Catherine Hardwicke is an American film director, production designer, and screenwriter. Her directorial work includes Thirteen (2003), which she co-wrote with Nikki Reed, the film's co-star, Lords of Dogtown (2005), The Nativity Story (2006), Twilight (2008), Red Riding Hood (2011), Plush (2013), Miss You Already (2015), Miss Bala (2019), Prisoner's Daughter (2022), and Mafia Mamma (2023).
Early life and work Hardwicke was born in Harlingen, Texas. She grew up in McAllen on the U.S.–Mexico border, where her family owned and operated a farm along the Rio Grande, and was raised as a Presbyterian. Growing up in McAllen, Hardwicke describes it as "wild": in high school, "her principal was stabbed three times. A friend's father was shot in the back, and another friend was murdered. And yet life could be wonderful at the same time. 'It was a Huck Finn life, too,' she said." As a child she did not attend many movies and explains, "I didn’t go to many movies. Let's be honest: It was a cultural wasteland. At the time, you could not go to a significant museum unless you drove three hours to Corpus Christi or four to San Antonio". However, there were other ways to have fun such as sneaking over to the bars and nightclubs of Mexico before she was even a legal adult. Speaking on her early life Hardwicke says, "It was a wonderful childhood. I'm dying to make a movie about it".Smith, Evan. "Catherine Hardwicke", Texas Monthly, 2009. Vol. 37 Issue 4, pp. 86-92
She graduated from McAllen High School and went to the University of Texas at Austin, where she earned a degree in architecture. Among her post-graduation projects was designing the solar townhouse complex built around a man-made lake on the 20-acre site, complete with waterfalls and swimming pools. The property was owned by her father.
Education After graduating from her hometown high school, McAllen High School, Hardwicke went on to attend the University of Texas at Austin. Studying Architecture, Hardwicke felt that she had far too much creativity for that field, stating: I was a little out there for architecture school. I would dress up like my building and people were like, "wow, dude, architecture really doesn’t encourage that type of creativity". Feeling limited, Hardwicke moved to Los Angeles, where she studied at UCLA film school to explore her creative talents. Hardwicke made her first short film for her brother Jack who was marrying Nicolette Cullen. During this period in the 1980s, Hardwicke made an award-winning short, Puppy Does the Gumbo and was recognized with a Nissan Focus Award and was featured in the Landmark Best of UCLA film program.
Film career Hardwicke became a production designer, working with film directors such as Cameron Crowe, Richard Linklater, and David O. Russell. She was influenced by them, gaining experience in their techniques, and learning informal aspects from professional conversations. She talked to some about her desire to be a filmmaker, and received advice and tips.
While working with such big-name directors, she was able to study their techniques: "I always told them I really want to make my own movies, and they were all very generous and gave me tips." Her career as a production designer was crucial and beneficial to the molding of her career as a director. Her time spent with these directors aided her and were able to give her a sense of direction: "As you’re riding around with the director location scouting, you hear a lot of conversations and you start piecing them together, so I think that helped me." She even worked with fellow female director Lisa CholodenkoUSC Cinematic Arts. Word Building Institute. "Catherine Hardwicke". on her film Laurel Canyon (2002). Aside from her time spent working alongside directors, Hardwicke continued to work on her own projects such as scripts, short films, and teaching herself Final Cut Pro. Hardwicke even took it upon herself to take acting classes to become a better director.
Through the 1990s and early 2000s, Hardwicke worked as a production designer on films including Tombstone (1993), Freaked (1993), Tank Girl (1995), 2 Days in the Valley (1996), The Newton Boys (1998), Three Kings (1999), and Antitrust (2001). In 2000, she worked as production designer with director/screenwriter Cameron Crowe and actor/producer Tom Cruise on Vanilla Sky (2001).
Thirteen (2003)
Hardwicke's first film as a director was developed in collaboration with then-fourteen-year-old Nikki Reed, who wrote a screenplay that reflected some of Reed's teenage experiences. Hardwicke had known Reed since she was five years old, as she had been in a relationship with Reed's father. After the relationship ended, she continued to stay close with Reed. Hardwicke said "I started getting my hair cut by her mother, which is similar to the film, so I saw them every few months" she continues to say, "when [Nikki] turned thirteen, I started noticing she had completely changed to becoming quite angry with her family, her mother, and herself. I started seeing all these changes and difficulties she was going through, so I thought, along with her parents, that if she could hang out with me, things would get better". Throughout the time they spent together, Reed had revealed to Hardwicke that she was interested in acting which was the spark that ignited Thirteen. They completed the script in six days during Christmas break. When asked why there was an urgency to make the film, Hardwicke replied with "I felt it was almost like a snapshot of a particular time. I really wanted Nikki to be in it, because her energy was so inspiring to it, and I don't like the movies where the person is eighteen years old playing a thirteen-year-old, so I said, 'We're going to shoot it even if it's with a digital camera and me as the whole crew."' Evan Rachel Wood was contracted to star in the movie alongside Reed. The film tackles difficulties of contemporary teenagers. A young teen loses her innocence in a rapid spiral of events, with disturbing portrayals of drug, sex, theft, and dropping out of school. Capturing a range in high impact emotions, the film encapsulates the realness and authenticity of teen angst, that which includes mood changes and forming identities. "Instead of The Lizzie McGuire Movie, Hardwicke and Reed create an eye-opening portal into the life of teenagers growing up at an alarmingly young age; the anarchic friendship between Tracy (Evan Rachel Wood) and Evie (Reed) leads to a chaotic chain of events that include drugs, sexual encounters with a guy twice their age, and self-mutilation."
