"Savoy Truffle" is a song by the English rock band the Beatles from their 1968 album The Beatles (also known as "the White Album"). The song was written by George Harrison and inspired by his friend Eric Clapton's fondness for chocolate. The lyrics list the various flavours offered in Mackintosh's Good News chocolates and serve as a warning to Clapton about the detrimental effect that his gorging would have on his teeth. Along with Clapton's guest appearance on the White Album track "While My Guitar Gently Weeps" and Harrison reciprocating on Cream's "Badge", it is one of several songs that mark the start of a long-lasting musical association between the two guitarists.
The Beatles recorded "Savoy Truffle" in October 1968, towards the end of the five-month sessions for the album. An upbeat rock track in the soul genre, the song reflects Harrison's return to the guitar as his main musical instrument after two years of studying the Indian sitar. The recording includes a Chris Thomas-arranged horn section, and introduced the horn-heavy sound that became a feature of Harrison's music as a solo artist. Through the lyrics' reference to "Ob-La-Di, Ob-La-Da", the song is also an example of the Beatles' use of self-quotation in their later work.
On release, "Savoy Truffle" was viewed by many commentators as a sign of Harrison's growing maturity as a songwriter. Among more recent assessments, Ian MacDonald cited it as an example of the lesser material found on The Beatles, while Daryl Easlea of BBC Music describes it as one of the "doodles that delight" and "a fine counterweight" to "While My Guitar Gently Weeps". Ella Fitzgerald, Terry Manning and They Might Be Giants have also recorded the song.
Background and inspiration
George Harrison wrote "Savoy Truffle" in September 1968, by which point the Beatles had been working on their eponymous double album (also known as "the White Album") for over three months. This period was one of disharmony within the band, following their mixed experiences while attending an advanced course in Transcendental Meditation in India early in the year, a group activity that had been led by Harrison's commitment to Eastern spirituality. Away from his work with the Beatles in 1968, Harrison increasingly spent time with Eric Clapton, leading to occasional musical collaborations between the two guitarists and a lifelong friendship. Having contributed to Harrison's solo album Wonderwall Music, Clapton was invited to play on his White Album track "While My Guitar Gently Weeps" on 6 September, marking a rare appearance by another rock musician on a Beatles recording as Harrison sought to defuse tensions within the band.
In an interview with the NME in late September, Harrison said he was keen to depart from his image as "Mystical Beatle George" and now wanted to contribute songs without any profound message. He wrote "Savoy Truffle" as a tribute to Clapton's sweet tooth. He derived the title and much of the lyrics from a box of Mackintosh's Good News chocolates, which Clapton began eating during one of his visits to Harrison's home. Many of the confectionery names used in the song are authentic; others, such as cherry cream, coconut fudge and pineapple heart, were Harrison's invention, based on the flavours listed inside the lid of the box. For the lyrics to the second of the song's bridge sections, Harrison received assistance from Derek Taylor, the press officer for the Beatles' new record label, Apple Records. In keeping with the theme of Harrison's composition, Taylor drew inspiration from the title of the American counterculture film You Are What You Eat, which was itself titled after a fashionable macrobiotic slogan.
Musicologist Walter Everett suggests that "Savoy Truffle" might have been an attempt to rewrite the Byrds' "less innocent" 1968 track "Artificial Energy", which warns of the dangers of amphetamines. The song also reflects Harrison's rediscovery of his passion for rhythm and blues. Coinciding with this, he had returned to the guitar as his main instrument in 1968, after two years of studying the sitar under the guidance of Indian classical musician Ravi Shankar.
Composition
"Savoy Truffle" is primarily in the key of E minor, although the melody continually shifts to the parallel, major equivalent, in addition to anchoring briefly in G major. Musicologist Alan Pollack identifies the composition's harmonic style as one that "makes you feel constantly on the move, on the threshold of some new breakthrough", and he adds: "There are other Beatles' songs that exploit this triumvirate of keys (i.e. a parallel Major/minor pair and the relative Major), but never quite with such audacity." Throughout, the meter is , with the exception of a number of bars in , delivered in an assertive, driving tempo. The song's main musical style is soul music, while its melody and mood partly recall "Sour Milk Sea", which Harrison wrote earlier in 1968.
In the verses, Harrison lists a variety of chocolate flavours, beginning with "creme tangerine" and "Montélimar". He employs wordplay to incorporate the Mackintosh's brand name in his closing phrase to the first verse: "yes, you know it's 'good news". The refrain throughout the song – "But you'll have to have them all pulled out after the savoy truffle" – refers to the deterioration of one's teeth after eating too many sweets, echoing the warning that Clapton had recently received from his dentist.
Over the second bridge, Harrison adapted Taylor's suggestion to read "You know that what you eat you are". In the same section, a subsequent line names the track "Ob-La-Di, Ob-La-Da", a Paul McCartney composition that would also appear on The Beatles. In this way, "Savoy Truffle" continued a tradition initiated by John Lennon in 1967, particularly in his lyrics to "I Am the Walrus", whereby the Beatles deliberately quoted from their previous songs.
