Scott L. Miller (born 1966) is an American composer best known for his electroacoustic chamber music and ecosystemic performance pieces.
Career Miller's music is characterized by collaborative approaches to composition and the use of electronics, performer-computer improvisation and re-imagining ancient composing processes through the lens of 21st-century technology. Inspired by the inner workings of sound and the microscopic in the natural and mechanical worlds, he experiments and collaborates with musicians and performers who work in various styles.
His recent work experiments with virtual reality applications in live concerts. This was first realized in his composition Raba, created for the Tallinn, Estonia-based Ensemble U:. It is a collection of audio-visual music drawn from collaborations with six film and video artists.
Miller's ecosystemic works model the behavior of objects from the natural world in electronic sound, creating interactive sonic ecosystems. Ecosystemic pieces are the result of autonomous sounds competing with each other for sonic space.
Recordings of his music are available on New Focus Recordings, Innova, and other labels, many featuring his long-time collaborators, the new music ensemble Zeitgeist. His music is published by the American Composers Alliance, Tetractys, and Jeanné.
Miller is a professor of music at St. Cloud State University, Minnesota, where he teaches composition, electroacoustic music and theory. He is Past-President (2014–18) of the Society for Electro-Acoustic Music in the U.S. (SEAMUS) and presently director of SEAMUS Records. He holds degrees from the University of Minnesota, the University of North Carolina at Chapel Hill and the State University of New York at Oneonta, and studied composition at the Czech-American Summer Music Institute and the Centre de Création Musicale Iannis Xenakis.
Miller has been named a McKnight Composer Fellow three times (2001, 2013 and 2018), and was a Fulbright Scholar from 2014 to 2015. His work has been recognized by state, national, and international arts organizations, and has been reviewed and covered by journals including Computer Music Journal (MIT Press), New Music Box, and I Care if You Listen. He has been a featured artist at several festivals, including the Chicago Electro-Acoustic Music Festival (2019), the Lipa Festival (2017), and the Estonian Academy of Music's Autumn Festival, Sügisfest 2016.
Discography as composer, performer Elegy, recorded on Trio Montecino, Eroica JDT3196, featuring David Shea, clarinet; Pablo Mahave-Veglia, violoncello; Paulina Zamora, piano. 2004 https://i.ebayimg.com/images/g/MP8AAOSwELZj4TIM/s-l1600.webp Shape Shifting: Shades of Transformation, featuring Zeitgeist and Felip Costaglioli, recorded on Shape Shifting, Innova 638. 2005 Pure Pleasure, recorded on EOS, featuring Patti Cudd. Innova 967. 2010 And Thirty More, recorded on Here and Now, featuring Zeitgeist. Innova 799. 2011 Devices & Desires, Carla Rees and Scott Miller. rarescale rr004. 2012-06-05 Willful Devices, featuring Pat O’Keefe and Scott Miller. 2012-07-03 Contents May Differ, recorded on Contents May Differ, featuring Pat O’Keefe. Innova 888. 2014 Tipping Point, recorded on Music from SEAMUS vol. 20, featuring Zeitgeist. EAAM-2011. 2015-05-05 Tipping Point, featuring Zeitgeist and Carrie Henneman Shaw. New Focus Recordings FCR161. 2015-05-12 Avec Scott, recorded on Avec, featuring Émilie Girard-Charest. Kohlenstoff. 2016 Diary of a Left-Handed Sleepwalker, featuring Three Free Radicals (Scott Miller and Mart Soo). Panoramic PAN04. 2016 Every Problem is a Nail, recorded on The Electro-Acoustic Piano, Vol. 2, featuring Keith Kirchoff. Thinking Outloud. 2017-06-01 bc+1[track_number++] = (laptop) scott_miller + bc; featuring Binary Canary (Kyle Hutchins and Ted Moore). Avid Records 20171. 2017-06-01 Travelogue, featuring Three Free Radicals (Scott Miller and Mart Soo). Improtest IMPR11. 2017-08-03 Raba, featuring Laura Cocks, Dan Lippel, and Ensemble U:. New Focus Recordings FCR198. 2018-03-16 Contents May Differ, recorded on Music from SEAMUS vol. 24, featuring Pat O’Keefe. EAAM-2014. 2018-10-05
