Secret Magic Control Agency (also known as Hansel & Gretel) is a 2021 English-language Russian animated spy comedy film directed by Aleksey Tsitsilin and written by Analisa LaBianco, Vladimir Nikolaev, Jeffery Spencer, Tsitsilin, and Aleksey Zamyslov. Produced by Wizart Animation, CTB Film Company, and QED International, the film is a loose adaptation of the fairy tale Hansel and Gretel by the Brothers Grimm.
Secret Magic Control Agency was released on 18 March 2021 in Russia by Sony Pictures Productions and Releasing. Netflix acquired global rights to the film and released it on 25 March 2021. The film performed well at the streaming rankings for Netflix reaching the top ten global viewership charts in the first week of its release. The film received generally positive reviews from critics, noting the animation in particular.
Plot
In a fantasy kingdom, all magic is regulated by the Secret Magic Control Agency (S.M.C.A.). One day, the king is abducted by sentient food enchanted with black magic. To keep the rest of the kingdom calm, the prime minister agrees to keep the abduction confidential and have the S.M.C.A. investigate. The S.M.C.A. appoints agent Gretel with her disowned brother and con artist Hansel, who the agency believes could contribute with his knowledge and abilities to track down the king.
The siblings identify a local pastry shop with a pantry that has sentient baked goods. Gretel discovers a potion room in the pantry, which includes a beaker of enchanted vanilla extract. Hansel and Gretel are turned into children after a chase with a dog-shaped cookie destroys the building. Unable to get help from the S.M.C.A. as no one believes that the children are Hansel and Gretel, they seek the assistance of Baba Yaga, a witch rumored to eat children. They learn that the enchanted vanilla extract came from the swamplands.
After escaping from Baba Yaga's, the siblings make their way to the swamplands, where mermaids live. However, the Lake Witch mistakes them for spies for Ilvira, the witch of the gingerbread house and former chef of the king. They are spared from being turned into fish when her daughter recognizes Gretel as the one who saved her from a previous incident. Hansel and Gretel discover that the mermaids have imprisoned some of Ilvira's goons. Gretel frees the goons who lead them to Ilvira's lair and the king's whereabouts. The spies learn Ilvira's intent was to make the sovereign and the whole kingdom fall in love with magic to become queen and gain the magical power imbued in the noble title itself. She captures the siblings and imprisons them in an oven.
Hansel and Gretel argue with each other: Gretel is disappointed in her brother's occupation as a con artist while Hansel is saddened that Gretel prioritized her career as an agent over her own family. Hansel reveals to Gretel that while their parents did advocate for their children to be honest, their jobs as agents for the S.M.C.A. were not enough to fund Gretel's education and that Hansel had given up his chance at an honest life to pay for Gretel's tuition, which he told Gretel was a scholarship from the king. They both reconcile and escape the oven.
The siblings prepare an antidote and go to the wedding. Gretel gives the antidote to the king, but the marriage is sealed before they can stop Ilvira. Before Gretel can pour the antidote into Ilvira's cookie-making machine, Ilvira takes the antidote back and shoves the children into the batter to be baked into cookies. Using an S.M.C.A. gadget Hansel stole from the agency earlier, Hansel and Gretel escape, get the antidote back, and drop Ilvira into the cookie batter.
Having saved the king and the kingdom from Ilvira, Gretel is awarded the title of "Best Agent" by the S.M.C.A. and Hansel is given an official license to perform magic, which he declines since he is incapable of using real magic. Gretel decides to work with her brother on all her future assignments.
Voice cast Sylvana Joyce as Gretel, Hansel's sister and a Secret Magic Control Agency agent Courtney Shaw as child Gretel Nicholas Corda as Hansel, Gretel's brother and a famous fraudster who pretends to be a wizard Alyson Leigh Rosenfeld as child Hansel Erica Schroeder as Ilvira, the witch of the Gingerbread House and former cook of the King Marc Thompson as the King Thompson also voices a circus worker Georgette Reilly as Agent Stepmother, the head of the Secret Magic Control Agency Johanna Elmina Moise as Agent Stepdaughter, an inventor at the Secret Magic Control Agency Mike Pollock as the Prime Minister Mary O'Brady as Baba Yaga
Concept Animated film The film's Hansel and Gretel are more active participants than the original material. The creators of the film stated the production had three components: an entertaining story for all audiences, high-quality animation and well-produced visual effects and background. They noted the Hansel and Gretel fairy tale has parental qualities associated with the story that revolves around the siblings Hansel and Gretel. The film's main audience will be the family.
The creators of the film acknowledged the original story has elements of horror. They retold the archetypal horror tale in a way that it can be appealing to all the audience by adding elements of comedy. Director Aleksey Tsitsilin remarked the film was not a remake: "We wanted not to remake, but to rethink. Leave the logic of the narrative and string some additional details. The story begins to play with new colors, it becomes different, but at the same time you realize that it is all the same Hansel and Gretel."