Reed and Hardwicke wrote the script from the point of view of Tracy, a "normal" 13-year-old who begins at a new middle school. There she meets Evie, who she thinks of as more advanced and whom she wants to impress. She hopes Evie will give her entrance to what she thinks is an exciting "crowd." The film actively interacts with the theme of conformity in the teenage years. Eager to become friends with Evie, Tracy loses her "normal" self and enters a world completely opposite of her own. Tracy's single mother Melanie, played by Holly Hunter, has tried to be a friend to her daughter and does not know how to deal with her changes. With divorced parents Tracy does not interact with her father as much, thus this serves as a way for her to feel anger towards both parents, impacting their parent-child relationship.The film features female friendship and the difficulties of adolescence. These friendships are viewed between Evie and Tracy as well as Tracy and Melanie. These eventually became recurring themes in Hardwicke's work. The film received critical acclaim and praise for its stars. Holly Hunter was nominated for the Academy Award for Best Supporting Actress. Thirteen earned Hardwicke the directing award at Sundance in 2003.
Lords of Dogtown (2005)
She went on to direct this fictionalized account of skateboarding culture. The film is based on the documentary Dogtown and Z-Boys by Stacy Peralta, whom Hardwicke had worked with. As she lived in Venice Beach and knew most of the Z- Boys well from surfing, Hardwicke drew on personal experience in directing the film. "I surf at the same break they surf at, and I know that world, explains the filmmaker."
Based on a true story, Lords of Dogtown follows the young Peralta, Tony Alva, and Jay Adams as they revolutionize the world of skateboarding. As California encounters a drought the 70s, residents began to empty out their pools. This led to a group of surfers in the Dogtown Area of Santa Monica to create a new sport, skateboarding. Board designer Skip Englblom, soon decides to add a skate team known as the Z-boys to his already well-known surf team. Taking advantage of the drought, the boys began to practice this new sport in the empty swimming pools. After the team begins to reach success like winning major contests, fame follows and soon the Z-boys start to appear in many magazines. Through this fame, the Z-boys (Stacy, Jay, and Tony) start to get noticed by well-known skateboarding companies in hopes to take the boys away from Skip. As the boys accept major career offers, one by one they leave the team, Stacy being the last to leave. Stacy, Jay and Tony become celebrities and rivals as they compete against each other in various competitions. Ultimately they skateboard for profit, abandoning the passion which they began with. After the pier that the boys used to surf around burns down, it negatively affects all three. The film explores Hardwicke's theme of teenage angst. Not only do the Z-boys find their passions with a newly created sport, but also they use this experience to form an identity amidst their teenage years. The film details teenage rebellion."As the boys fight one another and carve out their own identities by types, they collapse under their own mythology...Afraid and confused they make kid mistakes, use each other's trusts and don't image long term consequences." Hardwicke has said that the drama film was not intended to compete with the documentary, but to express the perspective of people as they lived the events, rather than later recounting them. The technical work was acclaimed, from the skate tricks to the complex camera work. Lance Mountain, legendary skater, cameraman and long-time friend of Peralta, shot the action while riding along behind the skateboarders.
The Nativity Story (2006)
In 2006, Hardwicke directed this biblical film for New Line Cinema. She was initially reluctant to take on the project as she was concerned about finding a fresh approach to the story, but changed her mind after conducting some research: "... I found out that Mary was 13 or 14 years old, by all accounts. And I thought, what about all the girls, the kids that I know? What if this happened to them? That's kind of mind-blowing, amazing. I thought it would be fun to go back and do something completely different." She also incorporated a psychological approach to Joseph and the difficulties he faced. Hardwicke wanted to cast a young actress as Mary, traditionally held to be about 14 or 15 at the time of Jesus' birth, given the marriage age of girls in that culture. She also wanted an actress who at least appeared to be Middle Eastern. She cast as her lead Keisha Castle-Hughes, the Oscar-nominated New Zealand actress of Māori descent, who starred in Whale Rider (2002).
Twilight (2008)