Selected works
1992 Time is Vicious (if you take it for granted) Commissioned by The Double Reed Ensemble of Iowa (a.k.a. Wizards). Two oboes, English horn & bassoon; duration: 5 minutes. Published by Jeanné, Inc. Recorded on the Wizards' CRS Master Recordings CD (CRS 9460). First performance: 1993 by The Double Reed Ensemble of Iowa, University of Iowa, Iowa City, IA. 1998 Autumn Etude (a.k.a. In Memorium Lloyd Ultan) Fixed-media; duration: 8 minutes. First performance: 12 November 1998 at Sonic Circuits VI, St. Cloud, MN. Dies Sanctificatus Mixed Choir and fixed-media; duration: 7 minutes. First performance: 17 April 1998 by the SCSU Concert Choir, Jeffrey Douma, cdtr., Ritsche Auditorium, St. Cloud, MN. 2000 Chimera Viola and Fixed-media; duration: 7 minutes. First performance: 27 March 2000 by Coca Bochonko, Ruth Gant Recital Hall, St. Cloud, MN. 2001 Ecce Dominus Veniet Women's Choir (SA) and Percussion; duration: 6 minutes. Composed with support from the Minnesota State Arts Board Artist Assistance Fellowship, Fiscal Year 2001 and supported in part by the American Composers Forum through the 2001 McKnight Composer Fellowship Program. First performance: 5 December 2001 by the SCSU Women's Choir and the SCSU Percussion Collective, Ritsche Auditorium, St. Cloud, MN. Landscape Created with support from St. Cloud State University Scholarly and Creative Activity Reassign Time. Wind Ensemble and Fixed-media; duration: 8 minutes. First performance: 22 April 2001 by the SCSU Wind Ensemble at St. Mary's Cathedral, St. Cloud, MN. 2004 Shape Shifting: Shades of Transformation Commissioned by Zeitgeist. Includes the works: Apnèe, Mirror Inside, St. Victoire, Desire Also Has Its Own Geography, Dressing Up, Jardins Mécaniques, Digging Space, Les Cançóns de la Sang, New Snow. Spoken-word, Interactive-Electronics, Alto Sax/Bass Clarinet, Piano, Percussion (2); includes settings of Philippe Costaglioli's "Apnèe," "St. Victoire," and "Dressing Up;" duration: 65 – 70 minutes. Created in collaboration with Zeitgeist and Philippe Costaglioli. Underwritten by the American Composers Forum with funds provided by the Jerome Foundation. Made possible with support from the Zeitgeist Commissioning Collective. First performance: 4–12 June 2004 by Philippe Costaglioli, Scott Miller, and Zeitgeist at Studio Z, St. Paul, MN. 2005 Engines of... String Orchestra and fixed-media; duration: 7 minutes. Commissioned by Maple Grove Senior High School Orchestra with support of the Maple Grove Music Boosters. First performance: 30 January 2006, by the Maple Grove Senior High School Orchestra, Matt Caron, conductor, Maple Grove, MN. 2006 Chimera No. 2 Violin and fixed-media electronics (CD); duration: 19 minutes. Commissioned by Mlade Podium Festival for premier by violinist Iva Kramperová. First performance: 12 September 2006 by Iva Kramperová, Mlade Podium Festival, Pardubice, CZ. Fun House Bass Clarinet and Interactive Electronics, 2 cardioid microphones, and 4 channel diffusion of sound; duration: 12 – 20 minutes. Commissioned by and created in collaboration with Pat O'Keefe. First performance: February 2006, by Pat O'Keefe, Spark Festival of Electronic Music and Art, Ted Mann Hall, University of Minnesota, Minneapolis, MN. Some Fabric and a Few Pieces of Bone Interactive work for Kyma, two cardioid microphones, and four-channel diffusion of sound; duration: 6.5 minutes. First performance: September 2006, Livewire Electronic Music Concert, University of Minnesota, Minneapolis, MN. Three Gestures Clarinet, cello, and piano; duration: 10 minutes. Commissioned by Trio Montecino. First performance: 8 October 2006 by Trio Montecino, Gant Recital Hall, St. Cloud, MN. 