Freedom is the fifth studio album by American indie rock band Amen Dunes. It was released on March 30, 2018, by Sacred Bones Records.
The album was written by Damon McMahon in Portugal and New York City in 2015. It was recorded primarily at the renowned Electric Lady Studios in Greenwich Village. Produced by Chris Coady, the album marks a clear shift from the lo-fi, dark sound and dense lyrics of previous Amen Dunes records to a more accessible pop rock style with more direct lyricism. It has a more electronic sound with synths backing the songs and electric guitar in place of McMahon's usual acoustic guitar sound.
Written and recorded over the span of three years, Freedom features a number of musicians including Italian electronic artist Panoram (Raffaele Martirani), Yeah Yeah Yeahs guitarist Nick Zinner and Amen Dunes collaborators Parker Kindred and Jordi Wheeler, as well as guitarist Delicate Steve and McMahon's brother Xander Duell. Its lyrical content draws from McMahon's childhood, his relationship with his father, masculinity, and his mother, who was diagnosed with terminal cancer at the beginning of the album's recording. Freedom has been described as a concept album, with each song being an exploration of self through both real and fictional characters.
Upon its release, Freedom received widespread acclaim from music critics, who later ranked it among the best albums of 2018. The album was described by Pitchfork as his "euphoric breakthrough". It was preceded by the singles "Miki Dora", "Blue Rose" and "Believe".
Background and recording In 2015, after numerous tours in support of Amen Dunes' fourth studio album Love, Damon McMahon spent a few weeks in Lisbon, Portugal, where he began writing Freedom. He came home to New York City shortly after and spent months with Amen Dunes collaborators Jordi Wheeler and Parker Kindred putting drums, guitars and keyboards to the songs and coming up with structural ideas himself.
Recording of the album first began in February 2016 at Future Past Studios in Hudson, New York with Jordi Wheeler and Parker Kindred, joined by Delicate Steve. Dissatisfied with the results, McMahon decided to completely scrap what they had recorded and start over with a different approach. He called producer Chris Coady for help, who brought them into Electric Lady Studios. He brought in more musicians, including bass guitarist Gus Seyffert, multi-instrumentalist Panoram, guitarist Nick Zinner, and his brother Xander Duell.
Freedom was recorded at four separate studios in the United States. The bulk of the songs were recorded at Electric Lady Studios in the Greenwich Village neighborhood of Manhattan, New York and finished at Sunset Sound Recorders in the Hollywood neighborhood of Los Angeles, California. McMahon, Nick Zinner and Gus Seyffert fleshed out the recordings at Sunset Sound. A single vocal take from the sessions at Future Past Studios in Hudson, New York was kept. The album was also recorded at Trout Recording in Brooklyn, New York, with McMahon primarily overdubbing by himself.
Damon McMahon's mother, Thea Duell, was diagnosed with terminal cancer when he started writing Freedom. She died in June 2018. The opening track, "Intro", features a quote read by Thea. McMahon had her record herself using her phone, which he then altered to add a robotic effect.
Composition
Musical style and influences
Freedom marks a clear shift from the lo-fi, dark sound and dense lyrics of previous Amen Dunes records to a more dynamic and pop rock style with more direct lyricism. It has a more electronic sound with synths backing the songs and electric guitar in place of McMahon's usual acoustic guitar sound.
McMahon described Freedom himself as being centered around three kinds of music, "rock music, pop music, and electronic music." He has said he was influenced by Michael Jackson; Tom Petty, early Oasis, late Nirvana, unplugged Nirvana but also Aphex Twin and Massive Attack. Specifically, McMahon has said it was mainstream music that he was interested in, "really, really good mainstream music."
Lyrics and themes
Described as a "relinquishing of self through an exploration of self," each song on Freedom explores a different aspect of self through both real and fictional characters. The characters include father and mother, Amen Dunes, teenage glue addicts and drug dealer from Paris, ghosts above the plains, fallen surf heroes, vampires, thugs from Naples and thugs from Houston, the emperor of Rome, Jews, Jesus, Tashtego, Perseus, and even Damon McMahon himself. Each character portrait is a representation of McMahon, of masculinity, and of his past. As such, McMahon himself has called Freedom a concept album, stating "It's like this image of this kid, it's this little boy who's like "now that I've shed my origins I'm going to start off in the world and get dreaming." Then he opens up, he's free of his father if you will, and he carries off into this dreamland of all these different characters."
McMahon has described the album as his reckoning with a primary struggle in himself and that doing so revealed "secondary struggles with self" and eventually he realized he had "11 songs of struggle with self, of different colors and shapes and stuff." A core struggle present in Freedom is McMahon's relationship with his father, Paul, who he has said "never supported anything" he did." Other struggles explored in the album include masculinity; spirituality; his chaotic childhood; the realities of adulthood; and mortality, as examined through his mother's approach to her terminal cancer and overall how she had lived her life, which McMahon had previously been critical of.
All of the struggles and characters are explored and embodied in an attempt at letting them all go. The final track on the album, L.A., represents this breakthrough.
