List of compositions by Franz Schubert (1812)

Franz Schubert's compositions of 1812 are mostly in the Deutsch catalogue (D) range D 13–37, and include: Instrumental works: String Quartet No. 1, D 18 String Quartet No. 2, D 32 String Quartet No. 3, D 36 Vocal music: Klaglied, D 23

Table Legend

List

| data-sort-value="013" | 13 | data-sort-value="013" | 13 | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="724,00" | VII/2, 4 | data-sort-value="Fugue, D 013" | Fugue, D 13 | data-sort-value="key D minor" | D minor | data-sort-value="1812-01-01" | | For piano?; By Schubert? |- | data-sort-value="014" | 14 | data-sort-value="014" | 14 | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="Overture, D 014" | Overture, D 14 | data-sort-value="ZZZZ" | | data-sort-value="1812-01-01" | | Piano sketch; Lost |- | data-sort-value="015" | 15 | data-sort-value="015" | 15 | data-sort-value="XXX,1895" | (1895) | data-sort-value="2010,590" | XX, 10No. 590/1 | data-sort-value="407,A5" | IV, 7Anh. No. 5 | data-sort-value="Geistertanz, Der, D 015" | Der Geistertanz, D 15 | data-sort-value="text Die bretterne Kammer der Toten erbebt 1" | Die bretterne Kammer der Toten erbebt | data-sort-value="1812-01-01" | | data-sort-value="Text by Matthisson, Friedrich von, Die bretterne Kammer der Toten erbebt 1" | Text by Matthisson (other settings: , 116 and 494); Fragment |- | data-sort-value="015.1" | 15 | data-sort-value="015.1" | 15A | data-sort-value="XXX,1895" | (1895) | data-sort-value="2010,590A" | XX, 10No. 590/2 | data-sort-value="407,A6" | IV, 7Anh. No. 6 | data-sort-value="Geistertanz, Der, D 015A" | Der Geistertanz, D 15A | data-sort-value="text Die bretterne Kammer der Toten erbebt 2" | Die bretterne Kammer der Toten erbebt | data-sort-value="1812-01-02" | | data-sort-value="Text by Matthisson, Friedrich von, Die bretterne Kammer der Toten erbebt 2" | Text by Matthisson (other settings: , 116 and 494); Fragment |- | data-sort-value="016" | 16 | data-sort-value="016" | 16 | data-sort-value="XXX,1940" | (1940) | data-sort-value="ZZZZ" | | data-sort-value="802,11" | VIII, 2No. 11 | data-sort-value="Counterpoint exercises, D 016" | Counterpoint exercises, D 16 | data-sort-value="key G minor A minor" | G minor (Nos. 1–4); A minor (Nos. 5–7) | data-sort-value="1823-01-01" | 1823? | Seven exercises in double counterpoint |- | data-sort-value="017" | 17 | data-sort-value="017" | 17 | data-sort-value="XXX,1940" | (1940) | data-sort-value="ZZZZ" | | data-sort-value="802,37" | VIII, 2No. 37 | data-sort-value="Composition exercises, D 17" | Composition exercises, D 17 | data-sort-value="text Quell' innocente figlio" | Quell' innocente figlio | data-sort-value="1812-01-01" | 1812? | Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to ; No. 2 for ss; Nos. 3 and 5–6 for sat; Nos. 4 and 7–8 for satb (No. 7 not in 1940 publ.) |- | data-sort-value="018" | 18 | data-sort-value="018" | 18 | data-sort-value="XXX,1890" | (1890) | data-sort-value="0500,001" | V No. 1 | data-sort-value="603,01" | VI, 3 No. 1 | data-sort-value="String Quartet, D 018" | String Quartet No. 1 | data-sort-value="key G minor B major" | G minor / B major | data-sort-value="1810-01-01" | 1810–1811 | Andante, Presto vivace – Minuet – Andante – Presto |- | data-sort-value="019" | 19 | data-sort-value="019" | 19 | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="String Quartet, D 019" | String Quartet, D 19 | data-sort-value="ZZZZ" | | data-sort-value="1810-01-01" | 1810–1811 | Lost |- | data-sort-value="019.1" | 19A | data-sort-value="019.1" | 19A | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="String Quartet, D 019A" | String Quartet, D 19A | data-sort-value="ZZZZ" | | data-sort-value="1810-01-01" | 1810–1811 | Lost |- | data-sort-value="999.00192" | | data-sort-value="019.2" | 19B | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="Waltzes and a March, D 019B" | Waltzes and a March, D 19B | data-sort-value="ZZZZ" | | data-sort-value="1812-01-01" | 1812–1813? | For piano; Lost |- | data-sort-value="020" | 20 | data-sort-value="020" | 20 | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="Overture, D 020" | Overture, D 20 | data-sort-value="key B-flat major" |B major | data-sort-value="1812-01-01" | 1812 | For string quartet; Lost |- | data-sort-value="021" | 21 | data-sort-value="021" | 21 | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="Variations, 06, D 021" | Six Variations, D 21 | data-sort-value="key E-flat major" |E major | data-sort-value="1812-01-01" | 1812 | For piano; Lost |- | data-sort-value="022" | 22 | data-sort-value="022" | 22 | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="Minuets, 12, D 022" | Twelve Minuets with Trios, D 22 | data-sort-value="ZZZZ" | | data-sort-value="1812-01-01" | 1812 | For piano; Lost |- | data-sort-value="023" | 23 | data-sort-value="023" | 23 | data-sort-value="131,1830-3" | 131p,3(1830) | data-sort-value="2001,006" | XX, 1No. 6 | data-sort-value="406,04" | IV, 6No. 4 | Klaglied | data-sort-value="text Meine Ruh ist dahin, meine Freud ist entflohn" | Meine Ruh ist dahin, meine Freud ist entflohn | data-sort-value="1812-01-01" | 1812 | data-sort-value="Text by Rochlitz, Johann Friedrich, Meine Ruh ist dahin, meine Freud ist entflohn" | Text by Rochlitz |- | data-sort-value="024" | 24 | data-sort-value="024" | 24 | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="Variations, 07, D 024" | Seven Variations, D 24 | data-sort-value="key F major" |F major | data-sort-value="1812-01-01" | 1812? | For piano; Fragment; Lost |- | data-sort-value="999.00241" | | data-sort-value="024.1" | 24A | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="724,00" | VII/2, 4 | data-sort-value="Fugue, D 024A" | Fugue, D 24A | data-sort-value="key C major" | C major | data-sort-value="1812-06-21" | summer1812? | For keyboard (organ or piano); Partly reused in |- | data-sort-value="999.00242" | | data-sort-value="024.2" | 24B | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="724,00" | VII/2, 4 | data-sort-value="Fugue, D 024B" | Fugue, D 24B | data-sort-value="key G major" | G major | data-sort-value="1812-06-21" | summer1812? | For keyboard (organ or piano); Two versions |- | data-sort-value="999.00243" | | data-sort-value="024.3" | 24C | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="724,00" | VII/2, 4 | data-sort-value="Fugue, D 024C" | Fugue, D 24C | data-sort-value="key D minor" | D minor | data-sort-value="1812-06-21" | summer1812? | For keyboard (organ or piano) |- | data-sort-value="999.00244" | | data-sort-value="024.4" | 24D | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="724,00" | VII/2, 4 Anh. | data-sort-value="Fugue, D 024D" | Fugue, D 24D | data-sort-value="key C major" | C major | data-sort-value="1812-06-21" | summer1812? | For piano; Fragment; Partly reused in |- | data-sort-value="999.00245" | | data-sort-value="024.5" | 24E | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="105,A1" | I, 5 Anh. | data-sort-value="Mass, D 024E" | Mass, D 24E | data-sort-value="key F major" | F major?Gloria – Credo | data-sort-value="1812-06-21" | summer1812? | data-sort-value="Text: Mass ordinary 01" | Text: Mass ordinary (other settings: , 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on |- | data-sort-value="025" | 25 | data-sort-value="025" | 25 | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="802,00" | VIII, 2 | data-sort-value="Counterpoint exercises, D 025" | Counterpoint exercises, D 25 | data-sort-value="ZZZZ" | | data-sort-value="1812-06-18" | started18/6/1812 | Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises |- | data-sort-value="999.00251" | | data-sort-value="025.1" | 25A | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="802,00" | VIII, 2 | data-sort-value="Counterpoint exercises, D 025A" | Counterpoint exercises, D 25A | data-sort-value="ZZZZ" | | data-sort-value="1812-06-21" | summer1812? | Two 4-part counterpoint exercises |- | data-sort-value="999.00252" | | data-sort-value="025.2" | 25B | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="802,00" | VIII, 2 | data-sort-value="Counterpoint exercises, D 025B" | Counterpoint exercises, D 25B | data-sort-value="ZZZZ" | | data-sort-value="1812-06-21" | summer1812? | Fifteen 3-part counterpoint exercises |- | data-sort-value="999.00253" | | data-sort-value="025.3" | 25C | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="802,00" | VIII, 2 | data-sort-value="Fugue, D 025C" | Fugue, D 25C | data-sort-value="key F major" | F major | data-sort-value="1812-06-21" | summer1812? | Counterpoint exercise for two voices; Fragment |- | data-sort-value="026" | 26 | data-sort-value="026" | 26 | data-sort-value="XXX,1886" | (1886) | data-sort-value="0200,002" | II No. 2 | data-sort-value="505,03" | V, 5 | data-sort-value="Overture, D 026" | Overture, D 26 | data-sort-value="key D major" | D major | data-sort-value="1812-06-26" | 26/6/1812 | For orchestra |- | data-sort-value="027" | 27 | data-sort-value="027" | 27 | data-sort-value="XXX,1928" | (1928) | data-sort-value="ZZZZ" | | data-sort-value="108,00" | I, 8 | data-sort-value="Salve Regina, D 027" | Salve Regina, D 27 | data-sort-value="key F major" | F majorSalve Regina | data-sort-value="1812-06-28" | 28/06/1812 | data-sort-value="Text: Salve Regina 1" | Text: Salve Regina (other settings: , 223, 386, 676 and 811); For s and orchestra |- | data-sort-value="028" | 28 | data-sort-value="028" | 28 | data-sort-value="XXX,1923" | (1923) | data-sort-value="ZZZZ" | | data-sort-value="607,01" | VI, 7 No. 1 | data-sort-value="Piano Trio No. 0" | Piano Trio, D 28, a.k.a. Sonata | data-sort-value="key B-flat major" | B major | data-sort-value="1812-08-28" | 27/7/1812–28/8/1812 | Allegro |- | data-sort-value="029" | 29 | data-sort-value="029" | 29 | data-sort-value="XXX,1888" | (1888) | data-sort-value="1100,009" | XI No. 9 | data-sort-value="724,00" | VII/2, 4 | data-sort-value="Andante, D 029" | Andante, D 29 | data-sort-value="key C major" | C major | data-sort-value="1812-09-09" | 9/9/1812 | For piano; Related to and 36 |- | data-sort-value="030" | 30 | data-sort-value="030" | 30 | data-sort-value="XXX,1894" | (1894) | data-sort-value="2001,005" | XX, 1No. 5 | data-sort-value="404,00" | IV, 4 | data-sort-value="Jungling am Bache, Der, D 030" | Der Jüngling am Bache, D 30 | data-sort-value="text An der Quelle sass der Knabe 1" | An der Quelle saß der Knabe | data-sort-value="1812-09-24" | 24/9/1812 | data-sort-value="Text by Schiller, Friedrich, An der Quelle sass der Knabe 1" | Text by Schiller (other settings: and 638) |- | data-sort-value="031" | 31 | data-sort-value="031" | 31 | data-sort-value="XXX,1888" | (1888) | data-sort-value="1400,014" | XIV No. 14 | data-sort-value="105,01" | I, 5 | data-sort-value="Kyrie, D 031" | Kyrie, D 31 | data-sort-value="key D minor" | D minorKyrie | data-sort-value="1812-09-25" | 25/9/1812 | data-sort-value="Text: Mass ordinary 02" | Text: Mass ordinary (other settings: , 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass |- | data-sort-value="032" | 32 | data-sort-value="032" | 32 | data-sort-value="XXX,1890" | (1890)(1897)(1954) | data-sort-value="0500,002" | V No. 2XXII v5 | data-sort-value="603,04" | VI, 3 No. 4 | data-sort-value="String Quartet, D 032" | String Quartet No. 2