Ada Ferrar (1 June 1864 – 8 January 1951) was a British actress of the late Victorian and Edwardian eras.
Early life Born in St Pancras in London in 18641939 England and Wales Register for Walter S Sparrow: London, Hampstead Met - Ancestry.com as Ada Janet Bishop to Mary S. Bishop (1836-) and Charles R. Bishop (1814-), the Managing Clerk to a firm of solicitors, she was one of three actress sisters which included Beatrice Ferrar (1875-1958) and Jessie Ferrar (a.k.a. Marion Bishop (1879-1950).1881 England Census for Ada Bishop: London, St George Hannover Square - Ancestry.com
At first her desire to go on the stage met with some parental resistance, but eventually following her success her younger sisters were to follow her in her chosen career. Her first appearance was singing in the chorus in Claudian (1883) following which she gained theatrical experience touring with the Vaughan-Conway Company. For F. R. Benson's 1888 season at the Shakespeare Memorial Theatre at Stratford-upon-Avon she played Gertrude in Hamlet (1888), Lady Touchwood in The Belle's Stratagem, Margherita in Andrea,Ada Ferrar in Andrea (1888) - Royal Shakespeare Company database Hermia/Helena in A Midsummer Night's Dream and Lady Capulet in Romeo and Juliet.Roles of Ada Ferrar - Theatricalia websiteAda Ferrar as Hermia in A Midsummer Night's Dream (1888) - Royal Shakespeare Company databaseCast of Romeo and Juliet (1888) - Royal Shakespeare Company website
Theatrical career 1890-96 In 1890 Ferrar appeared as Geraldine in The Green Bushes, or, A Hundred Years Ago and Creusa in The Bride of Love (in a production which marked the London début of her sister Beatrice Ferrar) both at the Adelphi Theatre in London (1890),J. P. Wearing, The London Stage 1890-1899: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014) - Google Books p. 19 and in 1891 was Ethel Kingston in The English Rose at the Adelphi Theatre.Wearing, The London Stage 1890-1899, p. 32 In April 1891 she married Walter Shaw Sparrow,Ada Janet Bishop in the England & Wales, Civil Registration Marriage Index, 1837-1915 - Ancestry.com then a Welsh actor but who went on to become a writer on art and architecture. The officers and workmen of the Ffrwd Works, her father-in-law's colliery, presented the couple with a "very chaste silvered tea and coffee service" with their best wishes.The Wrexham Advertiser, and North Wales News. Wrexham, Wales: Gale: 19th Century British Library Newspapers: 8. 18 April 1891. Retrieved 7 October 2012 During the 1890s and into the 20th century she continued to feature prominently on the cast of many theatrical productions. Very soon after their marriage the magazine Theatre commended her performance as Alida in The Streets of London by Dion Boucicault at the Royal Adelphi Theatre in London (1891).Meredith Klaus (ed.) (14 February 2011). 'Seasonal Summary for 1890–1891'. The Adelphi Theatre 1806–1900. Retrieved 10 October 2012Wearing, The London Stage 1890-1899, p. 66 She also played Violet Lovelace in They Were Married at the Strand Theatre (1892).Wearing, The London Stage 1890-1899, p. 125
For F. R. Benson's 1892-93 season at the Shakespeare Memorial Theatre at Stratford-upon-Avon she played Olivia in Twelfth Night, Mrs Page in The Merry Wives of Windsor, Jessica in The Merchant of Venice, Lady Capulet in Romeo and Juliet, Bianca in The Taming of the Shrew, Timandra in Timon of Athens, Olivia in Twelfth Night, Calpurnia in Julius Caesar and Helena in A Midsummer Night's Dream. Ferrar played Orlando in an all-female production of As You Like It (1894).Wearing, The London Stage 1890-1899, p. 201 She was Ancaria in Wilson Barrett's The Sign of the Cross at the Lyric Theatre (1896–97) in which her performance was particularly well received.Wearing, The London Stage 1890-1899, p. 279
Australia tour 1896-99
From 1896 to 1899 she was touring New Zealand and Australia with a group of actors for George Musgrove and J. C. Williamson on an extended overseas tour, returning to England in September 1899."Miss Ada Ferrar – An Interview". The South Australian Register. 24 May 1899. Retrieved 10 October 2012 During the tour she took part in many productions including playing Josephine in A Royal Divorce, Princess Flavia in The Prisoner of Zenda and Mercia in The Sign of the Cross'The Ferrar Family', The Sketch, 16 December 1896, p. 316 alongside Julius Knight.
