Matthew Peter King (c.1773 – January 1823) was an English composer, mainly of light operas.
Life Little is known of his life. King was born in London about 1773, and studied musical composition under Charles Frederick Horn. He lived mainly in London, where he died in January 1823.
Compositions King wrote the music to a number of dramatic pieces, most of which were produced at the Lyceum Theatre, London. These include: Matrimony, comic opera, words by James Kenney, 1804 The Invisible Girl, and The Weathercock, 1806 False Alarms, comic opera, music by King and John Braham, words by J. Kenney, 1807 One O'clock, or The Wood Demon, comic opera, music by King and Kenney, words by M. G. Lewis, 1807 Ella Rosenberg, melodrama, by J. Kenney, 1807 Up all Night, or The Smugglers' Cave, comic opera, words by S. J. Arnold, 1809 Plots, or The North Tower, melodramatic opera, words by S. J. Arnold, 1810 Oh! this Love, comic opera, words by J. Kenney, 1810 The Americans, music by King and Braham, 1811 Timour the Tartar, romantic melodrama, by M. G. Lewis, 1811 Turn him out, musical farce, words by J. Kenney, 1812 The Fisherman's Hut, music by King and Davy, 1819
King composed a number of glees, ballads, and piano pieces, as well as an oratorio, The Intercession, which was produced at Covent Garden in 1817. From this, Eve's lamentation, "Must I leave thee, Paradise?" became very popular.
Literature He was the author of: Thorough Bass made easy to every Capacity (1796) A General Treatise on Music, particularly on Harmony or Thorough Bass (1800; new edition 1809) Introduction to the Theory and Practice of Singing at First Sight (1806) He edited The Harmonist, a Collection of Glees and Madrigals from the Classic Poets (1814)
His son, C. M. King, published some songs in 1826.
References
Attribution
External links
Matthew Peter King at Associated Chamber Music Players