Nicolas Canniccioni is a Canadian cinematographer.

In 2009, Canniccioni served as additional director of photography for Xavier Dolan's I Killed My Mother. In 2015, he was nominated for a Canadian Screen Award for Best Cinematography in a Documentary with Jean-Pierre St-Louis for Where I'm From.

With director Simon Lavoie, he began shooting the film The Little Girl Who Was Too Fond of Matches on 4 September 2016 in Montreal and the Laurentides. Canniccioni and Lavoie chose to shoot in black and white, with Canniccioni employing a Red Epic Monochrome 6K camera. He was nominated for the Canadian Screen Award for Best Cinematography.

At the 7th Canadian Screen Awards, Canniccioni was nominated for Best Cinematography in a Documentary for First Stripes. He shot Kuessipan (2019) in Innu Takuaikan Uashat Mak Mani-Utenam and Sept-Îles, Quebec. For Kuessipan, he was nominated for Best Cinematography at the 22nd Quebec Cinema Awards.

Filmography His films include: Journey's End (La Belle Visite) - 2010 Opening Up (M'ouvrir) - 2010 Laurentia (Laurentie) - 2011 Small Blind (La mise à l'aveugle) - 2012 La Playa DC - 2013 The Demons (Les Démons) - 2015 Nina - 2015 The Handout (Autrui) - 2015 X500 - 2016 Early Winter - 2016 Those Who Make Revolution Halfway Only Dig Their Own Graves (Ceux qui font les révolutions à moitié n'ont fait que se creuser un tombeau) - 2016 Genesis (Genèse) - 2018 The Castle (Le Château) - 2020 Bootlegger - 2021 Ousmane - 2021 Rojek - 2022 A Respectable Woman (Une femme respectable) - 2023 perfectly a strangeness - 2024 Best Boy - 2025 Kindergarten (Jardin d'enfants) - 2025 Where the River Begins (Donde comenzia el rio) - 2026

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