill today. The themes were chosen from suggestions gathered from over two hundred of members of the community. The suggestion were taken over a period of several months at a series of workshops, visits, and talks. The final themes chosen were: culture, diversity, education, heavy trades, regeneration, social heritage, space age, sport and leisure, workers, and youth. After approval of the final designs, each panel was built at Alec Galloway's workshop in Greenock. The titles of the panels are: Art-Beat, Down Maryhill Road, Playing the Game, Global Village, Knowledge, Going Out, Burning Spirit, Made in Maryhill, Touching the Stars, and Yesterday and Today. It is claimed that the 'Touching the Stars' window is the world’s first ‘interactive stained glass panel’, due to the inclusion of an active QR code in the window's design.
Courtyard entrance gates