Since "Ob-La-Di, Ob-La-Da" was not a song that McCartney's bandmates enjoyed recording, the motive behind Harrison's appropriation of the title has invited speculation. Author Jeffrey Roessner considers it significant that Harrison mispronounces the title; in addition, he contends that the full statement – "We all know Ob-la-di-bla-da / But can you show me where you are?" – serves as an example of Harrison, like Lennon, mocking those listeners who obsessively scanned the Beatles' lyrics for hidden meaning. Music journalist Robert Fontenot interprets the lines as an expression of distaste for "Ob-La-Di, Ob-La-Da", since Harrison and Lennon were openly critical of McCartney's composition.
Recording The Beatles taped the basic track for "Savoy Truffle" at Trident Studios in London on 3 October 1968, the day after Harrison had recorded his and Clapton's song "Badge" for Cream's forthcoming album. In his NME interview the previous month, Harrison expressed satisfaction with his increased guitar contributions to the Beatles' recent recording sessions; he also said that their album would be a return to the "funky" rock approach that had characterised their pre-fame performances at Liverpool's Cavern club and in Hamburg. With Lennon absent between 3 and 7 October, the line-up on the rhythm track was Harrison on electric guitar, McCartney on bass, and Ringo Starr on drums. Overdubs took place on 5 October, again at Trident, and then on 11 and 14 October, at EMI Studios (now Abbey Road Studios). Chris Thomas, as assistant to the Beatles' producer, George Martin, played electric piano on the song.
During the 11 October session, six saxophonists (three baritone and three tenor) performed overdubs, arranged by Thomas. These horn players were all veterans of the British jazz scene and included Art Ellefson and Ronnie Ross. Ken Scott, the Beatles' recording engineer, recalls that Harrison thought the saxophones sounded "too clean ... too nice", DVD1: between 1:19:58 and 1:20:20. and so asked that they be treated with heavy distortion. Scott also cites Harrison's curt dismissal of Martin's objections, that the song sounded too "toppy", as evidence of the Beatles' growing independence during the making of the White Album – a project in which Martin played a mainly peripheral role. In author Nicholas Schaffner's description, the song's "beefy horns" became "a trademark" of Harrison's work following the Beatles' break-up in 1970.
The 14 October date marked the final recording session for The Beatles. With Starr away in Sardinia, the overdubs consisted of another lead guitar part by Harrison, and organ, tambourine and bongos, although the latter contribution does not appear in the final mix. Harrison and Thomas have each been credited as the organ player. According to Everett, there are two organ parts, the second of which provides a "soft, whirling" sound over the more "sustained" part. In his description of the finished recording, Jonathan Gould notes the aptness of Harrison's vocal delivery, where the list of chocolate flavours "roll off George's tongue like a catalog of life's little pleasures". He also comments on the effectiveness of Harrison's guitar solo, which, further to the lyric's warnings regarding tooth decay, is "pitched to the register of a dentist's drill".
Mixing on "Savoy Truffle" was also completed on 14 October, after which Harrison left for Los Angeles to produce Jackie Lomax's album Is This What You Want? The stereo and mono mixes of the song differ in their editing of the lead guitar parts. In addition, the mono version omits the organ over the third verse.
Release and reception Apple Records released The Beatles on 22 November 1968. "Savoy Truffle" was sequenced as the third track on side four of the double LP, between "Honey Pie" and "Cry Baby Cry". As with Harrison's other three contributions to the album, including "While My Guitar Gently Weeps", the song was viewed by many commentators as a sign of his growing maturity as a songwriter beside Lennon and McCartney.
Due to the Beatles' use of pastiche, parody, irony and, in the case of "Savoy Truffle" and Lennon's "Glass Onion", self-quotation, the album's lyrics were intensely analysed by contemporary reviewers. Alan Walsh of Melody Maker described "Savoy Truffle" as "a rocker that's the most obscure track lyrically". Record Mirrors reviewer speculated that the song "could either be a delicate and expensive sweet or a new dance. It could be a delivery on the pomposities of intricate desserts or a depiction of the 'upper' class." The writer then concluded: "Whatever it is, it swings." Available at Rock's Backpages (subscription required). Alan Smith of the NME said that although he was "not particularly partial" to the song, "there's a good, heavy sound and I'm not complaining."
In his review for International Times, Barry Miles wrote: "George's 'Savoy Truffle' is the best track on this [LP] side. Beautiful, impressionistic music. Don't miss this one." Jann Wenner of Rolling Stone praised Harrison's lead guitar playing throughout the album and highlighted the song as an example of the Beatles' success in progressing on their past work, in this case by creating "a more sophisticated look at 'Lucy In the Sky With Diamonds'". In Newsweeks mainly unfavourable review, Hubert Saal concluded by saying that Harrison was the album's "hero", as the composer of its two best songs, "Savoy Truffle" and "Long, Long, Long", and that the former "appears to sing the praises of food and in fact is all about suffering".
Retrospective assessment