Later career 1899-1926 On her return to Great Britain she rejoined the Company of F. R. Benson to play Hermia in his production of A Midsummer Night's Dream at the Globe Theatre and Gertude in Hamlet at the Lyceum Theatre (1900),J. P. Wearing, The London Stage 1900-1909: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014) - Google Books p. 8 while in November 1900 she opened as the Duchess of Strood in The Gay Lord Quex opposite John Hare at the Criterion Theatre in New York.Thomas Allston Brown, A History of the New York Stage from the First Performance in 1732 to 1901, Dodd, Mead and Company (1903) - Google Books p. 613 In May 1902 Ferrar played Mrs. Llewellyn in The Finding of Nancy at the St. James's Theatre opposite Herbert Beerbohm Tree and Mabel Beardsley.Tracy C. Davis (ed), The Broadview Anthology of Nineteenth-Century British Performance, Broadview Press (2012) - Google Books p. 650 She was Mrs. Dudley in Secret and Confidential at the Comedy Theatre (1902),Wearing, The London Stage 1900-1909, p. 115 and for Benson's 1903 season at the Shakespeare Memorial Theatre at Stratford-upon-Avon she played Helena in A Midsummer Night's Dream,Ada Ferrar as Helena in A Midsummer Night's Dream (1903) - Royal Shakespeare Company database Mistress Page in The Merry Wives of Windsor; she was 'a winsome and dignified' Hermione in The Winter's Tale;Dennis Bartholomeusz, The Winter's Tale in Performance in England and America 1611–1976, Cambridge University Press (1982)- Google Books p. 199 Gertrude in Hamlet, Katharine in The Taming of the Shrew in addition to Olivia in Twelfth Night, Nerissa in The Merchant of Venice, Constance Neville in She Stoops to Conquer and Lady Sneerwell in The School for Scandal.
In 1903 she was touring in The Marriage of Kitty opposite Marie Tempest including at the Prince's Theatre in Bristol. Ferrar also toured as Ben Greet's leading lady, playing Viola in Twelfth Night, Peg Woffington in Masks and Faces, Dora in Diplomacy and Rosamund in Sowing the Wind. She toured with Otho Stuart, with whom she had previously acted with Benson, and for whom she was Fédora, Dulcie in The Masqueraders and Mrs. Horton in Dr. Bill. She played the ambitious Bazilide in Stuart's tour of For the Crown.
She played Geraldine in The Green Bushes at the Adelphi Theatre and was in The English Rose. She was Athena opposite Gertrude Kingston as HelenMacCarthy, Desmond, The Court Theatre, 1904-1907; a Commentary and Criticism in The Trojan Women at the Royal Court Theatre (1905);Wearing, The London Stage 1900-1909, p. 228 touring as the Duchess of Strood in The Gay Lord Quex opposite John Hare (1907–08); before playing Goneril in King Lear at the Haymarket Theatre (1909).Wearing, The London Stage 1900-1909, p. 488 She again played Goneril opposite Norman McKinnel in King Lear at His Majesty's Theatre (1910).J. P. Wearing, The London Stage 1910-1919: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014) - Google Books
Ferrar was in Pinero's Preserving Mr. Panmure opposite Lilian Braithwaite and Arthur Playfair (1910– 1911) at the Comedy Theatre and was Donna Lucia d'Alvadorez in Charley's Aunt at the Prince of Wales's Theatre (1913–14) and Hippolyta in A Midsummer Night's Dream at The Old Vic (1914–15). In 1917 she was touring the provinces as Donna Lucia d'Alvadorez in Charley's Aunt for the Brandon Thomas Company in a cast that included a young Leslie Howard as Jack Chesney.Charley's Aunt (1917) - The Leslie Howard website Critics wrote of her performance, 'nothing could be more satisfactory than Miss Ada Ferrar in her role of "Donna Lucia". Full of graceful naturalness...''Charley's Aunt' - Dorking and Leatherhead Advertiser, February 24, 1917 and 'Miss Ada Ferrar makes Donna Lucia d'Alvadorez an exceedingly delightful and pleasing personality.'The Stage, March 22, 1917 Having somewhat cornered the market in the role, she was back again as Donna Lucia d'Alvadorez in Charley's Aunt at the Prince of Wales's Theatre (1920–21)J. P. Wearing, The London Stage 1920-1929: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014) - Google Books p. 67 before she acted as Mrs. Gilfillian in Pinero's Sweet Lavender opposite Lilian Braithwaite at the Ambassadors Theatre (1922–23).Wearing, The London Stage 1920-1929, p. 199 In 1926 she played Miss Trafalgar Gower in Trelawny of the 'Wells' at the Globe Theatre.Trelawney of the 'Wells' (1926 - Harry Ransom Center'Stage Notes' - The Sydney Morning Herald (NSW: 1842-1954), 25 June 1927, Page 11Wearing, The London Stage 1920-1929, p. 479
In the 1939 Register for England and Wales she is listed as 'Housewife'. After her husband's death in 1940 she was left just £287 6s in his will and was awarded a £100 Civil list pension under the Civil List Act 1837 for the "writings of her husband, the late Walter Shaw Sparrow, on art and architecture"."Civil List Pensions". ‘’The Times’’. London: The Times Digital Archive (48907): 2. 23 April 1941. Retrieved 5 October 2012
She died aged 86 at the Tuquor House Nursing Home in Kew in Surrey in January 1951. Her estate was valued at £920 2s 11d.
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