The Cathedral of Saint Sophia, the Holy Wisdom of God (), in Veliky Novgorod, Russia, is the cathedral church of the Metropolitan of Novgorod and the mother church of the Novgorodian Eparchy.
History
The 38-metre-high, five-domed, stone cathedral was built by Vladimir of Novgorod and Bishop Luka Zhidiata between 1045 and 1050 to replace an oaken cathedral built by Bishop Ioakim Korsunianin in the late tenth century.A. N. Nasonov, ed., Novgorodskaia Pervaia Letopis Starshego i mladshego izvodov (Moscow and Leningrad: AN SSSR, 1950), 16, 181. That makes it the oldest church building in Russia outside the Caucasus (Tkhaba-Yerdy in Ingushetia dates from before the 8th century) and the oldest building of any kind still in use in the country, with the exception of the Arkhyz and Shoana churches. It was consecrated by Bishop Luka Zhidiata (1035-1060) on 14 September 1050 or 1052, the feast of the Exaltation of the Cross. (A fresco just inside the south entrance depicts Sts. Constantine and Helena, who found the true cross in the fourth century, it is one of the oldest works of art in the cathedral and is thought to commemorate its dedication).T. Iu. (Tatiana Iur'evna) Tsarevskaia, St. Sofia's Cathedral in Novgorod, D. G. Fedosov, trans. (Moscow: Severnyi Palomnik, 2005). This is an English translation of Sofiiskii sobor v Novgorode. 2nd ed. (Moscow: Severnyi palomnik, 2005). The Sofia First Chronicle dates the consecration to 1050, the Novgorodian Third Chronicle to 1052. See Sofiiskii Sobor v Velikom Novgorode: Arkhitektura i istoriia, online at http://www.russiancity.ru/text/nov01.htm. While it is commonly known as St. Sophia's, it is not named for any of the female saints of that name (i.e. Sophia of Rome or Sophia the Martyr); rather, the name comes from the Greek word for wisdom (, from whence we get words like philosophia or philosophy "the love of wisdom"), and thus Novgorod's cathedral is dedicated to the Holy Wisdom of God, in imitation of the Hagia Sophia cathedral of Constantinople. Holy Wisdom is a reference to Christ.
The main, golden, cupola was gilded by Archbishop Ioann (1388-1415) in 1408. The sixth (and the largest) dome crowns a tower which leads to the upper galleries. In medieval times, they were said to hold the Novgorodian treasury had library there that is said to have been started by Yaroslav the Wise. When the library was moved to the St. Petersburg Spiritual Academy in 1859, it had more than 1,500 volumes, some dating back to the 13th century. The current archbishop, Lev,See his biography online at has reestablished a library there in keeping with the ancient tradition. As of 2004, it housed some 5000 volumes.N. Savushkina, "Biblioteka Sofiiskogo Sobora", Sofia, No. 1 (2004). A Sunday school is also held in the gallery.Tsarevskaia, St. Sofia's Cathedral in Novgorod.
The cupolas are thought to have acquired their present helmet-like shape in the 1150s, when the cathedral was restored after a fire. The interior was painted in 1108 at the behest of Bishop Nikita (1096-1108) although the project was not undertaken until shortly after his death. Archbishop Nifont (1130-1156) had the exterior whitewashed and had the Martirievskii and Pretechenskaia porches (papter''', more akin to side chapels) painted sometime during his tenure, but those frescoes are hardly visible now because of frequent fires. In the 1860s, parts of the interior had to be repainted, and most of the current frescoes are from the 1890s. A white stone belltower in five bays was built by Archbishop Evfimy II (1429-1458), the greatest architectural patron to ever hold the archiepiscopal office. He also had the Palace of Facets built just northwest of the cathedral in 1433. The nearby clocktower was initially completed under his patronage as well. It fell down in the 17th century and was restored in 1673.
From the 12th to the 15th centuries, the cathedral was a ceremonial and spiritual centre of the Novgorod Republic, which sprawled from the Baltic Sea to the Ural Mountains and came to symbolize the city itself, with chronicle references to the Novgordians being willing "to lay down their heads for Holy Wisdom" or "to die honorably for Holy Wisdom".A. N. Nasonov, ed. Novgorodskaia Pervaia Letopis, 82, 310 When one prince angered them, they told him "we have no prince, only God, the Truth, and Holy Wisdom."Nasonov, ed. Novgorodskaia Pervaia Letopis, 89, 320-321; Michael C. Paul, "The Iaroslavichi and the Novgorodian Veche", Russian History/ Histoire Russe 31, No. 1-2 (Spring-Summer 2004): 53. On another occasion, they made the cathedral the symbol of the city itself, saying "Where Holy Wisdom is, there is Novgorod".Sofiiskaia Pervaia Letopis, Volume 6 of Polnoe Sobranie Russkikh Letopisei, p. 251.
The House of Holy Wisdom (Дом святой Софии/Dom svyatoy Sofii) was one of the largest landowners in the Novgorod Land. Its possessions were spread across all parts of Novgorod land and outside of it. In the 16th century, the House had its own court in Moscow, and by the second half of 17th century, it also owned 41 monasteries with their land and peasants. The bishop (later archbishop) headed the House of Holy Wisdom. He was assisted by the head of the chancellery (d'yak'') and treasurer and about 100 other staff who included scribes, bookbinders, icon painters and silversmiths..