2008 And 30 More Bass clarinet, piano, two percussionists and fixed-media electronics (CD); duration: 2.5 minutes. Commissioned by Zeitgeist. First performance: 20–22 June 2008 by Zeitgeist, Studio Z, St. Paul, MN. The Cosmic Engine Soprano, clarinet/bass clarinet, acoustic/electric guitar, cello, four channel interactive and fixed-media electronics, three channels of video projection; duration: 65 minutes. Created in collaboration with Rosemary Williams (video artist) and Pat O'Keefe (woodwinds). Commissioned by The Southern Theater. First performance: 30–31 May 2008 by Scott Miller, Rosemary Williams, Pat O'Keefe, Norah Long, Jeff Lambert, and Jacqueline Ultan, Electric Eyes New Music and Media Festival, The Southern Theater, Minneapolis, MN. Nebe Na Zemi (Heaven on Earth)Soprano, interactive-electronics performance environment for Kyma, two cardioid microphones, and four-channel diffusion of sound; duration: 32 minutes. Created for visual artist Vladimír Havlík's multi-channel video installation in the Corpus Christi chapel, Olomouc, CZ. Setting of text from Karl Marx's Das Kapital. First performance: 5 November 2008, Marketa Večeřova, sop. Pure Pleasure Two Snare Drums and fixed-media electronics (CD); duration: 5 minutes. Commissioned by Patti Cudd. First performance: 7 March 2008 by Patti Cudd, Studio Z, St. Paul, MN. 2009 Chimeric Night Clarinet and interactive-electronics; duration: 5.5 minutes. First performance: 20 October 2009, Hewitt Pantaleoni Concert Series, Oneonta, NY, Calvin Falwell, cl. haiku, interrupted Clarinet and interactive-electronics; duration: 7.5 minutes. Created in collaboration with Pat O’Keefe. First performance: 17 February 2009 at Spark Festival of Electronic Music and Art, University of Minnesota Arts Quarter, Pat O’Keefe, cl. Lovely Little Monster Flute, clarinet, percussion and interactive or fixed-media electronics (CD); duration: 7 minutes. First performance: 20 February 2009 at Spark Festival of Electronic Music and Art, University of Minnesota Arts Quarter, Jenny Hanson, fl, Pat O’Keefe, cl., Patti Cudd, perc. Solo cl. version first performed 17 April 2009 at SEAMUS 2009 National Conference, Fort Wayne, IN, Marianne Gythfeldt, cl. 2010 Tipping Point Bass clarinet, marimba, multi-percussion, piano and interactive-electronics; duration: 11.5 minutes. First performance: 1 – 3 April 2010 on Zeitgeist's concert series Wired, Studio Z, St. Paul, MN. Official premier: 10 April 2010, SEAMUS 2010 National Conference, Saint Cloud, MN, by Zeitgeist. Whispering Beast Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 6.5 minutes. First performance: 24 September 2010, Kyma International Sound Symposium 2010, Vienna, Austria. 2011 Anterior/Interior ¼-tone alto flute and interactive-electronics; 8’. First performance: 23 November 2011 by Carla Rees, on rarescale concert (re)introduction, Shoreditch Church, London, UK. Published by Tetractys. Forth and Back Soprano, bass clarinet, marimba, vibes, multi-percussion and piano, setting of Felip Costaglioli's poem; duration: 20 minutes. First performance: 6–8 October 2011, on Zeitgeist's concert series Fall Music Harvest, Studio Z, St. Paul, MN. Orrery for Casa da Música Interactive-electronics, two cardioid microphones, and four-channel diffusion of sound; duration: 10 – 15 minutes. First performance: 18 September 2011, Kyma International Sound Symposium 2011, Porto, Portugal. 2012 Détente EMMI robots (AMI, CARI, TAPI), interactive-electronics, two cardioid microphones; duration: 10 – 30 minutes. First performance: 14 July 2012, Sound and Music Computing Conference, Copenhagen, Denmark. Proof of Concept Trumpet, violin, viola, interactive-electronics; duration: 1 minute. First performance: 1–11 October 2012, SoundProof Fall 2012 concert tour, Bowling Green State University; College-Conservatory of Music, University of Cincinnati; Ohio University; Electronic Music Midwest 2012. 2013