Ina Bourskaya (September 9, 1886 — June 25, 1954) was a Ukrainian-born American opera singer.
Early life Ina Korzeniowska was born at Zhytomyr, Ukraine. Her parents, Joseph Korzeniowski and Teofilia Demlicka, were Polish.Charles Mintzer, "Ina Bourskaya (1886/1888–1954): A Singer Remembered" Opera Nostalgia (March 2017).
Career Ina Bourskaya's opera debut was in 1913, in Romeo et Juliette. She arrived in the United States as a star of the Russian Opera Company,"Ina Bourskaya under Hurok Management" Musical Leader (May 18, 1922): 492. which toured internationally in Asia,"Bourskaya Introduced Carmen Role in Japan" Independent Record (April 30, 1925): 3. via Newspapers.com showcasing Russian-trained singers and musicians, performing in Russian.M. H. Flint, "New York" Musical Times and Singing-Class Circular (July 1, 1922): 513–514. She went to Chicago by 1922, first with the Russian Opera Company,"Russians Continue to Interest" Musical Leader (March 30, 1922): 295. then appearing as Amneris in the Chicago Civic Opera's production of Aida."Opening of the Opera Season" Music News (November 3, 1922): 11."'Aida' to Inaugurate Civic Opera Season" Music News (November 3, 1922): 16. She also sang at Chicago's Ravinia Festival every summer from 1922 to 1931.Edward Moore, "Ravinia Likes Flaming Girl from Steppes" Chicago Tribune (July 23, 1922): 15. via Newspapers.comEdward Moore, "Bourskaya Thrills Ravinia Crowds as Dramatic Carmen" Chicago Tribune (June 29, 1923): 17. via Newspapers.comEdward Moore, "Ina Bourskaya Sings as Climax to Polish Program at Ravinia" Chicago Tribune (August 6, 1928): 31. via Newspapers.com In 1927–1928, she spent a season with the Los Angeles Opera, and performed in three operas with the San Francisco Opera."Ina Bourskaya", Performance Archive, San Francisco Opera. From 1933 to 1937, she was a member of the San Carlo Opera Company.
Bourskaya left the Russian Opera Company to join the Metropolitan Opera in 1922. (She was replaced by Nina Koshetz)."Russian Opera Company Offers Novelties in New York" Musical Leader (May 18, 1922): 479. Bourskaya starred in Carmen many times with the Metropolitan Opera.Victoria Etnier Villamil, "O ma Carmen": Bizet's Fateful Gypsy in Portrayals from 1875 to the Present (McFarland 2017): 87. "New Carmen Appears in Ina Bourskaya" New York Times (March 3, 1923): 9. "Ina Bourskaya as Carmen" New York Times (December 5, 1924): 28. While in New York, she performed at benefit concerts for the Veterans' Mountain Camp near Saranac, New York,"Concert Tonight to Aid Veterans' Camp" New York Times (June 3, 1923): X4. and the Brooklyn Children's Fresh Air Association."Opera Concert Aids Camp" New York Times (December 12, 1927): 30.
She appeared in a 1930 Vitaphone film short of the temple scene from Aida.Roy Liebman, Vitaphone Films: A Catalogue of the Features and Shorts (McFarland 2010): 54. In 1932, Bourskaya scoffed at opera singers' slimming regimens, saying "If the artists of today are truly to portray the works of the great masters, we must not diet, we must not roll on the floors, nor must we try to portray something the old masters knew nothing about.""No Opera Star Can Live on a Meal a Day, Says Ina" Pittsburgh Post-Gazette (October 12, 1932): 26. via Newspapers.com
She left the Metropolitan Opera after the 1936–1937 season. In the 1940s, Bourskaya used the name Ina Bours, and worked as a receptionist in Chicago, Illinois.Funeral listing, Ina Bours (Bourskaya), Chicago Tribune (June 28, 1954): 52. via Newspapers.com
Personal life Ina Korzeniowska married Witold Bourski, a professor of language and philosophy, in 1908. She also had a longtime relationship with tenor Petr Skuba, who died in 1917. She became an American citizen in 1928, after first applying in 1923."Madame Bourskaya, Opera Star, Gets First Papers" Chicago Tribune (July 18, 1923): 5. via Newspapers.com She died in Chicago in 1954, aged 67 years."Ina Bourskaya, 67, Sang at the Met" New York Times (June 29, 1954): 27.
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