Stabat Mater by Alessandro Scarlatti is a religious musical work composed for two voices (soprano/alto), two violins and basso continuo, in 1724, on a commission from the Order of Friars Minor, the "Knights of the Virgin of Sorrows" of the Church of San Luigi in Naples for Lent
The text, the Stabat Mater sequence, is a 13th-century liturgical text meditating on the suffering of Mary, mother of Christ.
Considered outdated by those who had ordered it, Scarlatti's work was replaced in 1736 by the famous Stabat Mater by Giovanni Battista Pergolesi.
Scarlatti set the Stabat Mater three times. There is another manuscript of a three-part Stabat Mater, dated 1715 and kept in NaplesNaples, Archivio Musicale della Communità Oratoriana dei Padri Filippini. (Stabat Mater [II]) and a third work, composed for four voices, dated 1723, but now lost (Stabat Mater [III]).
Description
The Stabat Mater consists of eighteen pieces that can be grouped into four parts, starting and ending with a duet.
Scarlatti inverts verses 10 and 11 and groups verse 13 with verse 14, and verse 15 also plays verses 16 and 17 in a recitative. That is eighteen numbers for twenty verses.
Scarlatti's late composition impresses by its extraordinary musical richness, variety of forms, chromatic freedom and flexibility of expression. Thus the work is one of his most popular religious works today.
A performance takes about forty minutes.
Stabat Mater dolorosa, a due – Adagio Cujus animam gementem, canto solo – Moderato e dolce O quam tristis, alto solo – Poco andante Quae moerebat et dolebat, a due – Adagio Quis est homo, canto solo – Andante Quis non posset contritari, alto solo – Andantino Pro peccatis suae gentis, canto solo – Moderato Vidit suum dulcem natum, a due – Moderato Pia Mater, canto solo – Andantino Sancta Mater, alto solo – Andante moderato Fac ut ardeat cor meum, canto solo – Andante molto Tui nati vulnerati, a due – Adagio Juxta crucem, alto solo – Andante smorzato Virgo virginum praeclara, canto solo – Allegro Fac ut portem Christi mortem, alto solo – Recitativo – Adagio e piano Inflammatus et accensus, canto solo – Andantino Fac me cruce custodiri, alto solo – Recitativo – Largo Quando corpus morietur, a due – Adagio e piano – Allegro
Manuscript Florence, Conservatorio Luigi Cherubini, I-Fc (Ms.B 2353b).
Discography Stabat Mater [I] – Mirella Freni, soprano; Teresa Berganza, mezzo-soprano; Paul Kuentz chamber orchestra, conductor Charles Mackerras (1976, Deutsche Grammophon) Stabat Mater [I], Salve Regina [V] – Véronique Diestchy,Véronique Diestchy on BBC Music/ soprano; Alain Zaepffel,Alain Zaepffel on Discogs countertenor; Ensemble GradivaEnsemble Gradiva on Classical Archives (7-9 August 1988, Adda 581048 / Accord)When it was released, this record was distinguished with a "Choc" by Le Monde de la musique magazine and 4 keys in Diapason. Stabat Mater [I] – Gemma Bertagnolli,Gemma Bertagnolli short biography on Bach Cantatas Website soprano; Sara Mingardo, contralto; Concerto Italiano, dir. Rinaldo Alessandrini (1998, Opus 111 30-160 / Naïve Records OP30441)When it was released, this record was awarded a "10" by Laurent Campellone in the N° 118, November 1998 . — with Pergolesi Stabat Mater [I], Salve Regina [III] – Sandrine Piau, soprano; Gérard Lesne, alto; Il Seminario musicale (1998, Virgin 5 45366 2)When it was released, this disc was distinguished with a Golden Diapason N° 469, April 2000 and a "recommended" in Classica. Stabat Mater [I] – Emma Kirkby, soprano; Daniel Taylor, countertenor; Theatre Of Early Music (26-29 August 2004, Atma Classique)
References
Bibliography enregistrement : OCLC:1007458967
External links
Alessandro Scarlatti, Stabat Mater on stabatmater.info