The Valley of Lost Hope is a lost 1915 American silent Western drama film directed by and starring Romaine Fielding. Produced by Lubin Manufacturing Company and written by Shannon Fife, the film portrayed the rise and destruction of a gold-mining "boomtown" created by a phony real-estate business. Other cast members included Peter Lang, Mildred Gregory, and B. K. Roberts in principal roles. The production was filmed on location in Philipsburg in central Pennsylvania and at Lubin's backlot and studio facilities in Betzwood, located approximately 20 miles northwest of Philadelphia.Eckhardt, Joseph P. "Betzwood—A Director's Paradise", The King of the Movies: Film Pioneer Siegmund Lubin. Madison, New Jersey: Fairleigh Dickinson University Press; London: Associated University Presses, 1997, p. 144–148. . Internet Archive. Retrieved February 1, 2020.
The Library of Congress includes the film among the National Film Preservation Board's updated 2019 list of "7,200 Lost U.S. Silent Feature Films" produced between 1912 and 1929."7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board", running updated list (current as of October 23, 2019), "Valley of Lost Hope, The (1915), Romaine Fielding", p. 153, film number 7016. National Film Preservation Board, Library of Congress, Washington, D.C. Retrieved December 23, 2019."American Silent Feature Film: Database From the report 'The Survival of American Silent Feature Films: 1912-1929'", searchable database that includes nearly 11,000 titles in both complete and partial states. Library of Congress. Retrieved January 13, 2020.
Plot This lost film's storyline was set in the Western region of the United States in the late nineteenth century. Production reports and reviews published in trade publications and newspapers in the final weeks of 1914 and during 1915, describe it portraying the schemes of a "get-rich-quick" confidence man named James Ewing (Peter Lang). He, assisted by two promoters, poses as a real estate broker who circulates false reports of rich gold deposits in a barren, deserted valley. To enhance his lies, Ewing places small amounts of gold on the land that he and his associates had purchased, "salting" some rocks on the property with flecks of the precious metal. He then lures people to buy parcels of the worthless land at inflated prices. Many men and women are duped by Ewing's sales pitches, and a "boomtown" rises in the valley as more speculators and gold prospectors rush into the area, along with saloonkeepers, gamblers, grocers, and other merchants who hope to profit off the outbreak of gold fever.
Ewing's son Bob (B. K. Roberts), just out of college, now arrives and soon falls in love with Dora (Mildred Gregory), unaware that she is married but separated from her frequently drunk and abusive husband, Dick Flint (Robin Williamson). Dora is also the sister of Roland Royce (Romaine Fielding), the town's influential pastor. After working briefly in his father's real-estate "business", Bob discovers its true purpose. Horrified, he vows to return the money to all the victims of the fraud. The miners and other town residents also learn about the swindle, and they converge on the elder Ewing's private train as it prepares to leave for the East. Meanwhile, Dora's husband Flint and two of his cronies take advantage of the temporary absence of most of the town's population and rob the safe in the gambling hall. Despite the presence of the angry mob, Ewing's train manages to depart and speed away from town. A freight train, however, is rapidly approaching on the same track and minutes later crashes head-on into the escaping passenger train, killing Ewing and his accomplices.
Back in town, Flint flees after the gambling-hall robbery is discovered while his fellow thieves are killed. Flint, desperate to get away, creates a diversion by igniting a huge charge of dynamite on the top of the nearby mountain. The ensuing landslide destroys most of the town, covering it under tons of rocks and dirt. Despite the massive explosion, Pastor Royce finds Flint in the cellar of a cabin and kills him in self-defense. Bob now returns with the swindled money he retrieved from the wrecked train and gives it to the miners and others who survived the landslide. Now a widow, Dora agrees to marry Bob. The happy couple, accompanied by Pastor Royce and Bob's newly "adopted" mother, old "Ma" Dean (Minnie Pearson), leave the valley in a "prairie schooner" (covered wagon) to start new lives elsewhere.Solomon, Irene Page (1915). "The Valley of Lost Hope", Motion Picture News (New York, N.Y.), June 26, 1915, p. 85. Retrieved February 5, 2020.
Cast
Romaine Fielding as Pastor John Royce Peter Lang as James Ewing B. K. Roberts as Bob Ewing Mildred Gregory as Dora Royce Robin Williamson as Dick Flint Minnie Pearson as Granny / Ma Dean Bernard Siegel as Undetermined Role"Siegel, Bernard", actor's filmography includes The Valley of Lost Hope, "Studio Directory", Motion Picture News (New York, N.Y.), October 21, 1916, p. 57. Internet Archive. Retrieved February 4, 2020.
