Rūpa

Rūpa () means "form". As it relates to any kind of basic object, it has more specific meanings in the context of Indic religions.

Definition According to the Monier-Williams Dictionary (2006), rūpa is defined as: ... any outward appearance or phenomenon or colour (often pl.), form, shape, figure RV. &c &c ... to assume a form ; often ifc. = " having the form or appearance or colour of ", " formed or composed of ", " consisting of ", " like to " ....Monier-Williams Dictionary, pp. 885-6, entry for "Rūpa," retrieved 2008-03-06 from "Cologne University" at http://www.sanskrit-lexicon.uni-koeln.de/monier/ (using "rUpa" as keyword) and http://www.sanskrit-lexicon.uni-koeln.de/cgi-bin/serveimg.pl?file=/scans/MWScan/MWScanjpg/mw0886-rUpakartR.jpg.

Hinduism In Hinduism, many compound words are made using rūpa to describe subtle and spiritual realities such as the svarupa, meaning the form of the self. It may be used to express matter or material phenomena, especially that linked to the power of vision in samkhya,Yoga Sūtras of Patañjali, I.3. "“tadā draṣṭuh svarūpe ‘vasthānam” (Edwin F. Bryant. “The Yoga Sutras of Patañjali.” p.95) In the Bhagavad Gita, the Vishvarupa form, an esoteric conception of the Absolute is described.

Buddhism

Overall, rūpa is the Buddhist concept of material form, including both the body and external matter.

More specifically, in the Pali Canon, rūpa is contextualized in three significant frameworks:E.g., see Hamilton (2001), p. 3 and passim. rūpa-khandha – "material forms," one of the five aggregates (khandha) by which all phenomena can be categorized (see Fig. 1). rūpa-āyatana – "visible objects," the external sense objects of the eye, one of the six external sense bases (āyatana) by which the world is known (see Fig. 2). nāma-rūpa – "name and form" or "mind and body," which in the causal chain of dependent origination (paticca-samuppāda) arises from consciousness and leads to the arising of the sense bases.

In addition, more generally, rūpa is used to describe a statue, in which it is sometimes called Buddharupa.

Rūpa-khandha As matter, rūpa is traditionally analysed in two ways: as four primary elements (Pali, mahābhūta); and, as ten or twenty-four secondary or derived elements.

Four primary elements Existing rūpa consists in the four primary or underived (no-upādā) elements: earth or solidity fire or heat water or cohesion air or movement

Derived matter In the Abhidhamma Pitaka and later Pali literature,Hamilton (2001), p. 6. rūpa is further analyzed in terms of ten or twenty-three or twenty-four types of secondary or derived (upādā) matter. In the list of ten types of secondary matter, the following are identified: eye ear nose tongue bodyHere, "body" (kāya) refers to that which senses "touch" (phohabba). In the Upanishads, "skin" is used instead of "body" (Rhys Davids, 1900, p. 172 n. 3). form sound odour taste touchThe first ten secondary elements are the same as the first five (physical) sense bases and their sense objects (e.g., see Hamilton, 2001, pp. 6-7).

If twenty-four secondary types are enumerated, then the following fifteen are added to the first nine of the above ten: femininity masculinity or virility life or vitality heart or heart-basisAccording to Vsm. XIV, 60 (Buddhaghosa, 1999, p. 447), the heart-basis provides material support for the mind (mano) and mind consciousness. In the Sutta Pitaka, a material basis for the mind sphere (āyatana) is never identified. physical indications (movements that indicate intentions) vocal indications space element physical lightness or buoyancy physical yieldingness or plasticity physical handiness or wieldiness physical grouping or integration physical extension or maintenance physical aging or decay physical impermanence foodThe list of 24 can be found, for instance, in the Visuddhimagga (Vsm. XIV, 36 ff.) (Buddhaghosa, 1999, pp. 443 ff.; and, Hamilton, 2001, p. 7).

A list of 23 derived types can be found, for instance, in the Abhidhamma Pitaka's Dhammasaṅgaṇī (e.g., Dhs. 596), which omits the list of 24 derived types' "heart-basis."Compare Dhs. 596 (Rhys Davids, 2000, p. 172) and Vsm. XIV, 36 (Buddhaghosa, 1999, p. 443).

Yogacara views According to the Yogacara school, rūpa is not matter as in the metaphysical substance of materialism. Instead it means both materiality and sensibility—signifying, for example, a tactile object both insofar as that object is made of matter and that the object can be tactically sensed. In fact rūpa is more essentially defined by its amenability to being sensed than its being matter: just like everything else it is defined in terms of its function; what it does, not what it is.Dan Lusthaus, Buddhist Phenomenology: A Philosophical Investigation of Yogācāra Buddhism and the Chʼeng Wei-shih Lun. Routledge, 2002, page 183.

Rūpa-āyatana

Rūpa-āyatana refers to "visual form, visual object, visible object," which is one of the six external sense bases (āyatana) as the object-element (external sense-object) of the sense-element (internal sense-organ) of the eye.

Nāmarūpa

The rūpa jhānas

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