The cathedral has long been the city's great necropolis, the burial place of 47 people of prominence in the city's history, including several princes and posadniks and 32 bishops, archbishops, and metropolitans of Novgorod. The first burial there was Prince Vladimir himself in 1052. The first bishop was Luka Zhidiata in 1060. The last burial in the cathedral was Metropolitan Gurii in 1912. Most of the burials are below the floor in the Martirievskaia Porch, on the south side of the cathedral, named for Bishop Martirii (1193-1199). Later burials took place (again below the floor) in the Pretechenskaia Papter' on the north side of the cathedral. Today, there are several burials in the main body of the church. The sarcophagi of Prince Vladimir and Princess Anna overlook the Martirievskaia Porch; Archbishop Ilya (also known as Ioann) (1165-1186) is buried in the northwestern corner of the main body of the church, next to the Pretechenskaia Porch. Bishop Nikita lies in a glass-covered sarcaphogus between the chapels of the Nativity of the Mother of God and Sts. Ioakim and Anne and the sarcophagus is opened on his feast days (30 January, the day of his death and 30 April/13 May, the day of the "uncovering of his relics", i.e., when his tomb was opened in 1558) so the faithful can venerate his relics. Two other princes also lie in the main body of the cathedral and in the Chapel of the Nativity of the Mother of God.Valentin Lavrent'evich Ianin, Nekropol Novgorodskogo Sofiiskogo sobora: tserkovnaia traditsiia i istoricheskaia kritika (Moscow: Nauka, 1988); Tsarevskaia, St. Sofia's Cathedral in Novgorod.
The cathedral was looted by Ivan the Terrible in the 1570s but restored by Archbishop Leonid (1572-1575). He built the Tsar's Pew, which stands just inside the south entrance of the main body of the cathedral near the Martirievskii Porch. Leonid also had several large chandeliers hung in the cathedral, but only one of them survives.
Beginning in the 18th century, the archbishops or metropolitans of Novgorod lived in St. Petersburg (they were known as archbishops or metropolitans of Novgorod and St. Petersburg). Thus, while Novgorod technically still had a prelate, he was not often active in the city itself, and the church in the city was administered by a vicar bishop for much of the time. Twelve metropolitans of Novgorod and St. Petersburg (or Leningrad) are buried in the Alexander Nevsky Lavra in St. Petersburg, rather than in the Cathedral of Holy Wisdom.
During the German occupation of Novgorod, the Kremlin was heavily damaged from the battles and from the Nazi abuse. However, the cathedral itself survived. The large cross on the main dome (which has a metal bird attached to it, perhaps symbolic of the Holy Spirit in the form of a dove) was removed by Spanish infantry. For over 60 years, it resided in the Madrid Military Engineering Academy Museum. Im 16 November 2004, when it was handed over back to the Russian Orthodox Church by the Spanish brothers Miguel Ángel and Fernando Garrido Polonio who discovered the Cross in a military camp in Madrid. The domes were heavily damaged in the war, and the large Christ Pantocrator in the dome was ruined. According to legend, the painters painted him with a clenched fist. The archbishop told them to repaint Christ with an open palm, and when they returned the next morning, the hand was miraculously clenched again.
After repeated efforts, a voice from the dome is said to have told the archbishop to leave the painting alone for as long as Christ's fist remained closed, he would hold the fate of Novgorod in his hand.Tsarevskaia, St. Sofia's Cathedral in Novgorod. See also "Legenda o Spasa Vederzhitele so szhatoiu rukoi" (Легенда о Спасе Вседержителе со сжатою рукой = The Legend of the Almighty Savior with the Clenched Hand) available online at http://bibliotekar.ru/novgorod13.htm.
During the Soviet period, the cathedral was a museum. It was returned to the Russian Orthodox Church in 1991. An inscription on the north wall of the west entrance attests to its rededication by Bishop Lev and Patriarch Alexius II.
Features
Novgorod's St. Sophia was the first Slavic church in which local divergences from Byzantine pattern were made so evident. With its austere walls and narrow windows, the church is redolent of Romanesque architecture of Western Europe, rather than of Greek churches built at that time.
The Novgorod cathedral also differs strikingly from its namesake and contemporary in Kyiv. As one art historian put it, the Kyiv cathedral is a bride, whereas the Novgorod cathedral is a warrior. Its decoration is minimal, the use of brick is limited, and the masses are arranged vertically rather than horizontally. These features proved to be influential with Novgorod masters of the next generation, as the Yuriev Monastery Cathedral (1119) and the Antoniev Monastery Cathedral (1117) clearly show.
Icons
The oldest icon in the cathedral is probably the Icon of the Mother of God of the Sign, which according to legend miraculously saved Novgorod in 1169 when the Suzdalians attacked the city; it was brought out of the Church of the Transfiguration on Il'ina Street and displayed in the cathedral and on the walls of the city by Archbishop Ilya. The Church of the Icon Mother of God of the Sign was built next to the Church of the Transfiguration in the seventeenth century to house the icon. During the Soviet period, it was housed in the nearby Novgorod Museum (as were the bones of Bishop Nikita, said to have been kept in a paper bag until they were transferred to the Church of Sts. Philip and Nicholas in 1957); the icon was returned to the cathedral in the early 1990s and stands just to the right of the Golden Doors of the iconostasis. The icon of Sophia, the Holy Wisdom of God, is also quite old and is part of the iconostasis just to the right of the Golden Doors as well (where the icon of the saint to which the church is dedicated usually hangs). Several icons were said to have been painted or commissioned by Archbishop Vasilii Kalika (1330-1352) and Archbishop Iona (1458-1470) and Archbishop Makarii (1526-1542) (he went on to become Metropolitan of Moscow and All Rus') is said to have painted the icons in the small iconostasis in the Chapel of the Nativity of the Mother of God (the iconostasis originally stood in the Chapel of Sts. Ioakim and Anne, just to the left of its present location.
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