The Museo Experimental El Eco is a contemporary art gallery in the centre of Mexico City, Mexico. It was designed by sculptor Mathias Goeritz, a Mexican artist of German origin, MXCITY.MX, Retrieved on 19 February 2018. who worked closely with the Mexican architect Luis Barragán."El Eco Museum Extension, Mexico City, Mexico", Architizer, Retrieved on 19 February 2018. Originally built in 1952–53, the gallery was extended by FR-EE/Fernando Romero Enterprise in 2007 "to expand its offices and special services to improve daily operations".
History of the building
In 1952, businessman Daniel Mont commissioned artist Mathias Goeritz to build a place that would articulate a new relationship between his commercial interests of a restaurant-bar and the avant-garde spirit of some cultural actors of the time, with the intention of finding something different from what was established. Under the premise "do whatever you want", Goeritz conceived the space on Sullivan Street in Mexico City. It was designed as a poetic structure whose layout of corridors, ceilings, walls, rooms and openings led its visitors to reflect their experience of space in an emotional act; This concept challenged the dominant interests of functionalism in architecture at that time. Based on his "Manifesto of emotional architecture", his writings also refer to inspiration of religious experiences and Gothic and Baroque architecture.
Goeritz conceived the building as a penetrable sculpture. This space was the creation of an unprecedented platform for the arts in the context of Mexican and international art of the 1950s.
In 2004, the Universidad Nacional Autónoma de México bought the building which re-opened its doors on 7 September 2005 after many months of restoration work to bring the building back to its original state. The project was intended to revive Goeritz's architectural legacy.
Pabellón Eco
In 2008, the museum initiated a national architecture competition to continue the legacy of spatial experimentation that hosts an interdisciplinary art program. The project offers a platform for young Mexican architects and is co-produced with Buró—Buró,Buró—Buró an independent non-profit cultural office. The museum also organizes a conference around experimental architecture called Pabellón Eco: Panorama.
Pavilion winners: 2010: Frida Escobedo 2011: Estudio MMX 2012: Luis Aldrete 2013: Estudio Macías-Peredo 2015: Taller CapitalArquine: Pabellón Eco 2015 2016: APRDELESP 2018: Taller TOArquine: Pabellón Eco 2018 2020: Cronoboros
Publications
Ensayo de Miguel A. González Virgen, 2006 Estamos hartos (otra vez), Mauricio Marcin and Ida Rodríguez, 2014 Autodestrucción 2, Abraham Cruzvillegas, 2014 La Chinche (2014-2015), Mauricio Marcin (Ed.), 2015 Jugador como pelota, pelota como cancha, Felipe Mujica, 2015 La disonancia de El Eco, David Miranda, 2015 (reedición 2017) La perla de la ostra, Abraham Cruzvillegas, Gabriel Escalante and Carlos Reygadas, 2019 La conquista del Pedregal, Julio García Murillo and David Miranda, 2019 Abstracción Temporal. Museo Experimental el Eco (2010), Tobias Ostrander (Ed.), 2011 Arquitectura Emocional. Museo Experimental el Eco (2011), Macarena Hernández (Ed.), 2012 Re vista #1 (2012), Macarena Hernández (Ed.), 2013 Re vista #2 (2013), Macarena Hernández and Luis Felipe Ortega (Eds.), 2014 Re vista #3 (2014), Macarena Hernández (Ed.), 2016 Re vista #4 (2015 y 2016), Macarena Hernández (Ed.), 2018
References
External links
Buró—Buró organization website, partner for Pabellón Eco