The vacant mind The concept of the "vacant mind" is introduced within the first minute of the album and is the central inspiration for the lyrics and themes that form Freedom. McMahon's songwriting style consists of recording himself sitting with guitar and singing unstructured words. He plays the recording back over and over until he can derive lyrics from it. He has said, "the vacant mind dictates the general lyric and then my conscious mind refines it." The final lyric on the album connects back to the vacant mind.
Songs The album opens with "Intro", a 50-second track beginning with a sample from a YouTube video of a child reciting Kurt Russell's pre-game speech in the 2004 film Miracle, where he played U.S. Olympic hockey coach Herb Brooks. The phrase "this is your time" is repeated twice. The sample is backed by a "Spacemen 3-esque seasick" electronic drone. The end of the song features the quote "I don't have any ideas myself; I have a vacant mind" by abstract painter Agnes Martin, as spoken by McMahon's mother.
"Blue Rose" is a "woozy disco-dub-folk jam" that features "echoing" guitars, "propulsive" percussion and "glowing" synths. The narrator of the song is the Amen Dunes character. The beginning of the song includes the lyric "When the evening comes I go call up the band, we play religious music I don't think you'd understand," an allusion to musical energy of Amen Dunes that empowers McMahon. The song is also an exploration of the relationship he had with his unpredictable father. McMahon's father was very disapproving of his career as a musician, which McMahon describes as "a very early imprint of conflict" that he needed to explore. "Blue Rose" is a song of retribution as a means of catharsis for McMahon's "adult self" and "little kid self," with the lyric "kill off my father" furthering this idea. The song ends with the lyric "You weren't much a man to me, but you're the only one I've ever had".
"Time" is a "warm" song featuring "feathery" drumming, "hallow" synths and "country like-guitars". The narrator explores an "identity hang-up" as he lists instances of the persecution of Jews. McMahon's mother was Jewish. The song mentions the crucifixion of Jesus, the expulsion of Jews from Spain in the 15th century, moving to Ancient Rome, and The Holocaust. Pain is a central theme of the song, with it being described as a necessary evil as the narrator wails, "So much pain, induction pain, yeah". McMahon has said that acknowledging pain is healthy and the way to liberate yourself from your hang ups. The song is also about mortality, with imagery of an afterlife of sitting atop a "silver cloud, so empty now".
"Skipping School" is a slow-burner featuring a "low, echoing" harmonica. The song builds tension through a "gentle, melancholic minor chord" that swells into a climactic release at the song's finish. Divided into two parts, the first half of the song finds the narrator waking up in a drugged out daze and thinking that he would "maybe stay high forever and drift along the Mekong if I could". The song locates McMahon's father as a child, "the coolest kid in school" whilst "in the alley, sniffing glue". He then recalls the cool kids that he grew up with and was bullied by, but whose lives ultimately did not pan out well. The song conflates the masculinity of McMahon's father with the troublemakers McMahon grew up with and looked up to, many of whom eventually went to prison or died. In the second half of the song the narrator is older, "on the road somewhere" and "doing fine". He feels superior and criticizes his former friends, saying he would go back and show them if he could. He then finds himself in trouble on his way to "North Pigalle" in Paris. He realizes he is guilty of acting the same way he had been critical of them for. The song ends with the narrator letting go of himself and trying to find forgiveness.
"Calling Paul the Suffering" is a "bright" song with a "danceable" groove in a "skittering" beat, backed by "gleaming" synthesizer hums and "glossy" guitars. The song's lyrics and vocal style have been compared to glossolalia. The song is about McMahon's father, Paul, but also about the regret people feel going through their lives wishing they could do it over. McMahon has said that the song has "a lot less of the conscious mind" in it and that it wrote itself. The lyric "I've been rolling for two years now, I'll make you proud boo" is reference to McMahon's mother, who his father called boo.
"Miki Dora" is a "spacey" folk song with "slinky" guitars and a "coasting" beat that "ebbs and flows like the ocean waves". McMahon has attributed the song's "surfy" feel to its lack of a chorus. Similar to "Skipping School", "Miki Dora" builds tension and swells to a climatic release. It has been described as having the strongest melody on Freedom, as well as being one of Damon McMahon's greatest songs. The song's title is a reference to Miki Dora, a noted surfer of the 1950s and 1960s in Malibu, California. The song is largely about male identity. Miki Dora is often portrayed as a heroic and charismatic figure despite having been known also to be a surly and standoffish person with bigoted views and a criminal record.USC Trojan Family "Dawn Patrol" by Agustin Gurza, Autumn 2014. Damon McMahon has said, "He felt a little bit like me and a little bit like the bullshit that I've always been told to gravitate towards, like unavailable, shut down men who are macho, morally questionable and really aggressive. Those are the people that I think were modelled in my home or my community, or in the media". He embodies Dora in the song, empathizing with him but also being critical of him. He illustrates how attractive and destructive some notions of masculinity can be, using Miki Dora as a symbol from an old era with the repeated lyric "the waves are gone". Similar to "Calling Paul the Suffering", the song is also about regret. The narrator is an old man singing about his past: "pride destroyed me, man".