Production Development In 2018, Wizart Animation revealed plans for a Hansel and Gretel film. Compared to their previous films, Wizart Animation focused on story integrity and humor. On 6 November 2019 at the American Film Market, the studio revealed the exclusive poster and preliminary collection of artwork for Secret Magic Control Agency. Wizart Animation has experience in adapting 19th-century fairy tales for the film industry that was featured in their The Snow Queen films.
At the 2019 MIPCOM in Cannes, Wizart Animation showcased a preview of Secret Magic Control Agency. On 13 October 2019, a presentation of domestic animation projects was held at MIPJunior. New material for the film was presented by Evgenia Markova, an official representative of the international markets MIPCOM, MIPJunior, and MIPTV.
Wizart Animation founded a production pact with QED International, and both companies agreed to creatively bolster the prospects for an international distribution collaboration. Yuri Moskvin, producer for Wizart, was in attendance as the managers from both sides signed a production contract. Sasha Shapiro of QED stated: “We have been looking into both investment possibilities and creative expansion within the family/kids’ genre, and I believe that Wizart has all necessary potentials we have been looking for.” The collaboration is one of the first times Wizart Animation entered the American film market.
Netflix acquired global rights to the film in 2019, when the film was presented for the first time to the professional community at the Marché du Film in Cannes. Together with Expocontent, a presentation of the project was organized under the Made in Russia brand. The presentation featured a catalog of the film's international voice acting produced in part through subsidies provided by the Ministry of Economic Development and the REC. Netflix buyers liked the film, and negotiations with the platform continued at subsequent film markets organized by Roskino and culminated in a global deal and agreement on a one-time release of the film in March 2021.
The film was presented at the September 2019 Toronto International Film Festival, the 2020 EFM film market in Berlin, and the 2020 Miami Kidscreen Summit.
Writing While the original fairy tale is historically known for different horror film adaptations, the film's writers made the adaptation family-friendly and comedic. The adaptation was created in a way to be in the template used by Brothers Grimm from their fairy tales that had both horror and comedy.
The script had been in development for years. The screenwriters said adapting the classic European fairy tale was complicated, since it had only two settings: a gingerbread house and a dense forest. More than 57 script variants were written; one scenario involved a father and his children living in a forest. The writers explored the concept of the super-agent school where the troublemakers Hansel and Gretel enroll in. By the final script, the idea of a spy film with super-agents was finalized. One of the ways the writers formulated ideas was to go on real missions so they could be "in the shoes" of the characters.
The screenwriters focused on character development. In the final version of the script, the main characters turn into children, which allowed the writers to transform some of the darker undertones in the fairy tale into a suitable scenario. The film emphasized the detective component, revolving the story around the story's main setting, the Secret Magic Control Agency. The scriptwriters reviewed films from the James Bond series, Kingsman, as well as The Diamond Arm.
The writers intended to keep Hansel, Gretel, and the gingerbread house witch intact while expanding the settings. They noted the scale at which they developed the fairy tale universe is intended to keep the knowledgeable viewers of the fairy tale engaged. The idea of creating a magical security agency opened up new directions for film production. The script turned into a global story with references to elements from other cultures including Baba Yaga, the Frog Princess, mermaids on branches, seven-league boots, mermaids, and magical artifacts taken from different stories. The gingerbread mythological character Kolobok became a major character in the film. The interior design of Secret Magic Control Agency was inspired by the architecture of Hogwarts.
Animation More than 60,000 frames were drawn in sync with the music, and the episodes were changed more than thirty times. About fifteen departments worked on the film and each frame moved according to the principle of a conveyor belt system. Animation for the film was considerably influenced by works from leading artists. The gingerbread house was based on the works of Antoni Gaudí. The animators were influenced by Tim Burton's ability to transform horror elements to charming characters featured in films like Corpse Bride. The studio's computer farm specification for the film is said to be 3,000 processor cores. The film is said to be Russia's first three-dimensional animated film made with the studio's own 3D lighting editor. The studio increased the character density during the climax at the royal square to about 1,200 characters.
Compared to previous Wizart Animation films, Secret Magic Control Agency used new animation methodologies and prototypes. The film is based on a new animation special effects system, the animation studio itself engineered. The system is based on the studio's own pipeline.
Themes Fantasy elements became cosmopolitan as Alexander Pushkin's fairy tales combined with western European fantasy. The writers explored Ilvira's cooking concept of love and sweets with cookies, cupcakes and candy. The concept of a megalomaniac whose cooking of cookies and cupcakes poses a threat to the government was once explained in Vladimir Lenin's thesis in 1917; during the Soviet Union, political scientists hypothesized what would happen in a scenario where the chef takes control of the government, "Every cook must learn to manage the state." Through comedy and drama, the authors explained the archaic thesis in a script of bureaucracy and its associated culinary politics. Ilvira became the cook of the thesis who was developed and refined to become a caricature of Marilyn Monroe.