Christopher Wilson (7 October 1874 - 17 February 1919) was a British composer and conductor best known for his theatre music.

Wilson was born in Melbourne, Derbyshire, into a musical family. His mother and grandmother were both accomplished pianists, and his uncle, Francis William Davenport, was a professor at the Royal Academy of Music.Unsung Composers He showed early musical promise as a composer and performer (piano, organ, violin, viola). In 1889 he won the first choral scholarship at Derby School. In 1892 he became a student at the Royal Academy of Music under Alexander Mackenzie, where he was awarded the Mendelssohn Scholarship in 1895.The Musical Times, May 1895, p. 311

There followed a period of study abroad, with Franz Wüllner in Cologne, Heinrich von Herzogenberg in Berlin and Charles-Marie Widor in Paris.The Musical Times, Vol. 60, No. 914 (April 1, 1919), pp. 169-170 His Suite for String Orchestra was first performed while he was in Cologne,Reviews appeared in Rheinischer Merkur July 10, 1896, p. 3, and in Kölnische Zeitung, July 14, 1896, p. 8. (the first such performance of English music at a principal concert there since Arthur Sullivan) and published by the German publishers Schott in 1899.Score at IMSLP It shows the influence of the Grieg and Tchaikovsky suites for string orchestra, and perhaps of Parry in "mock baroque" mode,British Music Society whose Lady Radnor's Suite was first performed in London in 1894.The Standard, June 30, 1894, p. 5. A modern recording of Wilson's work was issued in 2021.'British Music for Strings II', CPO 555 395-2 (2021), reviewed at MusicWeb International

His working life was mostly as a composer and musical director for the theatre. His scores included incidental music to F. R. Benson's production of the Orestean Trilogy (1904),The Times, 23 April 1904, p.8 Rudolf Besier's The Virgin Goddess (1906),Wearing, J.P. The London Stage, 1900-1909 (2013), p.316 Oscar Asche and Edward Knoblock's Kismet (1911),Singleton, Brian. Oscar Asche, Orientalism, and British Musical Comedy (2004), p. 64-65 Josephine Preston Peabody's The Piper (1911),'Christopher Wilson', Worldcat entry and music for many Shakespeare plays as produced by Asche, Benson, Otho Stuart and Ellen Terry. One of the most notable of these was The Taming of the Shrew, co-produced by Asche and Stuart at the Adelphi Theatre in 1904.'Mr Christopher Wilson' in The Times, 25 Feb 1919, p. 12 During this period Wilson was living at 30, Bedford Street in London, off the Strand.The Daily Telegraph, 8 February 1909, p. 4

Other works outside the theatre include a second suite for strings, two string quartets, a piano quartet, two violin sonatas, a setting of Robert Browning's Prospice, and a choral mass.'Shakespeare and Music (1922), LibraVox recording He also composed the music for the Winchester National Pageant, held at Wolvesey Castle in 1908.Historical Pageants in BritainWinchester National Pageant (1908), Google Books

Wilson died of heart failure at the age of 44 in 1919. His book Shakespeare and Music, compiled from a series of articles he had written for The Stage in the year before his death, was published posthumously in 1922.Shakespeare and Music (1922), Project Gutenberg

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