Production The filming and editing of an early theater cut of the picture were completed during the final quarter of 1914, many months before the five-reeler's initial distribution. To enhance Shannon Fife's screenplay or "scenario", Fielding organized two major action sequences during production: the collision of two trains and an immense mountain explosion with a landslide. The "'train smash'" footage used in The Valley of Hope was actually shot on location near Philipsburg in central Pennsylvania in September 1914, 10 months before the film's release. The noted explosion, additional outdoor scenes, and interior shots were done at Lubin's studio facilities and backlot at Betzwood.Eckhardt, p. 188.
"Boomtown" set The centerpiece of the film's plot was a gold-mining boomtown, an elaborate set built at Betzwood and populated during production by hundreds of extras, including many genuine Pennsylvania miners who were brought to Lubin's facilities.Condon, Mabel (1915). "The Valley of Lost Hope", review, Motography, January 16, 1915, pp. 87–88. Internet Archive. Retrieved January 24, 2020. Instead of just filming scenes on a completed set, Fielding's cameramen shot daily footage of Lubin carpenters as they erected the town. That footage of buildings in various phases of construction was then edited into the photoplay. That filming strategy did not go unnoticed by film critics and reporters. After seeing an early cut of the film in December 1914, Stephen Bush—the reviewer for the trade weekly The Moving Picture World—shared his reactions to the use of the construction footage:
In the January 10, 1915 issue of The Chicago Daily Tribune, the newspaper's "Movie Land" reporter, following a preview of the film, also compliments Fielding's portrayal of the set's construction "during the action of the play" itself and for "showing how mushroom towns spring up during a 'strike gold quick' craze.""In Movie Land", Chicago Daily Tribune, January 10, 1915, p. E7. ProQuest Historical Newspapers.
Train wreck
On Tuesday, September 8, 1914, Fielding staged and directed the filming of a head-on collision of a three-car passenger train with a seven-car freight train along the 15-mile Altoona and Philipsburg branch of the Pittsburgh and Susquehanna Railroad."Throwback Thursday: 1914 Alley Popper Train Wreck", "GantNews" service of the Gant Daily (Clearfield, Pennsylvania), August 2, 2018. Retrieved February 1, 2020. The trains, each traveling approximately 35-miles-an-hour, collided at the rail location nicknamed "Alley Popper". Fielding, not missing an opportunity for free publicity, scheduled the crash to coincide with a "mammoth Labor Day picnic" held outside Philipsburg and attended by an estimated crowd of 10,000 spectators.
Siegmund Lubin reportedly spent over $25,000—a monstrous sum in 1914 for a single action sequence—to purchase two old coal-fired locomotives, the needed freight and passenger cars, and to stage the spectacle. Despite the expense, Lubin justified it as an investment, for the studio later used the same wreck footage in at least four other productions. Fielding deployed 30 cameramen with 12 different cameras to film the collision, minimizing the chances of losing optimal footage of the one-take event due to either malfunctioning equipment or other factors. No one was aboard the trains except two "experienced railroad engineers" hired by the director, who instructed them to jump off their respective trains "a minute before the impact". Following the crash, Fielding also filmed needed passenger-rescue scenes around the smoking wreckage.
Mountain explosion In addition to staging the dramatic train wreck, Fielding organized and filmed a huge dynamite explosion and landslide as part of the production's concluding scenes. That action sequence was not, though, staged near Philipsburg; it was filmed on "a portion of rock cliff" located on the sprawling backlot at Betzwood. The Chicago Daily Tribune reported that "over a ton of dynamite was distributed from the base to the top of the mountain". As with his staging of the trains' collision, Fielding deployed a dozen cameras to capture another one-take opportunity. It was reported that four of those cameras were "driven by motors" and that the blast and landslide were "spectacular in the extreme".
Promotion and release The film's copyright registration (LP5649) and release charts published in period trade publications indicate that the feature was originally prepared for release in December 1914 as a four-reeler."The Valley of Lost Hope (1915), American Film Institute (AFI), Los Angeles, California. Retrieved January 25, 2020."The Valley of Lost Hope", copyright listing, Catalog of Copyright Entries: Motion Pictures, 1912-1939. Washington. D.C.: Library of Congress, 1951, p. 909. Internet Archive. Retrieved February 5, 2020. That release, however, was postponed and the film's running time was expanded to five reels, likely with intentions to increase the production's box-office potential by lengthening scenes related to its action sequences, which were often called "punches" at studios and in the media during the silent era. Advertisements for the film, descriptions of its content, and reviews began appearing in leading trade publications and newspapers by mid-December 1914 and early 1915, over seven months prior to the picture's initial distribution."LUBIN", advertisement for upcoming releases, The Moving Picture World, December 12, 1915, p. 1490. ProQuest. In its January 10, 1915 issue, the Chicago Daily Tribune highlights for its readers the "forthcoming" film's action scenes: